社会政治变动与西周晚期的历史表述

西周晚期至东周之初是早期史学发展过程中的一个重要节点。受西周晚期社会政治变动的影响,该时期的历史表述产生了诸多重要变化。其一为表述主题发生转变,由原来侧重表述天命、族群及周王朝的发展,转而侧重贵族家族或诸侯功业等主题,开东周诸侯国史述作之风。其二为历史表述的内容与主旨渐趋丰富多元。西周衰亡刺激时人反思历史,审视时政,开始就历史动因提出不同的解释模式,实即私人述史的一个开端。其三为述作群体扩大,人数较多的中下级贵族及普通士阶层开始成为历史表述的主体。部分贵族士大夫摆脱旧观念的约束,就历史与政治发表看法或讴歌主君,"君子作歌"之风由此而起,实为春秋家史兴盛局面的滥觞。     

Neutron activation analysis of stone from the Chadron Formation and a Clovis Site on the Great Plains

Cryptocrystalline silicates from the Chadron Formation were widely used by prehistoric human groups in the Great Plains of North America. There are two documented quarry areas: Flattop Butte in Colorado and the White River Badlands of South Dakota. Cryptocrystalline silicates from these sources are visually indistinguishable, making it difficult to determine the sources of artefacts found at archaeological sites. In this investigation, neutron activation analysis is used to distinguish the two sources. This technique also identifies lithic material from the Clovis-age Eckles site in Kansas as being from Flattop Butte.     

The art of nationalism: Artists' perspectives on the Latvian Centenary film programme

In the aftermath of several decades of neoliberalism in Eastern Europe, the social fabric of post-socialist societies is frayed. In this context, nationalist cultural policies and everyday displays of national belonging have emerged as key instruments of social solidarity. There has recently been a drive of state initiatives in Latvia in the field of cultural policy aimed at strengthening national identity. In this paper, we focus our attention on one particular cultural policy initiative, Latvian Films for Latvian Centenary. Drawing on qualitative interviews with 16 film directors who participated in the Centenary film programme, the paper explores how artists and cultural operators involved in this programme are mobilised as national(ist) subjects and how they see their work within such a framework. We argue that nationalist cultural policy can be successfully implemented because the artists, themselves formed as responsible political and moral subjects in the tradition of Latvian cultural nationalism, share a regard for culture and the arts as a resource for sustaining the political statehood and the national community. However, the artists also recognise the limitations of their work as a source of social cohesion and solidarity in a society that is ethnically divided.     

Recovery and analysis of human genetic material from mummified tissue and bone

Using sensitive techniques of molecular biology, we have been able to demonstrate the presence of genomic material of human origin in samples of mummified human tissue and bone from selected archaeological sites in Greenland. This result has far-reaching consequences for both evolutionary and archaeological studies of past human populations.     

青海大通县出土汉代玻璃的研究

本文共对12件玻璃样品进行化学组成分析.其中,部分样品还进行了密度测定,X 射线衍射分析和显微镜观察.此外,还对一颗黄色玻璃珠的表面层进行 SEM-EDX 分析.结果表明,该玻璃珠表面有金箔涂层.根据分析结果,青海大通县出土玻璃的基础成分可归为三类,即铅钡玻璃(Na_2O-PbO-BaO-SiO_2系统玻璃),钠钙玻璃和钾硅玻璃(K_2O-SiO_2系统)。此外,还对玻璃的来源进行了探讨.     

