Beauty,Bath and Beyond: Framing Bathsheba as a Royal Fantasy in 2 Sam 11,1-5

This paper investigates the function of beauty in David and Bathsheba’s encounter in 2 Sam 11,1-5. It argues that the female bather’s pleasant appearance, rather than simply kindling king David’s desire, focalizes the woman as sexually available (and vulnerable) and wraps the whole episode in a royal fantasy of shared intimacy. The focus on Bathsheba’s beautiful body—her wash, her motion towards the king, her self-sanctification and her pregnancy—frames the episode in a very erotic way, suggesting adultery. It conceals the sexual violence committed by the king who sends, takes and sleeps with the woman. David’s violent entitlement to Bathsheba reveals the beauty politics at play in his royal House.     

King Davidʼs Exposure while Dancing: A Queer Reading of 2 Samuel 6

According to the Hebrew version of the transport of the ark to Jerusalem in 2 Samuel 6, King David is so scantily dressed that he publicly exposes himself while dancing before G*d (????). David?s wild, gay and possibly sexual conduct can evoke associations with the behavior of gay persons of today. Queer readers may identify with David and like him turn their backs on dominant rulers—like the members of Saul?s dynasty—if they are not respected because of their queer way of life, but persecuted—as David was persecuted by King Saul. Such an interpretation implies that G*d (????) is on the side of persons like King David, who—from the point of view of other people as well as of David?s wife Michal—behave in a strange fashion, thus act queerly.     

Godot’s Shakespeare

While the connection between Samuel Beckett’s Waiting for Godot and King Lear has become something of a critical commonplace, references to other Shakespeare plays can also be found throughout. This essay traces Godot’s debt to two plays in particular. First it argues how Godot not only draws on Hamlet’s graveyard scene for macabre imagery, but how it also construes an extended meta-theatrical parody of Hamlet’s soliloquies about the contrast between acting and talking/thinking. The second half of the essay proposes a number of connections with The Tempest, and specifically with its “salvage and deformed slave” Caliban. It argues how the figure of Caliban not merely functions as a model for a colonial power-dynamic that can be seen to operate here and elsewhere in Beckett, but how Caliban is equally significant as a lyrical figure whose great speech about sleeping, waking, and dreaming informs Beckett’s play in a number of ways.     

Psalm 55 Interpreted in View of its Textual,Metatextual and Intertextual Connections

Psalms 52-55 constitute a cluster of psalms with significant links to one another, to Proverbs, and also to the history of David. Psalms 52 and 55 were both also influenced by motifs from Jer 9. These features point to their having been composed (Ps 52) or edited (Ps 55) with a specific focus in mind. This article attempts to read Psalm 55 on its own, but also within the context of the cluster and in its relationship to Jer 9 as well as David’s history in order to refine our knowledge of the problems, values, hopes and expectations of the Persian period editors who compiled and edited the cluster.     

A la recherche du “récit de l'Arche”: à la recherche de Saül. De Shilo à Gibea

ABSTRACT

Depuis l'étude fameuse de Rost, le “récit de l'Arche” est devenu une unité narrative indépendante dans le premier livre de Samuel. Les travaux successifs ont toutefois peu à peu ruiné la cohérence de cette unité en lui enlevant son aboutissement avec David à Jérusalem (2 S 6) et même en la faisant commencer dès 1 S 2. S'il apparaît opportun de faire débuter le récit avant 1 S 4, pour garder le contexte de Shilo et du prêtre Éli, on peut alors tenter de le faire dès 1 S 1. Pour cela, il importe de lire le récit de naissance de ce premier chapitre non comme étant celui de Samuel mais comme celui de Saül. En effet, les indices littéraires de ce texte montrent que le nom “Samuel” ne correspond pas au contexte narratif. Or, comme Samuel est totalement absent du “récit de l'Arche”, on peut dès lors proposer une lecture des premiers chapitres sans ce personnage, pas en délimitant des unités narratives indépendantes mais en recherchant une strate rédactionnelle ancienne. De cette manière, ce “récit de l'Arche” devient bien plus un “récit d'accession au pouvoir de Saül”, récit qui nous mène de Shilo (1 S 1; 4) à Gibea (1 S 7,1; 10; 14), en passant par Rama et son voyant anonyme (1 S 9).     

卫三畏的汉学观

卫三畏是近代中关关系史上的重要人物,是美国的第一位汉学教授。他从观念形态、精神产品、生活方式等方面对中国进行了研究,认为中国是一个具有高度文明的国家,但在科学上是保守的,在生活上是落后的。     

Francis Hutcheson and John Clarke on Desire and Self-Interest

Among the most animating debates in eighteenth-century British ethics was the debate over psychological egoism, the view that our most basic desires are self-interested. An important episode in that debate, less well known than it should be, was the exchange between Francis Hutcheson and John Clarke of Hull. In the early editions of his Inquiry into Virtue, Hutcheson argued ingeniously against psychological egoism; in his Foundation of Morality, Clarke argued ingeniously against Hutcheson’s arguments. Later, Hutcheson attempted new arguments against psychological egoism, designed to overcome Clarke’s objections. This article examines the exchange between these philosophers. Its conclusion, influenced partly by Clarke, is that psychological egoism withstands Hutcheson’s arguments. This is not to belittle those arguments—indeed, they are among the most resourceful and plausible of their kind. The fact that egoism withstands them is thus not a mere negative result, but a stimulus to consider carefully the ways in which progress in this area may be possible.     

Samuel Tissot’s Traité de l’épilepsie—250 years old

A quarter of a millennium ago, Samuel Tissot (1728–1797), a Swiss physician who had achieved a substantial European reputation, authored a monograph entitled Traité de l’épilepsie. The book was translated into several European languages and appeared in various editions over the following 70 years, although an English-language version was never published. In his Traité, Tissot provided a thorough account and critical analysis of the previous relevant literature concerning epilepsy, added data from his own experience in practice, and raised issues, some of which remain important today. The appearance of the book was propitious, occurring during the period of the European Enlightenment, when medicine was increasingly divesting itself of ancient modes of thinking and veneration for the opinions of great names from the remote past. At least in Western Europe, the Traité de l’épilepsie became an intellectual launching pad for the considerable expansion in knowledge of epilepsy that occurred over the century or longer that followed its publication.