高句丽与汉魏晋及北族政权的朝贡关系

1—5世纪初,无论是统一王朝时期,还是王朝分裂、政权频繁更替时期,高句丽对中原王朝和北族政权都采取积极朝贡的姿态,朝贡活动呈现出单向、双向、多向的变化,先后向十多个王朝和政权进行朝贡。随着政治形势和朝贡对象的变化,高句丽朝贡活动的目的及其与朝贡对象的关系也有一定的变化。     

六朝隋唐时期考功郎隶属及其职掌之变化

六朝隋唐时期,考功郎隶属及其职掌均发生较大变化。魏晋时,考功郎掌百官考课,隶属于吏部尚书;南朝时,功论郎取代考功郎掌考课,隶属于都官尚书;北朝中后期,考功郎中掌考课百官及考试秀孝,隶属于吏部尚书;隋及唐前期,考功郎中、员外郎之隶属及其职掌略同北朝。唐中期以后,考功郎中、员外郎专掌京官与地方官的考课,策试秀孝的职责则转归礼部。六朝隋唐时期考功郎隶属及其职掌的变化,反映了尚书省机构的职能调整及选举与考课各司其责体制的逐渐形成。     

洪业对顾颉刚的学术影响

洪业对崔述《知非集》、《荍田剩笔》等著作进行研究,系统梳理了崔述著作的版本流传、学术思想和生平事迹,这对顾颉刚整理和编订《崔东壁遗书》是有价值的。洪业主持的哈佛燕京学社引得编纂处支持了顾颉刚的《尚书》研究。在《禹贡》半月刊、禹贡学会的创立和以通俗读物的形式宣传抗日的工作中,洪业作出了自己的贡献,这些都对顾颉刚的学术产生了有意义的影响。     

"每欲追风去,甘为汗漫游"——试论陶澍和魏源

陶澍、魏源都是中国近代史上最杰出、最有影响的人物,一个是道光年间最杰出的封疆大吏,一个是道光年间最杰出的思想家.他们都生长于湖南的资江之泮,既有深厚的友谊,又以幕主和僚属的关系长期共事.陶澍事业的成功,有魏源参赞谋划之力;魏源思想的成熟,则有陶澍提携培养之功.     

北魏河南石雕三尊像

本文集中北魏时代以河南北部为中心制作的石雕三尊像诸例,在指出其特色的同时试图作出编年,阐明造像具有的独特绘画性和地方色彩。并对其与龙门石窟,即所谓的“中央样式”的关系,以及与这一样式初期阶段河北造像的关系作以探讨。     

我国最早向西方“佛朗机”学习的人──汪鋐传略考

本文简要介绍了汪 的生平传略,并认为他是中国最早率军抗击西方葡萄牙殖民者“佛朗机”入侵的要臣,也是引进西方先进武器：“佛朗机铳”并进行大规模推广使用的第一人。     

古章草书与《出师颂》

章草书,广义而言是汉代通行的隶书草写法;狭义而言是在隶草的基础上进而规范化的一种专门书体。章草书盛行于东汉末期,历经魏晋时代而渐成衰势,隋唐以后罕有书者。故宫博物院新近征得的原藏清宫并著录于《石渠宝笈》的隋人书《出师颂》恰恰弥补了章草书发展末期的历史空缺。本文简述章草书之由来以及古代章草书家的简况,以便读者从中了解隋人书《出师颂》的历史和艺术价值。     

出土墓志与东魏北齐邺京行里制度探析

东魏北齐邺京里坊的设置沿袭北魏洛阳里坊制度,文献记载往往以里或乡里形式称谓居住地。然而有4方东魏北齐时期墓志,志文记载墓主的居宅异于常例,为某行某里,或某行某坊。通过对墓志时代及墓主身份等因素的综合研判,并结合史书记载,可知东魏初至北齐末,某行某里(坊)是邺京里坊称谓的一种常用格式。"行"的称谓源自邺京行经尉制度,行名与里(坊)名的连用,是基于城市治安管理角度所产生的隶属关系的呈现,在名称上反映了某行区域内里的管辖情况。且行名与里名存在一定关联,将行名与里名对照,可知邺京部分行名与里名相同。     

The Big Buddha of Hong Kong: an accidental Buddhist theme park

ABSTRACT

The Tian Tan Buddha is the core of a tourism site on Lantau Island, Hong Kong, around which a cable car ride, the Po-Lin monastery and its museum, and the village of Ngong Ping have come to comprise an eclectic set of tourism nuclei that ‘accidentally’ became the ‘Buddhist theme park’ of Hong Kong due to the spatial juxtaposition in an isolated site of these disconnected and even dissonant components built at different times by different jurisdictions. The first objective of this article is to explore the developmental process of a religious site into a theme park of sort through a lengthy process filled with contestation and manipulations. The history-dependent and erratic nature of this process validates the notion of ‘accidental’ theme park used here. It is shown that over time, the Big Buddha went from being a Buddhism-themed leisure site to being generally perceived and promoted as essentially a theme park through a process of partial Disneyization. The second objective is to examine how the ‘theme park’ is perceived by its visitors, more precisely how they see it after their visit and what first-time visitors expect from it beforehand. The first enquiry, performed through the analysis of TripAdvisor reviews, indicates that ex-post, the visitors typically describe having experienced a visit to a theme park. The second enquiry, performed by interviewing first-time visitors about to access the site, suggests that while many first-time visitors expect to visit a theme park as well, others, mainly Western tourists, are expecting a more cultural experience. The findings of the two inquiries are compared to each other and to the image of the site promoted by the local tourism authorities. The subdued political message of the Big Buddha and the degree to which it is discerned by visitors are also discussed.     

北魏永宁寺建筑师郭安兴事迹的新发现及相关问题

魏故河涧太守郭君墓志于2001年在洛阳市纱厂西路出土.墓志记述了北魏著名建筑师、洛阳永宁寺的建造者郭安兴的重要事迹.本文根据墓志资料结合历史文献,对郭安兴和永宁寺的有关问题进行研究.