Precarious masculinities and gender as pedagogy: aesthetic advice-encounters for the Dutch urban economy

In the context of precarious post-Fordist urban labour markets, Dress for Success in the Netherlands, a non-profit working in the context of the welfare state, provides dress advice to a majority of men. Dress advice consists of moments in which demands for immaterial labour find material translations into items of clothing. Building on ethnographic observations, I argue that dress advice-encounters should be seen as exercises in adaptability to new and ever changing economic circumstances. In these pedagogies, gender is a key instrument. Rather than a straightforward feminization of the economy, what is at stake is a performance of openness towards becoming adaptable to future labour market demands. Asking men to depart their attachments to Fordist working class masculinities and its material translations is an exercise toward becoming pliable enough for post-Fordist precarious labour markets.     

The Political Aesthetics of Middle Class Housing in (not so) Neoliberal Mozambique

This article explores the social and material repercussions of middle class aspirations in a system that is still infused by socialist aesthetics in Maputo, Mozambique. We argue the activation of “middle classness” reproduces ingrained inequalities and boundaries. This is demonstrated through two ethnographic case studies of urban housing, long central to imaginaries of prosperity. First, fearing downward mobility, members of the upper middle class seek to embody a liberal ideology of “autonomy”, while simultaneously being dependent on state structures. Second, members of the lower middle class attempt to create enclaves to experiment with forms of privatisation normally only accessible to a privileged elite. Through this examination of the ways in which a spectrum of privileged urbanites attempts to secure their position in the face of a precarious future, the article outlines middle classness under contemporary capitalist conditions and how this is shaped by the legacies of the past.     

猗傩、■蛮的词义辨析──先秦审美风尚琐议

［摘要]本文对猗傩、 蛮两个词语进行辨析,用以澄清对《诗经》某些篇章的误解,揭示先秦审美风尚的基本走势。猗傩,指的不是轻盈柔美,而是指盛大繁多。 蛮,指的不是小鸟,而是指比翼鸟。这是以上两个词语在《诗经》中的基本含义,从中可以看出那个时代以盛大繁多为美,以和谐为美的风尚。     

Huacayñán (1952–1953) and the biopolitics of in(ex)clusion

The foundation of the modern Ecuadorian State in the 1940s and early 1950s coincides with a series of attempts to synchronize and incorporate certain “problematic” sectors of the population that were supposedly resistant to progress and whose forms of life were incompatible with modernity, a capitalist economy, and a cohesive nation. This biopolitical project for the modernization and governance of the population also had repercussions on—and analogous manifestations within—the discourse of national identity, the design of cultural policies, and the production of State-sponsored national art. This article analyzes Huacayñán / El camino del llanto / The Way of Tears (1952–1953), a collection of FIGURE 3 aintings by Oswaldo Guayasamín that was commissioned by the government of Ecuador in 1951. Huacayñán was conceived within the ideology of mestizaje as an instrument of aesthetic cultural modernization and as a visual artistic showcase of the harmonious integration of ‘Ecuadorians.’ Despite, or even because of its governmental overdetermination, however, this article shows how Huacayñán instead materialized the exclusionary logic of the syncretic and biopolitical policies of the State, displaying dystopic visions of violence and exclusion, and of a fractured nation inhabited by monsters and resistant to mestizo-ization.     

水域景观美学价值评价理论研究

水域景观是自然风景的重要组成部分。美学价值是人类审美和水域景观联系的纽带。水域景观美学价值的评价是天然水资源成为景观水资源(旅游资源)的先决条件,美学价值的高低直接影响水域景观的观赏质量,它是水域景观旅游价值评价的重要内容。本文首先根据人类神经生理、心理学等学科的研究成果探讨人类审美的主观缘源;再重点剖析水域景观的美学特征;最后提出水域景观美学价值评价的理论。     

维摩经变所体现的中国艺术精神的嬗变

维摩诘经变是佛教美术中普遍而又独特的题材,对中国文化思想乃至艺术精神都产生了深刻影响。本文从审美的角度结合石窟、造像碑及壁画中有关考古材料,对我国维摩经变从西秦到宋代的嬗变过程进行系统的研究,反映出不同历史时期审美意识、审美理想对维摩诘经变的影响,充分挖掘该经变中所体现的中国艺术精神的丰厚内涵,从而揭示出中国古典美学的发展规律。     

Neoliberalism and the Aestheticization of New Middle‐Class Landscapes

Abstract: If according to Terry Eagleton (The Ideology of the Aesthetic 1990:28), the aesthetic is from the start “a contradictory, double‐edged concept”, how are seemingly innocent acts of viewing and consuming aesthetically pleasing landscapes implicated in the neoliberal politics of urban restructuring? Using contemporary Shanghai as a case study, this paper critically examines the role of the aesthetic in the politics of exclusion and urban segregation in post‐Socialist Shanghai where the restructuring and commodification of erstwhile public welfare housing have led to the rapid development of private “middle‐class” gated enclaves. A central objective of this paper is to excavate the underlying cultural politics of neoliberalism and demonstrate how the aestheticization of urban spaces in Shanghai has become increasingly intertwined with and accentuated by neoliberal ideologies and exclusionary practices in the city. Imbricated in the pristine neighborhoods of Shanghai's gated communities are the fault lines of social division and class distinction that are rapidly transforming urban China.     

浅论唐卡的美学特征及价值

唐卡是藏族文化中独具特色的绘画艺术形式,其风格细腻、精美、富丽,体现了精巧的艺术构思和高超的绘画技巧,唐卡本身具有色彩美、内涵美、意蕴美等特点。前人在这方面已经有所探讨,但欠具体、系统。本文在前人论述的基础上,对唐卡的美学特征和美学价值作以论述。     

关于河姆渡原始艺术的探讨

河姆渡艺术研究应结合其他文物的考证,将其置于特定的历史和文化背景之中,通过对艺术现象的考察,探索其形成的原因、艺术特色、风格特征。