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Simon Reader 《Journal of Victorian Culture》2013,18(4):453-471
This paper reads Oscar Wilde's aphoristic style in terms of the note-taking practices he develops as an undergraduate at Oxford. It treats his use of small, mobile pieces of language as a strategy for dealing with methodological uncertainty in a time of curricular upheaval. His trademark style is perhaps best understood as a form of social notation, whereby pieces of information behave as actors seeking sociality and recombination, rather than placement in systematic arrangements. One significant unpublished source – the ‘Notebook on Philosophy’ – discloses Wilde's engagement with a surprising aphoristic precursor, Francis Bacon, who deploys the form for similar purposes. In modelling a form of non-teleological informational assembly, Wilde's notebooks also body forth the utopian social life he conceives in his later critical writings. 相似文献
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