The Persian Presence in Nineteenth-Century English Poetry: A Taxonomy

This study employs keyword searches of literary databases such as Literature Online (LION) in an attempt to map the image of “Persia” in nineteenth-century English poetry as it was molded by a proliferation of thoughts and ideas in a variety of contexts. Completeness is not possible, of course, but the article aims to identify and explore some of the major categories within which the image of Persia was formed and disseminated in the nineteenth-century. The scope of the study is not confined to a corpus of poetic works that were written specifically on or about “Persia,” but takes account of a broader range of poems, and attends to the structure, texture and variations of the presence of “Persia” in nineteenth-century English poetry.     

A Pocket Borough? Reformed Politics in Ripon, 1832–67

This article examines the political history of the parliamentary borough of Ripon between the Great Reform Act of 1832 and the Second Reform Act of 1867. It challenges the notion that Ripon remained a ‘pocket borough’ during this era; rather, the Reform Act rendered Ripon's politics much more open, vibrant and participatory than they had been during the ‘unreformed’ era. In demonstrating this, the article calls into question the alleged prevalence of ‘pocket boroughs’ in the reformed era.     

The Nor’-Wester and the Saskatchewan Gold Rush

ABSTRACT

This article explores the phenomenon of how news about the discovery of gold on the North Saskatchewan River in British administrated Rupert's Land was propagated by the press in the early 1860s. It tracks the resonance of gold rush news first in the Nor’-Wester, a newspaper published in the Red River Settlement, and then reveals how this paper's coverage was re-published and transmitted across the Anglophone world. The article shows how news about the Saskatchewan gold rush was highly politicised. In the Red River Settlement, editors of the Nor’-Wester sought to spur on the British parliament to implement responsible government in the colony, issuing dire warnings about the potential repercussions of a mass migration to the region and the need to act precipitously. Likewise, in newspapers across North America, editors republished and endorsed news from the Nor’-Wester about the Saskatchewan gold fields to benefit their own communities. But while editors championed the Saskatchewan gold fields to lure potential gold rushers to the region, no large-scale migration to the Northwest occurred. While news about the Saskatchewan gold fields may have been popular across the Anglophone world, it was not actionable. While news reports conveyed the impression that a gold rush was ongoing on the North Saskatchewan River, the reality on the ground did not match the press coverage.     

Introduction

The city has been ubiquitous in cultural analysis of the Victorian period and continues to provide the impetus for some of the most exciting and innovative work in nineteenth-century studies across a range of disciplines. While showing how new work is building on earlier studies and theoretical models, this Introduction demonstrates the emergence of a new agenda characterized by three fresh emphases: on demographic mobility, on material culture and everyday life, and on social networks. Accordingly, the essays in this collection have identified new sources: archaeological excavations of household objects, unpublished diaries, tracts and archival records of late-nineteenth-century missions, articles published in the periodical press and cartographic material, as well as literary texts. All of the essays in this collection concentrate on London, but London now is construed as a meeting point or intersection in a web of national and international relations. The city is newly conceptualized as a hub in wider networks of exchange and communication, and the critical attention moves between the local and its relationship to the transnational. There is a fresh attention to scale, as the minutiae of everyday life reveal stories of much larger significance.     

Afterimages of the Victorian City

As emblematic spaces of social and cultural contamination, the Victorian street and underworld have had remarkable afterlives in twentieth-century reinterpretations of Victorian cityscapes. This article explores what persists in our vision of the nineteenth-century city well over a century after it was, so to speak, first seen, and how what persists impacts on our attempts to reconstruct that act of seeing. In the lived spaces around us there is in fact continuity, in that the city is a palimpsest and patchwork of Victorian and post-Victorian materials. However, to see those spaces as Victorian is in fact to elide a historical process of physical accumulation and syncretism. This article explores spectral ‘afterimages’ of the Victorian street and underground, in a variety of contemporary sources, ranging from Gary Sherman's Death Line (1972) and John Mackenzie's The Long Good Friday (1980) to Salman Rushdie's The Satanic Verses (New York: Picador, 1988), the material culture of steampunk and the Telectroscope by the artist Paul St George. It traces two distinct genealogies of renderings of Victorian urban spaces in current popular culture. While filmic renderings are obsessed with the ghostly circulation of Victorian spectres haunting the present, steampunk artists imagine an alternative temporality, locating the origin of an alternative future in the mobility of Victorian metropolitan culture.     

Fashioning Michael Field: Michael Field and Late-Victorian Dress Culture

This article explores how the late-Victorian poets Katharine Bradley and Edith Cooper, who wrote under the collaborative pseudonym Michael Field, used fashionable dress to construct and advertise their unique poetic identity. Using evidence from their journal Works and Days, I contextualise Bradley and Cooper's clothing in terms of late-Victorian dress culture, and the major dress reform movements of the nineteenth century. I demonstrate that Bradley and Cooper used fashion as a distinctively feminine way of participating in aesthetic culture, marking significant life events, and to advertise their poetic identity. This self-fashioning also exposed them to aesthetic scrutiny from their peers Oscar Wilde and Bernard Berenson. Finally, I argue that fashion played a crucial role in Bradley and Cooper's desire for one another – and that this desire can be understood in terms of erotic reciprocity.     

Defending ‘the Principle of Representation’: Andrew Bisset,The English Civil War,and The History of the Struggle for Parliamentary Government in England

Abstract

Victorian attitudes to the past were varied and in some cases irreconcilable. Newer standards of expertise and objectivity coexisted with older approaches, and the idea that history should be used for present purposes remained intact. Throughout the Victorian age there were circumstances in which history was a polemical tool, designed to give one set of interpretations or values or policies an advantage over its rivals. This article explores the work of a relatively neglected figure in Victorian historiography – the reform-minded historian and lawyer Andrew Bisset (1803–1891) – whose primary goal was to illustrate and advance what he called ‘the principle of representation’. He discussed people and events of the past to this end, offending reviewers along the way because of his obvious political agenda, but also developing a rigorous source-based style, usefully evaluating for his readers the work of Macaulay, Carlyle, and others, and helping to shape Victorian opinion about, in particular, the political and religious crises of seventeenth-century Britain. Like others, Bisset believed that the disputes of that period had relevance to the public controversies of his own day. This article is designed to contribute to ongoing debates about the Victorians’ relationship with the past.     

The invention of the basset hound: breed,blood and the late Victorian dog fancy, 1865–1900

In this article the authors explore the practices and conceptualisations of British dog breeding and the showing of pedigree dogs by the ‘the dog fancy’, focusing specifically on the story of a single breed: the basset hound. This was not simply a story of British dog fanciers appropriating a French dog breed; indeed, this was impossible because the very notion of a dog ‘breed’, defined by conformation and legitimated by pedigree, was in the process of invention. They show how the British dog-show fancy chose one, from many and varied types of French hound, to be the basset hound, and how this choice was legitimated by reference to an imagined history, where the British dog fancy rescued a noble animal from French indifference to breed and blood. The chosen physical form was standardised to arbitrary ideal, but was by means no static. In the spirit of the times, it was ‘improved’, first by the empirical methods of animal breeders, using pedigrees to secure good and pure ‘blood’, and then by the application of science, particularly artificial insemination and hereditarian theories.     

Integrating the Strands of Victorian Diversity

This roundtable article provides responses to the other contributions, emphasizing the need for connecting various research strands in Victorian Studies, and considering international aspects. The essay ends with a proposal to take inspiration from the method of microhistorical morphology, forcing the scholar to consider many different contexts.