Unwanted sea migrants across the EU border: The Canary Islands

In the early 2000s, the Canary Islands emerged as the main gateway for unwanted sea migrants from Senegal into Spain. In this paper, I draw from a year of multi-sited ethnographic work to discuss the relationship between state actions to secure the border against these migrants, on the one hand; and smugglers and migrants' efforts to subvert those actions, on the other. My argument is that the relationship between the two is mutually constitutive: anti-immigration policy is a reaction to the actions of unwanted migrants, and unwanted migrants adapt to state efforts to seal the border against unwanted migration by finding and exploiting spaces of opportunity in the border. In the context of sea migration from Senegal to the Canary Islands, 2005 marks a major shift in this relationship. That year the European Union adopted a new framework for migration control (the Global Approach to Migration and Mobility), Frontex became operational, and Spain and Senegal deepened their cooperation to stop unwanted Europe-bound sea migration. This forced unwanted migrants to find creative ways to enter EU territory. I argue that combining the institutional and migrant perspectives allows us to explore the decentering of the state in the contemporary anti-immigration border regime, the emerging spatialities of the contemporary border, and understand the migrant's journey. This perspective also illuminates the messiness, violence, and multiplicity of interests involved in the bordering of Europe.     

En route to New York: diasporic networks and the reconfiguration of female entrepreneurship in Senegal

This article examines the influence of migration and transnational social networks on female entrepreneurship. It interrogates shifting patterns of market development, juxtaposed to the lure of new economic opportunities for women entrepreneurs located at the periphery, Senegal. I critically analyse how a distinct and classed category of Senegalese women entrepreneurs navigates international spaces and legal restrictions in attempts to launch profitable economic ventures in metropolitan centres such as New York City and negotiate new forms of representation and agency in contentious socio-economic spaces. By interrogating the complex interplay between women entrepreneurs and diasporic communities, I weave an often-missing gender perspective into the analysis of the emergence of female transnational entrepreneurship and diasporic social networks. This article demonstrates that diasporic social networks, transnational markets and spatial interconnections, while contributing to market revitalisation and expansion, are nonetheless fraught with tension. Diasporic social networks embody paradoxical positions. They represent an enabling economic transactional space, while embodying an informal social space that nonetheless remains sites of power struggles deeply embedded in gendered, sociocultural and economic dynamics that transfer from local to transnational contexts.     

The growth of artistic nationalism in Senegal

ABSTRACT. In the 1960s, Senegal's first national leaders narrowly defined how artists should practise nationalism through their work, particularly in the weaving craft, and enforced this definition through selective state patronage. This ideological and stylistic control echoed state control over economic markets. As subsequent administrations have restructured the economy, leading to a powerful informal business sector, so have independent contemporary weavers redefined artistic nationalism. Using ethnographic and archival interviews, this article examines nationalism in Senegalese weaving, placing the perspectives of contemporary weavers alongside those of two arts administrators who helped to develop state‐sponsored programmes in the 1960s and 1970s. I argue that contemporary weavers find inspiration from Senegalese nationalism of the mid‐twentieth century, yet have modified it to encompass individual expression. Because definitions of artistic nationalism in Senegal have shifted, it remains a significant ideology within the national arts scene.     

Expressing Islamic feminism in Mariama Bâ's So Long a Letter

This article examines the presence of a strictly Qur'anic base shaping the Islamic feminism of Ramatoulaye, the narrator and main protagonist of Mariama Bâ's francophone classic So Long a Letter (1979). I argue that the widely circulated insistence by critics and readers of Bâ's epistolary style novel on the practice of Islam in West Africa, particularly in Senegal, as a syncretic presence eagerly adapting to indigenous non-Islamic beliefs and practice, has led to an overly generalized and somewhat inaccurate perception of Islam in Africa. Through my reading of some key Islamic concepts described in Bâ's novel, such as the mirath, polygamy, prayer and sunna, I situate my reading of Ramatoulaye's expression of Islamic feminism within an African and Islamic feminist reading and further position these within the cultural context of the practice of Islam in Senegal. By her ‘strategic self-positioning’, as defined by Islamic feminist Miriam Cooke, among others, within a small group of Senegalese Muslims – locally known as ibadu Muslims – Ramatoulaye succeeds in enacting Islamic feminism in her spiritual persistence for a strict adherence to the Qur'an and in her resistance to the temptation to expand the Islamic precepts of her faith.     

