Memory that governs by itself? Appropriations of Versailles memory

Abstract

Versailles memory has been a cornerstone of the traditional paradigm of lieux de mémoire. However, its transnational dimension has never been fully explored. Covering more than three centuries, this article identifies three antagonistic patterns of transnational Versailles memory that carry ambivalent references to ‘Europe’: war versus peace; monarchical versus republican legitimization; and universalistic versus particularistic conceptions of power. Actors referred to Versailles’ architecture to substantiate their positions toward French hegemonic ambitions: from counter-buildings by the Sun King’s rivals; political redefinitions during changing regimes after 1789 via Franco-German rivalries in the War of 1870; international reactions to the Peace Conference in 1919; and up to Versailles as a World Heritage Site. Analysing these three constitutive patterns, this article challenges the dominant Franco-centrist Versailles master narrative as non-French actors contested such hegemonic views. References to Versailles as a symbol of both American and Brazilian national independence also bring out global dimensions of Versailles memory.     

Tolerant majorities,loyal minorities and ‘ethnic reversals’: constructing minority rights at Versailles 1919*

ABSTRACT. The 1919 Versailles Peace Conference created new states in East Central Europe (ECE), but the imperfect implementation of the ‘one nation, one state’ formula resulted in more than twenty‐five million ‘unassimilable’ minorities. With the introduction of majoritarian democracy, this gave rise to what we term ‘ethnic reversals’: ‘formally dominant majorities’ suffered status decline, while previously ‘minoritised majorities’ found new political powers. Accordingly, the 1919 Minorities Treaties sought to manage these ‘ethnic reversals’ by instituting a liberal minority rights regime that tried to create both ‘tolerant majorities’ and ‘loyal minorities’. While the Treaties reflected the influences of Anglo‐American and Anglo‐American Jewish elites – the most notable voices of liberalism in an age of ethnic homogenisation – we suggest that in contexts of historical diversity with little institutionalised liberalism, ‘ethnic reversals’ raise issues that cannot be resolved within liberal conceptions of minority rights that rely solely or primarily on cultural protections.     

Reclaiming the Land,Reclaiming the Indian: The La Salle Series of George Catlin

In 1847, American painter George Catlin completed a series of paintings depicting La Salle's travels through North America, ostensibly at the request of King Louis-Philippe. This article argues that the La Salle series is an unusually coherent statement by Catlin about the value of the American wilderness and Native American culture for white America. A close examination of the paintings and Catlin's writing exposes the La Salle series as a reclamation project in which Catlin sought to rescue an imagined “pure” past at contact and preserve it in paint in order to make it available and useful to the present.     

论法西斯意大利的外交选择

凡尔赛格局中,法西斯意大利既非“有”的国家,也非“无”的国家,而是介乎“有”与“无”之间的中间力量。意大利最后盟随德国,并不是一开始就有的既定方针,而是它在两次世界大战之间或主动、或被动的外交选择的结果。