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1.
中国新史学中最常见的两种历史研究方式是科学实证与文化阐释,前者旨在建立历史事实之真或寻求历史演变之理,后者则以探寻历史之意义或彰显切实之史识为目标,此二者可谓中国新史学之"双轨"。中国新史学正是沿此"双轨"向前发展的。从新史学之"双轨"着眼,并依据"新异性的标准",中国新史学界应有"八大家",他们分别是:梁启超、王国维、陈寅恪、胡适、顾颉刚、傅斯年、郭沫若和钱穆。科学实证与文化阐释,这两种不同的历史研究取径,展示了中国新史学研究的多元面相,二者之间是相互融通的,并无根本性的冲突与对垒,其在治史观念与方法上亦可做到相互补益,相得益彰。许冠三在《新史学九十年》中因陷入"科学"迷思的褊狭"新史学观",以科学实证拒斥文化阐释,故而未能将钱穆基于"文化"视角来研究历史的文化史学视为新史学。钱穆的新史学特质主要表现为:在继承中国传统史学遗产之基础上,注重历史研究主体与客体的统一,以文化为本位,以阐释为取径,其典型表现是"以士释史";以中国为立场,注重探寻本国历史文化之意义,探求与本国历史文化相符合之史识,强调历史学的经世致用功能。钱穆的新史学观与后现代主义在批判科学主义历史学、反对文化一元论和西方中心主义历史观等方面多有契合之处,但其以"于客观中求实证"为基础的历史认识论与走向历史虚无主义的后现代主义有着本质的区别。  相似文献   
2.
ABSTRACT

Cultural history is currently rediscovering heraldry as a versatile means of communication that was widely employed throughout all parts of medieval society, not least the city. Scholars, however, primarily analyse the urban space as a stage for noble self-representation by means of heraldic communication. This paper argues for a different perspective, that townspeople and other commoners were far from primarily passive observers of heraldry displayed in the city. Four case studies from late medieval London demonstrate public expressions of discontent and protest through forms of heraldic communication which did not rely on display, but instead on the manipulation and destruction of the heraldic signs of kings, princes and other noblemen. Indeed, such heraldic practices of ‘non-nobles’ suggest that heraldry, in the later Middle Ages, was accessible to all parts of society, and constituted a ubiquitous and powerful aspect of urban visual culture.  相似文献   
3.
博物馆展示艺术是一种诉诸视觉器官的文化形态。为观众提供可欣赏、受教育的展示精品,是博物馆追求的永恒主题。本文通过对博物馆展示主题、创意设计、科技维新及视觉艺术四方面进行思考,发掘博物馆自身所蕴藏的艺术价值和文化价值是当代视觉文化背景下展示艺术的价值定位。  相似文献   
4.
In 1942, within in a period of 10 months, 500,000 people were systematically murdered in a specially built death camp at Belzec, Poland. When it had served its purpose the Nazis demolished it, and to hide its existence, grassed the site over, allowing the atrocities performed there to remain virtually hidden from public view for over 60 years. In 2004 an important new Holocaust memorial, covering the whole death camp area, was opened. Visually striking, this conceptual art/architectural artwork affectively elicits strong visitor responses. I explore ways in which the materiality of the reconfigured site makes the invisibility of such horror and collective loss paramount. My interpretation and visual analysis shows how ‘memory work’ can operate through viewer experience. This paper locates Belzec within its historical context and includes a related discussion about Polish–Jewish relationships up to the present. As a significant heritage site, Belzec’s new role in Polish Holocaust tourism is examined.  相似文献   
5.

This article examines the interaction between changing interpretations of history and visitor interpretation provided at heritage tourist sites. Generally, the literature distinguishes between history (which is seen as objective and fixed) and heritage interpretation (which is characterised as biased, selective and serving parochial interests). It is argued that history is actually far more dynamic and subjective and that this requires an ongoing revision of interpretation for visitors as historical interpretations change. To illustrate these processes, Goodman's concept of a new ‘edgier history of Gold’ is applied to interpretation at Sovereign Hill and the Mount Alexander Diggings in Australia and the Central Otago Heritage Trail in New Zealand.  相似文献   
6.
This article is concerned with the currently common deployment, under the rubric of cultural planning, of place‐making and local cultural heritage awareness projects. Such exercises sometimes seek to accommodate the impacts of de‐industrialisation and urban transformation by identifying and marking places of contemporary and historical significance, and interpreting them and their broader connections to people and to place. The article critically reflects upon a project conducted by the authors that developed two interpretive heritage walks in a large, working‐class suburb in Australia. This interpretive exercise afforded a valuable opportunity to investigate the contours of the place‐making process and its determinants. By tracing the development of the walks and their accompanying interpretive brochures, the article identifies and discusses a number of emergent key issues relating to social class, gender and ethnicity. In particular, it considers the interpretive opportunities and constraints presented by contracted cultural heritage research and its applications.  相似文献   
7.
ABSTRACT

This article proposes a particular notion about “topoiesis,” focusing on the text reception point of view. Initially, it establishes a theoretical framework using useful concepts from hermeneutics and post-structuralism, to later discuss the real existence of a dialogue or a “fusion of horizons” in which a “sense of space” of a text would be blended in the meeting point between textuality and the reader. Finally, through this space we propose a categorization of the different types of “topoiesis” of literary reception, establishing correspondences with the concept of “enunciative instances” in the text space, detailed in another article.  相似文献   
8.
In Search of Politics in Knowledge Production. A Plea for a Historical‐Political Epistemology. Knowledge production has an intrinsic political dimension. Starting from this presupposition, it is argued that the systematic integration of and reflection on the political dimension is necessary for an adequate understanding of historical processes of knowledge production in the sciences. The consecutive plea for a historical‐political epistemology proceeds in two steps: First, it is illustrated that in a number of recent historical science study cases, the political dimension is frequently marginal, or even absent. After a short discussion of previous theoretical concepts to describe the impact of politics for the production of scientific knowledge, an approach is sketched which builds on Hans‐Jörg Rheinberger's historical epistemology and Bruno Latour's symmetrical anthropology. It is argued that in addition to Rheinberger's program to describe epistemic systems, the political dimension is intrinsic to three stages of the process of data production: First to an initial phase which consists in the arrangement socio‐technical configurations to produce new evidence. Here, factors such as the culturally shaped perception and evaluation of ?relevant”? problems, as well as the perception of career resources have to be taken into account. Second, the political dimension is relevant in view of the continuous re‐adjustments of the configuration of epistemic systems, e. g. towards newly available financial, technical, or intellectual resources and ?relevant”? challenges from outside the system. Thirdly, the data produced and represented by epistemic systems – “evidence” – are yet in need of interpretation. This process is in itself imbued with continuously shifting mechanisms of selecting and creating hierarchies amongst the pool of available data.  相似文献   
9.
秦南海郡辖南海县说商榷   总被引:1,自引:0,他引:1  
本文通过对传世古官印"南海司空"之性质和新出土南越国木简所见"南海"地名之性质的重新研究,对秦南海郡辖有南海县说进行了商榷,认为所谓传世秦官印"南海司空"估计是南越国官印的误断,南越国木简所见"南海"地名指的当是南越国的南海郡,也不能排除是指南海郡治(即南越国都番禺城)的可能性,但没有任何证据可以证明指的是南海县,有学者推测秦代与南越国时期一样也设有南海县,显然缺乏立论的根基。  相似文献   
10.
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