HOW MANY POTS MAKE FIVE?—AN HISTORICAL REVIEW OF POTTERY QUANTIFICATION

This paper reviews the ways in which assemblages of pottery have been quantified throughout the twentieth century, and the use to which such data have been put. The values of various ways of quantifying pottery are compared, and a theoretical basis for the comparison of assemblages is described. Finally, the practical steps that need to be taken to make best use of the theory are set out.     

LUMINESCENCE DATING OF POTTERY FROM LATER PREHISTORIC BRITAIN*

Dating of later prehistoric settlements relies heavily on potter; typologies in England and yet there has been little scientific dating in order to verify these typologies. In this work, luminescence dating techniques were applied directly to the pottery which forms the typological framework. Excellent agreement was obtained between the luminescence ages, and archaeological age ranges for known‐age pottery sherds with diagnostic form and surface decoration. A lower correlation, however, was found in several regions between the luminescence ages for undecorated body sherds and the archaeological assessment which was necessarily based solely on fabric, suggesting the need for reassessment of these fabric chronologies.     

FROM RAW IRON TO SEMI‐PRODUCT: QUALITY AND CIRCULATION OF MATERIALS DURING THE IRON AGE IN FRANCE*

Iron raw materials provide a privileged source of information for the reconstruction of metallurgical techniques and the circulation of iron products. An interdisciplinary approach, combining archaeological and archaeometrical studies of the exemplars known from the French Iron Age, has been undertaken. This enables a new typological classification to be produced that demonstrates a correlation between morphological and structural properties. Through comparison with chronological data, it is possible to propose a reconstruction of the organization of production according to three main periods, which are characterized by the circulation of different qualities of iron and by diverse levels of artisanal specialization.