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Prisons play an important role in the Australian psyche. As places in which the lawless element of society is incarcerated they possess a resonance that harks back to the stereotyped and mythologised convict foundations of the Australian nation. Many former places of confinement have been transformed into publicly accessible heritage sites and museums, but visitor numbers often do not reflect the widespread public interest in confinement. It is not at all clear how to engage the public with the individual histories of these places. This paper examines this issue by reference to the public display of Fannie Bay Gaol prison museum in Darwin. Changing themes and foci in the display of this site are discussed. The role of the historian and archaeologist is examined in the context of the public presentation of narratives of the Gaol's past.  相似文献   
2.
In nineteenth-century Italy notions of femininity and, no less, masculinity influenced the ways in which crime was viewed. The result was that criminality was perceived, judged and explained differently according to the sex of the offender. At every stage in the penal process, cultural understandings of what women were like, and how they ought to behave, operated to define the appropriate response to their misconduct and to structure their punishment. These 'gendered' aspects of criminal justice have influenced the practices of prosecution and sentencing, and, most clearly of all, the special regimes and attitudes adopted in women's prisons: throughout the century male prison regimes emphasized discipline and deterrence, while female prisons developed individualized programmes of 'moral regeneration'. This article deals with the history of the first prison destined exclusively for women - which was opened in Turin in 1821 - with the circumstances which brought about its creation as well as with its organizational structure and its aims. Its promoter - both in money and in spirit - was a woman, named Giulia Falletti di Barolo Colbert. Giving special consideration to the ideals of its foundress, this article examines how nineteenth-century perceptions of the female criminal differentiated the nature and purpose of penal servitude for women.  相似文献   
3.
对监狱行刑社会化的几点思考   总被引:1,自引:0,他引:1  
雷杨兰 《攀登》2006,25(2):125-127
监狱行刑社会化,是指在刑罚执行过程中充分应用一切社会资源和社会力量教育改造罪犯。目前,我国监狱行刑工作的社会化程度还处在较低的水平上,监狱行刑走向社会化还有许多制约因素。为此,应从监狱职能、行刑观念、行刑立法、行刑模式等方面探索监狱行刑社会化的问题。  相似文献   
4.
Saharan prisons     
《History & Anthropology》2012,23(5):509-514
ABSTRACT

The Sahara has long served as a site for high-security prisons. Prisons here however rarely locked people away; rather, they set them to work. Prisoners survival in these conditions hinged on their ability to establish social ties locally, as is arguably still the case with transregional migrants today.  相似文献   
5.
In 2004 the Singaporean government demolished Changi prison in the face of considerable opposition from the Australian government because of the prison’s association with the captivity of prisoners of war during the Second World War. In opposing the demolition the Australian government was constrained by the fact that it was challenging the accepted right of a sovereign government to manage national heritage sites; by the lack of a shared history surrounding Changi; and the absence of any agreed international regimes governing ‘transnational heritage’. The case of Changi also demonstrates the manner in which heritage significance can be displaced from ‘real’ to ‘un‐real’ (or substitute) sites, that lack the authenticity attributed to them but are invested with a significant emotional power at the level of individual memory and popular culture. In this, Changi is, finally, a testimony to the way in which the construction of memory is a dynamic interactive process between individuals, organisational stakeholders and the state.  相似文献   
6.
唐墓壁画中的妇女发饰   总被引:1,自引:0,他引:1  
王彬 《东南文化》2004,(6):83-90
唐墓壁画资料显示唐代妇女发饰是中国服饰发展演进中最为活跃和最富特色的一个阶段,不仅具有等级性,还具有艺术性。  相似文献   
7.
This article examines the interaction between official memory and popular memory through the case study of Olei Hagardom – Jewish underground fighters executed by the British in Mandatory Palestine. Studies of collective memory usually maintain that the ruling elite, with its control of state resources, dominates collective memory formation. However, the case of Olei Hargardom demonstrates the potentially limited power of institutional commemoration and exclusion in a democratic society. David Ben-Gurion and his government's attempt to exclude these right-wing heroes from the national pantheon had limited impact. Menachem Begin's persistent, partisan political efforts to include them were only partially successful. Ultimately, Olei Hargardom became entrenched in Israeli collective memory as a result of apolitical literary works, popular culture, and the establishment of a site of memory by spontaneous, grassroots efforts.  相似文献   
8.
"文化大革命"爆发后,在改造"旧国家机器"的运动指向下,各级妇联遭受了组织冲击,妇联组织的存废也作为一个问题而提出;受夺权风暴和全面动乱的影响,至1968年革委会新体制建立前后,全国妇联实行了"军管",地方各级妇联亦陷入解体状态;妇女组织体系的摧毁和革委会体制的缺陷,使妇女工作弱化,同时也彰显了妇联组织的重要性;随着1970年后中央在妇联组织存废问题上的态度由模糊不定转为明确的整顿健全,妇联自下而上地完成了从基层至省级的组织重建,但由于在一系列理论与实际问题上难以澄清是非,全国妇联的组织重建未能完成.  相似文献   
9.
文化大革命结束后,伴随党和国家的历史转折,中国妇女运动领域开始拨乱反正,它始于以四人帮为对象的揭、批、查运动,经由中国妇女四大的推动,得到全面展开。拨乱反正以澄清文革前17年妇女运动的路线是非为核心,包括平反冤假错案、调整妇联组织、整顿妇女干部队伍、全面恢复妇女工作。随着拨乱反正的完成,妇女运动走出极左的泥潭,迈向改革开放的新阶段。  相似文献   
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