New Perspectives on Sincu Bara, a First Millennium Site in the Senegal Valley

The 67-ha site of Sincu Bara was discovered and extensively excavated in the 1970s. Three primary aspects of its archaeological interest were its vast size, its location in the Middle Senegal Valley, where some of the earliest regional polities in West Africa arose, and the extensive and diverse assortment of copper-based metal artifacts it produced. Deposits with brass appeared to be associated with radiocarbon dates as early as the fifth century AD. It appeared that most of the deposits related to a single, long-lasting occupation by people who arrived with sophisticated copper-based metallurgy in the fifth century and remained at least until the eleventh century, without discernible modification in their material culture. Results of new excavations in 1991–1992 indicate that this interpretation must be substantially modified, since considerable change in material culture, including the introduction of copper-based metals between AD 800 and AD 900, has now been documented. This article summarizes the data from these new excavations and suggests that earlier interpretations were based largely on material from disturbed, severely mixed deposits, which gave a false picture of homogeneity through time.Les soixante sept héctares constituant le gisement du Sincu Bara étaient découverts et fouillés dans les années soixante dix. Son intérêt archéologique est lié aux trois aspects: sa grande superficie, sa location dans la vallée moyenne du Sénégal où les premières unités politiques de l'Afrique de l'Ouest existaient, et finalement, la diversité des objets métalliques en cuivre que le site a livrée. Il apparaît que la plupart des dépôts appartient à une seule occupation de longue durée par un peuple qui est arrivé pendant la cinquième siécle AD, en possession de la connaissance de métallurgie à base de cuivre et qui montrait au moins jusqu'au onzième siécle peu de modification dans leur culture materielle. Les résultats des fouilles de 1991–1992 montrent que cette interpretation doit être modifiée, car il y a eu du changement considérable dans le matèriel, comme l'introduction des métaux à base de cuivre entre AD 800–900. Dans cet article, nous avons résumé les résultats des nouvelles fouilles et nous suggérons que les anciennes interpretations ont été largement fondées sur du matériel perturbé, des dépôts mixtes qui donnaient une image fausse de l'homogenité pendant cette période.     

Therapeutic landscapes of traditional healing: building spaces of well-being with the traditional healer in St. Louis,Senegal

Literature on therapeutic landscapes has not sufficiently explored the relational dynamics that contribute to shaping therapeutic landscapes. In particular, not enough attention has been paid to the patient–healer relationship and its role in producing well-being, especially in non-western settings. This article is a first attempt to address these deficiencies by exploring the role of the patient–healer relationship in shaping therapeutic landscapes especially as regards traditional healing in the city of St. Louis in Northern Senegal. By exploring the understandings of health and well-being of 160 people (including patients, herbalists and traditional healers), this article will show how therapeutic landscapes of traditional healing are built relationally in the patient–healer encounter; it will also underscore the strong link between the herbal component of traditional healing, the cognitive component of dialogue with the healer and the spiritual and sociocultural elements associated with rituals. The findings have relevant policy implications. This article takes a stand in the debate on integration between ‘traditional’ and ‘western medicine’ in Africa by stating that integration should give more serious consideration to the ability of traditional healing systems to create well-being because, as the case study shows, the latter strongly relies on the relational dimension of healing.     

Historical and Dialectical Perspectives on the Archaeology of Complexity in the Siin-Saalum (Senegal): Back to the Future?

Drawing on recent critiques of evolutionism, this article reviews the history of Iron Age studies in Siin-Saalum (Senegal) to examine the construction of African archaeological knowledge. From the 19th century to the 1980’s, analyses of complexity in Senegal have been animated by developmentalist views that have portrayed the regional past as a stagnant backwater. In the past 25 years, however, archaeological research has sought to redress these inaccuracies by exploring the diversity and idiosyncracy of African histories, and the processes behind sociopolitical change. These critical agendas can help us exploit the analytic potential of material culture to reincorporate African societies into the stream of world history, and to use the African past to reevaluate current scenarios of complexity and their applicability to various regions of the globe. To achieve these goals, however, and develop a fully self-reflexive archaeology in Senegal, researchers must eschew moral celebrations of African distinctness and strive instead to document how local pasts owe their particular qualities to complex political-economic articulations with other world societies. Concurrently, we must also attend to the dynamics of historical production in and out of guild circles, and consider our entanglement in the making of contemporary ‘culture wars.’ Because it is ideally suited to probe the historical and material depth of cultural differences and inequalities, archaeology must take a leading role in dispelling essentialist readings of Africa and promoting democratic knowledges about the continent.     

A gendered practice of urban cultivation: performing power and well-being in M'Bour,Senegal

This article outlines how a theoretical approach that explores gender as ‘emplaced performance’ can improve the analytical value of gender by drawing attention to (1) the ways in which gender, as a socially and spatially contingent performance, is enrolled in the relationships that create the city, and (2) how the city, as a constantly evolving and dynamic field of interaction for economic, social, and political processes, (re)configures gender. Drawing on qualitative research carried out in M'Bour, Senegal, and through a case study of a form of urban cultivation called micro-gardening, this analysis explores gender as a socially and spatially contingent performance that produces, and is produced by, the city. The analysis brings together performativity studies with scholarship on place to fashion the analytical approach, and specifically draws attention to emplaced performances of well-being and power. Such an approach, because it draws attention to the contingent dimensions of gender, as well as the effects of gender on material worlds, has an improved analytical potential to inform locally relevant development interventions that recognize and consider the multiple ways in which men and women experience and create the city.