Integrating pedological and geophysical methods to enhance the informative value of an archaeological prospection – The example of a Roman villa rustica near Regensburg,Germany

Geophysical prospection techniques are widely used to visualize the buried past. Various methods such as magnetometry, electric resistance mapping and electric resistivity tomography and ground penetrating radar yield different results. The use of all three techniques in combination with aerial photography interpretation and pedological mapping is highly effective, but it requires a multi-layer approach. This paper presents such a multi-layer approach carried out at a site with buried remnants of a Roman villa rustica in southern Germany. The integration of the various results into a geographical information system leads to a geocodation of all outcomes and a final archaeological interpretation. Several buildings in different states of preservation, different kinds of ground floors both with and without hypocausts, perimeter walls and kilns could all be detected. The soil mapping results helped in the geophysical interpretation by outsourcing soil erosion and accumulation areas. It is shown that none of the employed methods could have supplied all the compiled information on their own, and the strengths and weaknesses of each method is discussed in order to point out the implications for archaeologists.     

Provenance of marble sculptures and artifacts from the so-called Canopus and other buildings of “Villa Adriana” (Hadrian's villa – Tivoli,Italy)

The results of a minero-petrographic and isotopic study carried out on the marbles of statues and architectural elements belonging to several buildings on the “Hadrian's Villa” site (the so-called Canopus, the Peschiera, the Sala dei Pilastri Dorici and the Serapeum) are presented here as part of an ongoing archaeometric project which considers the determination of the provenance of all the marble decorations of the Villa complex. Analytical data indicate the prevailing presence of marmor lunense and the use of Pentelic and Thasian marbles for architectural elements in a few parts of the Sala dei Pilastri Dorici, the Peschiera and the Serapeum; no significant use is made of Proconnesian marble, probably the most inexpensive of the time. Analysis of sculptures from the Canopus showed that those of the Tiber and Nile gods were made of Parian marble, the Caryatids and Telamons of Pentelic marble and the Amazons of the precious white Dokymaean marble.     

The Asiatic marbles of the Hadrian's Villa at Tivoli

Multi-method provenance studies, including petrographic, isotopic, electron paramagnetic resonance and trace chemical analyses, have been carried out on 20 white, 9 black and 1 red artifacts purposely selected to investigate the use and distribution of sculptural marbles at the Hadrian's Villa. A large fraction of the marbles tested (21 samples, 70%) are shown to be from Asia Minor, mostly originating from the recently discovered site of Göktepe near Aphrodisias (15 or 71%). All the 9 black samples investigated and 6 out of 11 white Asiatic marbles are from Göktepe, the remaining being Docimium marble from Iscehisar (4 samples) and Aphrodisias marble from the city quarries (1 sample). The single red sculpture tested proved to be Carian red marble from the Iasos quarries, whereas non-Asiatic marbles include 3 Carrara and 6 Pentelicon samples. The selection of marbles tested is preliminary and incomplete, but, despite this, the results are noteworthy, especially since the marble of other sculptures from the Villa has already been identified as Göktepe. Together with other published results, the marble distribution at the Hadrian's Villa seems to suggest that the use of sculptural marbles in the Roman world underwent considerable changes around the turn of the 1st and the 2nd century AD. The evidence supporting this hypothesis is briefly summarized in the conclusions.     

Vincenzo Neri and His Legacy in Paris and Bologna

Italian neurologist Vincenzo Neri was able to discover cinematography at the beginning of his career, when in 1908 he went to Paris to learn and improve his clinical background by following neurological cases at La Pitié with Joseph Babinski, who became his teacher and friend. While in Paris, Neri photographed and filmed several patients of famous neurologists, such as Babinski and Pierre Marie. His stills were published in several important French neurological journals and medical texts. He also collaborated with Georges Mendel, who helped Doyen film the first known surgical operation in the history of cinema. In 1910, when he came back to Bologna, he continued in his clinical activities and, for 50 years, slowly developed a huge archive of films, images, and prints of neurological, psychiatric, and orthopedic cases. This archive was extremely helpful to Neri, who especially needed to analyze neurological disorders and to differentiate them from functional conditions in order to understand clinical signs, rules, and mechanisms.     

The development and operation of Roman hypocausted baths

Hypocausted baths represent physical systems which are susceptible to theoretical and practical examination. A consideration of the development of the hypocaust gives an idea of the state of the art at the time of the Roman occupation of Britain. It also explains why the importance of baths in the history of architecture, usually taken as being almost axiomatic, is determined by comfort physics. A number of problems in the way of a simple theoretical calculation of the fuel consumption is examined, and a calculation of the order of the requirements of a small rural establishment is attempted. The social and ecological implications are briefly touched upon.