THE LETTER KILLS: ON SOME IMPLICATIONS OF 2 CORINTHIANS 3:62

The paper focuses on an argument put forward by Augustine in his De doctrina Christiana: there are passages in the Bible that need to be read in a literal, contextual, and ultimately rhetorical perspective. This approach to the Bible (usually overshadowed by Augustine's own parallel emphasis on the importance of allegory) was needed to deal with customs—for instance the patriarchs' polygamy—that had to be evaluated, Augustine argued, according to standards different from those prevailing in the present day. This need inspired Augustine to utter some sharp remarks on the need to avoid (as we would say today) ethnocentric, anachronistic projections into the Biblical text. The long‐term impact of Augustine's argument was profound. The emphasis on the letter played a significant role in the exchanges between Christian and Jewish medieval readings of the Bible, which affected Nicholas of Lyra's influential commentary (Postilla). The same tradition may have contributed to Valla's and Karlstadt's audacious hermeneutic remarks on the Biblical canon, which covertly or openly focused on contradictions in the Biblical text, questioning the role of Moses as author of Deuteronomy. Traces of those discussions can be detected in Spinoza's Tractatus theologico‐politicus. The paper suggests that the emphasis on a literal, contextual reading of the Bible provided a model for secular reading in general. The possible role of this model in the aggressive encounter between Europe and alien cultures is a matter of speculation.     

普鲁士改革时期的浪漫主义:思想与行动

浪漫主义运动发生于18世纪末至19世纪30年代,是一场构建民族精神特质的思想塑造运动。柏林的宗教氛围、普鲁士君主制传统,特别是作为其“血脉”的等级制度在法国革命冲击后依然完好无损地保留,使浪漫主义者得以将普鲁士作为政治实验场开展活动。亚当·米勒和斯泰因是两位改革时期的浪漫派代表,一个从观念出发,将君主制、等级制“浪漫化”,用于指导改革;而另一个则从历史经验出发,在实践中尝试将君主制和等级制做出顺应时代的改变。他们的思想和实践对普鲁士的改革进程产生了重要影响。     

卫三畏的汉学观

卫三畏是近代中关关系史上的重要人物,是美国的第一位汉学教授。他从观念形态、精神产品、生活方式等方面对中国进行了研究,认为中国是一个具有高度文明的国家,但在科学上是保守的,在生活上是落后的。     

Das Werden des Kosmos Von der Erfahrung der zeitlichen Dimension astronomischer Objekte im 18. Jahrhundert

The Permanent ‘Becoming’ of the Cosmos: On Experiencing the Time Dimension of Astronomical Entities in the 18th Century. - This paper deals with two of the initial stages through which the dimension of time, in the sense of an irreversible development, found its way into astronomical-cosmological thinking. The one resulted from the first consequental application of Newtonian principles and laws to cosmic entities outside of our solar system found in the General Natural History or Theory of the Heavens of Immanuel Kant (1755): Endeavoring to explain through natural causes first the peculiarities of the solar system, no longer naturally explainable through the celestial mechanics of Isaac Newton (such as the common orbital plane and rotational direction of all the members of the solar system and the distribution of the masses) - which, however, had been deducible in Johannes Keplers Weltharmonik -, and endeavoring secondly to explain above all the beginning of the inertial movement of all discrete heavenly bodies - which, however, could have been derived from René Descartes's vortex theory - without using arbitrary acts of God as Newton had done, Kant had to introduce an initial state in which matter in the form of atoms was equally and almost homogeneously distributed over the whole space (similar to the permanent state in Descartes's theory). Thereupon, according to Kant, the initial movements of the slowly growing masses resulted from the effect of gravitational forces. The parameters within the solar system which had to be explained, could then be easily deduced from the process of mass concentration at different points and from the resulting vortex movements. - The other initial stage is found in the classification of ‘nebulae’ by William Herschel who introduced the historical time factor, in the above-mentioned sense, as a principle of order in addition to the outward shape, which had become common for all the different elements in natural history during the second half of the 18th century. Thereupon the different shapes of the nebulae could be interpreted as stages of development from the primordial nebular state to multiple or single stars. (Herschel had not yet considered them to be accumulations of stars for lack of a suitable telescope.) Both initial stages, which arose out of the thinking of the second half of the 18th century, were still premature for astronomy and cosmology; they have only been taken up again since the end of the 19th century as a result of the emergence of astrophysics, which provided the empirical data for the earlier speculations and conclusions from analogy.     

King Davidʼs Exposure while Dancing: A Queer Reading of 2 Samuel 6

According to the Hebrew version of the transport of the ark to Jerusalem in 2 Samuel 6, King David is so scantily dressed that he publicly exposes himself while dancing before G*d (????). David?s wild, gay and possibly sexual conduct can evoke associations with the behavior of gay persons of today. Queer readers may identify with David and like him turn their backs on dominant rulers—like the members of Saul?s dynasty—if they are not respected because of their queer way of life, but persecuted—as David was persecuted by King Saul. Such an interpretation implies that G*d (????) is on the side of persons like King David, who—from the point of view of other people as well as of David?s wife Michal—behave in a strange fashion, thus act queerly.     

Raumvorstellungen und Erkenntnismodelle im 18. Jahrhundert

Since the late 17^th century, two physical concepts of space exist. Isaac Newton's theory of an immovable ‘absolute space’ made it possible to explain motion and force by the quality of material elements. Less influential was Gottfried Wilhelm Leibniz's concept of space as an ‘order of coexistence’, which focuses, contrary to Newton, on the relationship between material bodies. The author argues that both concepts not only concern physical notions, but also include general models to explain cause, effect and relation. In an analogy to Newton's ‘absolute space’, theories of natural law employ the state of nature to explain society according to the anthropological quality of human beings. Leibniz's concept, in contrast, is used to elaborate theories of complex dynamic interactions and relationships. This essay attempts to illustrate the application of Leibniz's concept with examples of 18^th century natural history, demography, economic theory and Charles Bonnet's natural law.     

“Die wissenschaftliche Ausbildung des Arztes ist eine Culturfrage …”. Über das Verhältnis von Wissenschaftsanspruch,Bildungsprogramm und Praxis der Medizin

The article shows that the elite, nationalistic and imperial mentality of German medicine in the second half of the nineteenth century was closely connected to its aim to be understodd as a natural science. With this in view leading representatives of German medicine propagated a scientific approach to man and nature instead of the traditional values of humanistic education (“Bildung”). One of the most important consequences of the new scientific ideal in medicine — integration in governmental planning, the change in professionel status of doctors, the increasing tendeny to recognize biologistic ideologies — was the loss of the medical ideal of the ars medica, a subject which has not received sufficient thematic attention. This theme is explored in the third part of the article.     

Godot’s Shakespeare

While the connection between Samuel Beckett’s Waiting for Godot and King Lear has become something of a critical commonplace, references to other Shakespeare plays can also be found throughout. This essay traces Godot’s debt to two plays in particular. First it argues how Godot not only draws on Hamlet’s graveyard scene for macabre imagery, but how it also construes an extended meta-theatrical parody of Hamlet’s soliloquies about the contrast between acting and talking/thinking. The second half of the essay proposes a number of connections with The Tempest, and specifically with its “salvage and deformed slave” Caliban. It argues how the figure of Caliban not merely functions as a model for a colonial power-dynamic that can be seen to operate here and elsewhere in Beckett, but how Caliban is equally significant as a lyrical figure whose great speech about sleeping, waking, and dreaming informs Beckett’s play in a number of ways.