胶东青铜器科学分析

本文通过考古实物的科学分析,认为早在西周时期胶东青铜技术便发展到了一定水平,战国后便发展到了较为成熟的阶段,大约自西周始,胶东青铜技术与中原便是大体同步发展了的.文章最后还将胶东青铜合金成分与《考工记·六齐》作了比较,并提出了“六齐”既不是生产经验的总结,也不是指导生产实践的工艺规范,而是一种试验资料的反映和归纳的观点。     

生计与风水:清代湘南地区的矿业开发与生态环境

湘南地区毗邻赣、粤、桂三省,地理位置特殊,是一个复杂的地理单元。及至清代,湘南地区已是湖南省乃至全国铜、铅、银等矿业生产的主要区域。长达数百年的矿产开采与冶炼,促进了地方社会的经济发展,也给当地的生态环境带来深远影响。由此,湘南官绅民各界对矿业开发引发的环境问题亦有因应,“坑冶十害论”和“九嶷山封禁案”即为其集中体现。开矿采砂本为解决贫民生计而采取的措施,但因破坏风水、污染水土等一系列影响环境的后果,以致出现开矿与禁矿之争,使得湘南地区矿业开发一度出现波折。这两例个案亦折射出在“重本抑末”的传统社会中地方官绅士民在生计与风水之间的离合关系。地方社会以保护风水为由严禁矿冶,在一定程度上遏止了生态环境的破坏与恶化,不过,其在环保方面发挥的作用也不宜被高估。     

明清丝绸之路哈密—吐鲁番段“沙尔湖路”研究

明清丝绸之路哈密—吐鲁番段存在一条自哈密西南沙尔湖转西北至鄯善进而抵达吐鲁番的“沙尔湖路”,它与“黑风川道”“小南路”等传统路线均不同。利用《蒙古山水地图》等文献,可对沙尔湖路具体行经进行考证复原。该路沿线地形平坦,有泉水与植被,在明廷与吐鲁番、清廷与准噶尔在哈密的政治和军事对峙阶段曾广泛使用,后因泉湖干涸、气候炎热而中断。     

广西玉林市博物馆馆藏七件铜鼓的初步分析研究

迄今已有2 700多年历史的铜鼓,是南方少数民族地区节日、喜庆、兵事、婚丧、祭祀、礼乐等场合使用的一种重器。为了对锈蚀状况做出科学的现状评估,为器物保护修复技术路线的制定和修复工作的开展提供科学指导,对玉林市博物馆馆藏7件铜鼓综合运用了体视显微镜、金相显微镜、激光显微拉曼光谱仪(RS)和环境扫描电镜及能谱仪(ESEM-EDAX)等仪器进行了金相组织和合金成分分析以及锈蚀产物的分析。分析结果显示:7件器物皆为泥范铸造成型,未见热、冷加工处理现象。7件铜鼓皆为铅锡青铜合金,总体呈低锡高铅的特点。组织形态呈典型α固溶体树枝晶偏析,锡含量处于6.0%～12.2%,分布较为集中,处于中等含量水平(5%≤Sn15%);铅含量处于14.4%～28.2%,铅含量普遍较高且分布较为集中,处于中高铅(10%≤Pb15%)和高铅含量(Pb≥15%)水平,合金中高铅含量配比应为工匠有意合金配比选择;铜鼓的腐蚀类型为α固溶体富铜相优先腐蚀,保存环境主要是富氧、少氯,铜鼓表面锈蚀产物主要为绿色孔雀石和蓝色蓝铜矿以及氧化物,有少量白色白铅矿。在保护修复工作中对于这些无害锈可保留,不予处理,并注重防氧。对于铜鼓表面夹杂泥土,需进行清洗去除。研究结果可为器物保护修复技术路线的制定和修复工作的开展提供科学指导。     

邯郸金代墓葬壁画保护性搬迁及后期修复

2017年7月在邯郸华耀城建筑工地发现一座金代墓葬,经清理后发现该墓葬墓室内存留有大量壁画。作为邯郸地区发现数量较少的文物类型,此壁画的发现对研究邯郸历史文化具有重大价值,因此保留壁画实物十分重要且必要。为此,文物保护修复人员按照文物保护修复规范流程,对壁画进行清理、预加固、加固、分幅、支撑、切割、搬运等操作,将全墓壁画分为17幅,全部搬运回文物库房。2020年6月开始进行后期保护修复,采取对砖体的二次打磨切割、脱盐、加固、翻转、画面层清理、补全、作色等操作,壁画保护修复工作圆满完成。