Aerostatic spacing: on things becoming lighter than air

The development of practical aerostatic or lighter than air balloon flight in 1783 marked the emergence of a new way of being and becoming mobile, one that also involved an important technical and experiential transformation in earth–atmosphere relations. This paper narrates an account of the distinctive kinds of spaces of which aerostatic flight is generative. At the centre of this account is the claim that the affective materiality of aerostatic flight is simultaneously processual and possessing of what political theorist Jane Bennett calls 'thing-power'. In developing this claim, the paper draws from a range of historical and contemporary accounts of aerostatic flight in order to elaborate upon three aspects of the spaces of things becoming aerostatic: the distinctive kinds of sensing of which aerostatic flight is generative; the differential qualities of affectivity in which the movement and materiality of aerostatic things participates; and the kinds of vertiginous events in which the felt movement – actual or anticipated – of aerostatic things is implicated. The paper concludes by speculating upon how attending to the distinctive and sometimes disquieting materiality of aerostatic things might contribute to geographical engagements with the spaces of air and atmosphere.     

Reframing belonging: affective localism and the early fiction of Reino Rinne

The early fiction of a novelist and journalist born in the north of Finland, Reino Rinne (1913–2002), is illustrative of the post-war interest in a redefinition of cultural belonging. The aim of this article is to offer a reading of Rinne’s works that throws light on the way they exemplify a post-war articulation of affective localism. What is especially characteristic of the affective localism produced in Rinne’s early fiction is the deployment of certain narrative elements, realism as an aesthetic regime, tropes of spatial belonging and historical myths that are endowed with affective charge. A comparison between Rinne's first novel Tunturit hymyilevät. Kuvaus Lapista 1900-luvun alkuvuosilta ([1945a]. The Fells are Smiling. Helsinki: Kustannusosakeyhtiö Otava), and his collection of short stories Erämaan omia ihmisiä ([1949]. People of the Wilderness. Helsinki: Kustannusosakeyhtiö Otava), reveals that there was a change in Rinne’s artistic practice. While Rinne’s first novel revolved around a promise of reciprocity and happiness, the collection of short stories shows the dissolution of the optimism that, according to Berlant [(2011). Cruel Optimism. Durham, NC: Duke University Press], is at the core of all attachments.