浙江宁波镇海鱼山遗址Ⅰ期发掘简报

鱼山遗址位于浙江省宁波市镇海区九龙湖镇河头村,东距现海岸线直线距离约7.3公里。2013至2014年,宁波市文物考古研究所等单位对其进行了Ⅰ期发掘,分别发现河姆渡文化、良渚文化、商周和唐宋等四个不同时期的文化遗存。其中河姆渡文化二、三期,良渚文化晚期和商周时期堆积之间的自然淤泥层,对于研究沿海地区史前至商周时期文化面貌、人地关系等基础性问题提供了一批重要资料。     

常熟市虞山明温州知府陆润夫妇合葬墓发掘简报

明代陆润夫妇合葬墓出土的金银玉器具有很高的艺术价值,其完整的墓志铭文为了解明代社会结构增添了新的资科。     

涂山地望再研究

夏人的祖先鲧死后化于墠渚,地在伊水之滨的三涂山旁。墠渚的合读即涂、即羽,三涂即是墠渚周方言的读音,即墠渚的异读。涂山、羽山、三涂山实为一山,双音与单语的区别缘于方音的不同。其地为夏人的祖山圣地,禹合诸侯于涂山即是在祖山大会诸侯。于宗庙赏罚黜陟。这是夏时的礼法。会稽是越语羽(涂)字的复音形式,禹合诸侯于会稽出于越人,或者是越人的伪造,也有可能是夏之后人辗转迁徙于此,奉禹之祀于其地,将旧地名带入新地方,由当地语音读出。     

明清以来虞山绘画流变考

元代画坛大家黄公望的山水画风及精神修为深受明清江南士人的推崇,明清两朝的虞山绘画也深受其影响。但自黄公望之后,明代虞山再无大家出现。而有清一朝,以王时敏、王翚为首的画坛因崇尚摹古画风而丧失了创新进取的精神;加之在社会风气影响下,文人情怀也由淡泊转向趋利,这些都导致虞山画派日趋没落。     

论元代末期的苏州书坛

元代末期杭州文化圈向苏松地区迁移,书画家活动呈现出两地交叉的“流动”状况,至正年间,杭州文人和外地文人迁入苏松地区,促进了吴中文化繁盛。藉居苏州文人活动于“玉山草堂”,以雅集方式带动苏州书法兴起,形成了特有的地域风气,直到明初陷入低潮。     

Salt Production of Late Imperial China in the Upper Three Gorges Region: A Case Study of the Zhongjingba Site in Chongqing

This article aims to improve the understanding of salt production in the upper Three Gorges region, based on archaeological investigation and excavation of salt-production sites in Yushan, Pengshui County, Chongqing. This article introduces the features of salt sources and the types and dates of the salt wells in Yushan, and investigates the local brine transportation and salt-making techniques. The Zhongjingba site is a large salt-making site with well-preserved remains of production and support facilities dating from the 18th and 19th centuries. Large numbers of evaporation furnaces, brine tanks, and working pits have been excavated and revealed a complete process of producing salt. Analysis of historical documents and the excavated remnants has allowed the reconstruction of the po lu yin zao salt-making process (which, in Chinese, means to splash brine onto the evaporation furnace), the first archaeological evidence of this technique; the management, output capacity, and sales area of the ancient salt production in Yushan are also discussed.