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16世纪后期英国的外贸公司及其历史作用   总被引:2,自引:0,他引:2  
杨美艳 《史学月刊》2000,24(2):70-77
16世纪后期的英国,资本主义生产关系已初步形成,工农业生产得到一定程度的发展,呢绒成为英国重要的出口商品。都铎政府采取重商政策,鼓励商品出口。在此背景下,对外贸易公司纷纷成立。这些贸易公司除了在其垄断地区进行正常贸易外,同时从事地理发现和海上掠夺,并代表政府进行外交活动。外贸公司的活动,促进了英国工业的发展,对英国当时和后来的经济发展产生了深远的影响。这一时期出现的外贸合股公司这一组织形式,成为英国17世纪对北美洲和印度实行殖民占领和统治的过渡的组织形式。外贸合股公司为不列颠殖民帝国的创建做出了不可磨灭的贡献。  相似文献   
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This is the first article-length study of the sheriffs of York and Yorkshire in the Tudor period. It argues that the shrievalty was a thriving system which fulfilled diverse vital functions of local government and administration. It begins by introducing the sheriffs of York and Yorkshire, explaining their relationship and manner of appointment. It then explains the principal duties of these sheriffs, namely service on the city council of York, the execution of writs, the keeping of prisoners, the maintenance of law and order and revenue collection. The article proceeds to analyse the sheriffs’ judicial responsibilities in the Court of Pleas, tourn and county court. It concludes with information about a broader project conceived by the author: a comprehensive study of the Tudor sheriff across England, Wales and Ireland.  相似文献   
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Works of installation sound art are inherently spatial. Documentation of this form, which dates from the 1950s, involves an engagement with diverse histories of geographical knowledge and oral-historical methodology. David Tudor's Rainforest 4 (1973) is a performed sculptural sound installation which remains the best-known of his pieces. Its durability—when most other of his works remain unperformed, partly because they are too hermetic to decipher or depend on unavailable technologies—belies its “score” which consists of a simple diagram and a few words. Oral history, formal and informal, is not only key to understanding the history of the piece, but is integral to its performance. This paper explores some historical geographies of Rainforest 4 and the aesthetic of ephemerality in live electronic music, for which documentation of performance is secondary. In examining the paradoxes of Rainforest 4's conservation, we explore Tudor's engagement with particular notions of nature and spirituality as well as the social hierarchies and conservative impulse which keep the piece alive.  相似文献   
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This article analyses the presentation of the Commons’ Speaker in the Tudor age. It traces the medieval origins of this ceremony, arguing that it served not only as an opportunity for flamboyant rhetoric, but also as a politically significant event designed to impress upon the Commons its inferiority in the parliamentary hierarchy. The article also suggests that Elizabethan Speakers used their orations as a means of presenting counsel to the queen herself.  相似文献   
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《国际历史评论》2012,34(1):214-231
Abstract

Amity, an affective as well as pragmatic political relationship, was the primary mechanism of mid-Tudor foreign policy. It was often the first step toward a formal alliance, but it did not constitute a binding agreement in itself. In fact, political friendship’s inherent legal ambiguity allowed the Tudors to work around the strictures of existing international treaties when diplomatic circumstances changed and it became necessary to reevaluate relationships abroad. Amity’s flexibility could also limit its effectiveness as a collaborative partnership. This was especially the case if two parties challenged a consensus in the international community. In negotiating amity diplomats appealed to moral, affective, and contractual obligations simultaneously. They did not acknowledge any categorical difference between emotive personal friendship and utilitarian public amity. Rather, they asserted that loving friends at once promoted each other’s strategic advantage and growth in virtue. Friendship was ultimately grounded in mutual trust, which was established by personal encounters and reinforced through law and ritual. This essay considers the application of amity in Anglo-Imperial, Anglo-Schmalkalden, and Anglo-Scottish contexts in 1542–1560 as a basis for comparative analysis.  相似文献   
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