Make-believe: fashion and Cinelandia in Rizzoli's Lei (1933–38)

Amidst the wide array of women's magazines published in Italy in the 1930s, Lei. Rivista di vita femminile presents a compelling case study of the make-believe effect achieved through fashion and the allure of the silver screen. Published by Angelo Rizzoli between 1933 and 1938, Lei stands out for a cosmopolitan, American-looking lifestyle that champions an Italian ‘new woman’, aware of her own new image and enmeshed in a fantastic world of romantic novels and movie stars. This essay studies the paradoxes and complexities of an Italian illustrated periodical promoting the image of a fashionable woman in the midst of growing imperialism and autarchy, and publishing the work of Leica photographers, Lucio Ridenti and Paul Wolff in particular. Lei reflects the fundamental ambivalence of this time, promoting Italian fashion through Hollywood as a way to counteract the French fashion industry, and inviting women to role-play through the allure of their image.     

Cultural production in peripheral urban spaces: lessons from Barriera,Turin (Italy)

Practices of cultural production within a peripheral urban neighbourhood can contribute to foster the sense of place, community belonging and local collective action. Starting from a critical perspective on the interconnections between cultural practices and urban regeneration, and developing on the concept of place-making, the paper has two main purposes: to investigate the nature of embeddedness of these practices and explore the ways of self-organization of cultural actors and their relationships with public policies. The case study concerns ‘Barriera di Milano’, a large peripheral area in Turin (Italy), formerly one of the most industrialized zones of the city. Over the past few years, and particularly after the real-estate bubble burst of 2007–2008, in Barriera a lively concentration of initiatives of culture has been taking place, redefining the urban and social space. These initiatives seem to be innovative for many reasons: firstly, while demonstrating a peculiar but significant embeddedness in the neighbourhood, they are mostly self-generated; secondly, the institutional assets, the economic self-sufficiency and the low degree of connection among initiatives support new forms of citizenship and place-making based on a ‘not-for-profit entrepreneurship’.     

Gay and lesbian emotional geographies of clubbing: reflections from Paris and Turin

Urban nighttime entertainment spaces, including bars, pubs, and clubs, are a crucial space for the performance of gendered social relations and the experience of sexual identities. This article investigates the emotional spaces of commercial gay and lesbian recreation in two different settings: lesbian nights in Paris, France, and gay clubs in Turin, Italy. This research was carried out through direct observation and auto-ethnographic fieldwork. Drawing on the literature from emotional geographies, the article proposes an alternative take on the geography of gay and lesbian clubbing by applying the metaphors of the island and the archipelago from cultural geography to the gay and lesbian scene. The island and archipelago are presented as metaphors that imply emotions, performance, materiality, spatiality, strategy, and imagination in the performance of the gay and lesbian playscape. The article argues that the club, intended as a type of gay and lesbian island, does not necessarily imply a condition of insulation. Rather, the island implies both metaphor and materiality, and movement may also be considered an emotional strategy for gays and lesbians in the heteronormative urban space.     

Pollen on the Shroud of Turin: The Probable Trace Left by Anointing and Embalming

This study proposes an alternative interpretation of the pollen grains found on the Christian relic of the Shroud of Turin, the majority of which belong to entomogamous plants. The examination of the images in the literature and the observation of modern pollen under light microscopy and scanning electron microscopy reveal that the most abundant pollen on the relic may be attributed to the genus Helichrysum (Asteraceae family) instead of Gundelia tournefortii. The other most important pollen found belongs to the Cistaceae‐Cistus spp.—the Apiaceae—probably Ferula spp.—and the Anacardianceae—the genus Pistacia. These pollen grains could have come from plants used to obtain expensive and valuable substances that would have been the basis for the oils of Helichrysum, ladanum and galbanum, as well as for mastic and terebinth products; this fact has not been considered by previous authors. Ancient historical records give us references that could link the pollen traces to a mixture of balms and ointments employed for preparing the body for funeral and burial. For this reason, the palynological study reveals coherency with these historical records about the rituals, as reported on by the important scientists Pliny the Elder and Dioscorides, dating back to the first century ad .     

Radiocarbon Dating of the Turin Shroud: New Evidence from Raw Data

In 1988, three laboratories performed a radiocarbon analysis of the Turin Shroud. The results, which were centralized by the British Museum and published in Nature in 1989, provided ‘conclusive evidence’ of the medieval origin of the artefact. However, the raw data were never released by the institutions. In 2017, in response to a legal request, all raw data kept by the British Museum were made accessible. A statistical analysis of the Nature article and the raw data strongly suggests that homogeneity is lacking in the data and that the procedure should be reconsidered.