St. Leon and the culture of the heart

This essay reads Godwin's second novel, St. Leon (1799), as an attempt to counter the asperity he expresses towards the domestic affections in his political philosophy of the 1790s. In St. Leon, Godwin seeks to square his newfound interest in the affections as a topic for fiction with his commitment to an anti-establishment political agenda. Though it is presented as a ‘eulogium’ to ‘the affections and charities of private life’, the narrative persistently undercuts the potential for the affections to stimulate readerly curiosity. The focus of the novel constantly shies away from the domestic scene, and instead propels the momentum forwards to the alchemical adventures that precipitate the disintegration of the very affections the novel purports to eulogise. The novel thus plays out Godwin's complicated desire to embrace, and yet simultaneously to deny, the importance of private emotions in the pursuit of political justice.     

The ages of man. A study in medieval writing and thought

It has often been repeated that Wollstonecraft was not read for a century after her death in 1797 due to the negative impact of her husband William Godwin's Memoirs of the Author of a Vindication of the Rights of Woman (1798) on her posthumous reputation. By providing the first full-scale reception history of Wollstonecraft in continental Europe in the long nineteenth century—drawing on rare book research, translations of understudied primary sources, and Wollstonecraft scholarship from the nineteenth century to the present—this article applies a revised Rezeptionsgeschichte approach to tracing her intellectual influence on the woman question and organised feminism in Europe. Although the Memoirs and post-revolutionary politics everywhere dampened and even drove underground the reception of her persona and ideas in the first decades of the nineteenth century, Wollstonecraft's reception in nineteenth-century continental Europe, like the United States, was more positive and sustained in comparison to the public backlash she faced as a ‘fallen woman’ in her homeland of Britain through the bulk of the Victorian era.     

A heavenly poise: radical religion and the making of the Enlightenment

ABSTRACT

Scholarship continues to identify the Enlightenment with secularization, despite the theological tenor of much of the movement's canonical literature. This article proposes an explanation for such a dissonance, before addressing the matter more directly through the work of Baruch Spinoza and Pierre Bayle. The claim is that scholars have been unduly dependent upon theological commentary in reaching the fixed verdict of secularization, inferring ‘atheism’ and disenchantment from the polemical utterances of a privileged orthodoxy rather than the primary sources themselves. Seen apart from such controlling anathemas, icons of the radical Enlightenment such as Spinoza and Bayle emerge as deeply spiritual thinkers, challenging the theocratic assumptions of their age with theological certainties of their own, interrogating orthodoxy with a resolutely biblical rationality. The final section suggests the continuity of the eighteenth-century Enlightenment of Voltaire, Kant and Mary Wollstonecraft with the spiritual rationalism of the seventeenth century. If so many of the Enlightenment's landmark thinkers were inspired by religious ideas, the concept of a secular modernity must be open to revision.