Add shamans and stir? A critical review of the shamanism model of forager rock art production

The “shamanism” or “neurpsychological” model proposed by Lewis-Williams and colleagues has had a powerful impact on rock art research, and has significantly added to our knowledge of past foragers lifeways in southern Africa and elsewhere in the world. However, this model is primarily based on the view of shamanism as a universal and unvarying characteristic of foragers over space and time. This paper raises both theoretical and empirical problems with this view. The paper examines the relationship between the specific social roles and practices of shamanism and the overarching cosmological structures on which they are based in both southern Africa and Northern Eurasia. In both cases, the paper argues that many cosmological beliefs are highly persistent and durable, extending into prehistory, while the specific practices and roles of shamans are variable, changing to meet the immediate and local needs of their communities. This suggests that rock art is easier to relate to the overarching cosmological dispositions of the people that produced it and the paper closes by suggesting some theoretical and methodological alternatives recognizing this fact.     

Iktomi in the Land of the Maymaygwayshi: Understanding Lived Experience in the Practice of Archaeology Among American Indians/First Nations

In discussions concerning American Indians/First Nations and the practice of archaeology in North America, the issues are typically presented in a polarized fashion with American Indians/First Nations on one side and archaeologists on the other. Frequently the literature discusses how archaeologists should modify their practice in response to the needs of American Indian communities. Very little of the literature looks at the roles and challenges faced by American Indians who choose to pursue archaeology. This paper addresses this latter issue by examining my own work among First Nations communities in Ontario, Canada. Through the lens of ‘lived experience’, I will examine the interplay of identity, personal and communal histories, and the contemporary situation of my self and the First Nations communities I worked with, looking at how having ‘insider’ knowledge can be both useful and a handicap in fieldwork.     

A Pigment Characterization Approach to Selection of Dating Methods and Interpretation of Rock Art: The Case of the Mikinak Site,Lake Wapizagonke,Quebec, Canada

Dating is perhaps the most frequently asked question in rock art studies, but still one of the most difficult to answer. However, chronology is vital in order to understand and interpret rock art sites. Unfortunately, attempts at dating the Mikinak site, at Lake Wapizagonke, Quebec, Canada were unsuccessful. But a multi‐instrumental protocol applied to characterize paintings shows that at least three different paint recipes were employed to create the site. These may reflect three different phases of paintings, and that at least three different artists contributed to the production of this site.     

A Rock‐Magnetic Quest for Possible Ore Sources for the Ancient Iron‐Smelting Industry in the Olkhon Region (Lake Baikal,Siberia)

Rock‐magnetic techniques were used to examine the topsoil layer of Kurma archaeological site (in the Olkhon region, on the north‐western coast of Lake Baikal, Siberia) in an effort to determine the possible sources of iron ores for iron‐smelting centres (at about the bc /ad boundary). Measurements have shown a magnetic enhancement of the topsoil due to magnetite grains resulting from weathering of strongly magnetic crystalline rocks. They have also revealed a preliminary picture of the distribution of strongly magnetic topsoils around the ancient iron‐smelting centres. Perhaps, in addition to traditional sources of raw materials, the ancient metallurgists used black sand talus as an ore deposit.     

Rock Art Conservation and Tourism

Rock art conservation has developed hand-in-hand with the increased pace of tourism, yet the two activities tend to remain in opposing camps. Policies and guidelines have been developed for cultural heritage and cultural tourism and there is a widely accepted range of principles in place, but a theory of sustainable rock art tourism is only in its infancy. To mature, the discipline needs research into the interaction of key elements that affect the long-term conservation of frequently visited rock paintings and engravings in their original setting, as well as consideration of social and economic factors that drive tourism and the public interest in rock art.     

广西左江岩画的艺术特征及其价值

左江沿岸保存着许多古代壮族先民骆越人的珍贵化遗产——岩画,左江岩画有她自己的模式、风格、特征,当把这些共同的特征结合起来后,可以形成一个整体的概念。     

Neolithic rock art in context: Landscape history and the transition to agriculture in Mediterranean Spain

Rock art is one of the most salient features of Neolithic societies in eastern Spain and an explicit form of landscape history. This paper summarizes current debates of Mediterranean rock art chronology and interpretation and explores the contextual differences in two areas of Neolithic settlement with rock art: the Canyoles Valley (Valencia) and the Alcoi Basin (Alicante). Large-scale survey of the Canyoles Valley resulted in a clearer understanding of agricultural land use during the Neolithic that contrasts with evidence from the Alcoi Basin. By analyzing Neolithic rock art in its archaeological context, we discuss the significance and limitations of rock art analysis for understanding and characterizing landscape histories and the transition to agriculture in the region.     

岩画断代研究——科技考古学领域中一个亟待解决的问题

探索和研究表明,岩画断代问题仍然是困扰岩画研究的难题之一,其主要原因是岩画本身不能够提供可供断代的直接依据。本文综述了目前岩画断代研究中经常使用的自然科学和考古学方法及其存在的问题,提出应用AMS14C是今后研究我国岩绘画断代问题的首选方法,解决岩刻画的断代问题则主要有赖于微腐蚀方法。     

Paleoparasitological results from coprolites dated at the Pleistocene–Holocene transition as source of paleoecological evidence in Patagonia

Coprolites attributable to humans, dated from the Pleistocene–Holocene transition, obtained from the archaeological site Cerro Casa de Piedra, Santa Cruz Province, were examined for parasites. The feces were processed by rehydration and spontaneous sedimentation using conventional parasitic procedures. Helminthic eggs recovered were identified as Trichuris sp., Calodium sp., other capilariids, and ancylostomid (Nematoda), probably Hymenolepis sp. and anoplocephalid (Cestoda); one oocyst attributable to Eimeria macusaniensis (Apicomplexa) was also found. According to the life-cycles and specificity of the parasites found, it is possible to suggest that some species (i.e., E. macusaniensis and Calodium sp.) represent parasites in transit or pseudoparasitism. Paleoparasitological results revealed the existence of an intensive relationship between parasites and humans in the Pleistocene–Holocene transition in Patagonia. Evidence suggests an early association among parasites, rock shelters and hunter–gatherers in the region. It is also postulated that the ancient lifestyles associated with caves and rock shelters were conductive to illness.     

Uranium-series age estimates for rock art in southwest China

We report the first uranium-series age estimates for rock art in China. Calcite bracketing a paint layer was used to constrain the age of a naturalistic outline hunter-gatherer painting in the Jinsha River area of northwest Yunnan Province (southwest China). The rock paintings in this region are unique in style and content compared with other bodies of rock art in China, which are dominated by Neolithic subject matter. The minimum and maximum ages were determined using isochron techniques on multiple samples of calcite from above and beneath the paint layer. A large painted deer head was dated to between 5738 and 2050 years. This painting and underlying flowstone are superimposed on older paintings that suggest the older paintings are at least 3400 years old, if not older than 5738 years. The results indicate for the first time that Jinsha River rock art is older than other forms of rock art in the region and show that rock art likely extends back to at least the transition from the Palaeolithic to Neolithic in this part of China.