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1.
Mass violence always takes place in a particular geopolitical context, and how that context is understood influences perceptions of collective responsibility. As international borders shift, often in the wake of war, events that occurred within one geopolitical entity can be understood has having taken place in another. The influence of such geopolitical framing on judgments of collective responsibility remains understudied. Two studies examine how geopolitical frames lead to shifting assessments of collective responsibility for historical mass violence. By depicting historical violence within a particular geopolitical entity (e.g., a country), that entity was perceived as being more responsible for the violence. The studies are set within the contexts of German-occupied Poland and the British occupation of the Indian subcontinent. The ramifications of these findings are discussed for the teaching of history, the commemoration of historical victimhood, and for our understanding of assessments of collective responsibility and geopolitical framing more broadly.  相似文献   
2.
Intersectionality is a complex concept to deal with when doing research but also when teaching the interrelationships between space and social relations. Here we present “Relief Maps” as a visual tool for teaching intersectionality and its spatial dimension in higher education courses. “Relief Maps” are a model developed for research and applied in a Geography and Gender course at the Universitat Autònoma de Barcelona (UAB) with the aim of promoting student reflection on the relationships between power structures, places and lived experiences, starting from their everyday lives.  相似文献   
3.
江苏邳州车夫山汉墓是一座绘画内容繁缛、雕刻精美的画像石墓。该墓墓葬形制较为完整,砖石混合结构,有东汉中晚期墓葬特点。对图像资料的内容进行了分类和阐释。  相似文献   
4.
《巩昌分属图说》是一套彩绘的中国传统山水画式舆图及图说,为研究明代西北边防的重要图籍。笔者主要结合历史文献,从历史地理角度对舆图绘制的时间、背景、内容作了梳理和考证。  相似文献   
5.
本文对汉代画像石文字中的通借字、异体字作了介绍和探讨,对某些疑难字作了具体辨识,为了解、研究汉代文字面貌及增补《碑别字新编》等工具书提供了新的资料。  相似文献   
6.
雍正年间黄河河政管理制度的变化,推动了清代黄河图绘制内容和机制的变化;而康熙年间张鹏翮所绘河渠水利图集的内容和形式,也影响了乾隆年间江南黄运河图集的编绘。海内外分别收藏有以江南黄河、运河、洪泽湖、淮河工程为主题的河渠水利图集一"南河图说",经考证均为乾隆十五年(1750年)江南河臣高斌、张师载等人在乾隆帝首次南巡的背景下绘制呈送的定本、副本或后人摹绘本。《南河图说》既是河督高斌反映河情、陈述治河政见、彰显治河政绩的工具,也是乾隆帝确定南巡路线、了解河务、进行河政决策的重要依据。《南河图说》的绘制、呈奏和运用在很大程度上确定了乾隆首次南巡的模式,对研究乾隆南巡和乾隆朝河政运作具有重要价值。  相似文献   
7.
The San Pedro Valley of North America’s desert Southwest has been depicted in maps for over four centuries. These images composed by Euro‐American colonialists do not merely portray a topographical reality; they also construct singular notions of place. While place‐making often inspires a rich awareness of self and belonging, it is also a device of power that shapes people’s desires, perceptions and experiences. Employing Geographic Information System (GIS) technology, we explore the hidden messages embedded in maps from the 1500s to 1800s to reveal the social and political ideologies that buttressed the Spanish, Mexican and American empires. These analyses illustrate that Euro‐American maps do not advance in a linear evolution from simple (unknown) to complex (known) in the production of place. Rather they act to legitimize colonial rule through strategies of representation that privilege Euro‐American standpoints and disregard competing claims of entitlement.  相似文献   
8.
Abstract

This paper surveys the career of Benedetto Bordon as a miniaturist, designer of woodcuts, and cartographer. Although from Padua, Bordon worked primarily in Venice where he illuminated religious and classical texts and official ducal documents destined for Venetian noblemen. The writer argues that Bordon designed woodcut illustrations for books printed by Aldus Manutius and others, in addition to the woodcut maps in his 1528 book on islands in the MediteiTanean, Atlantic, and Caribbean. Bordon's lost world map of 1508 is discussed in relation to the map‐making activities of Francesco Rosselli, the Florentine miniaturist and engraver who was in Venice in 1504 and 1508, and in relation to a circle of Venetian scholars and patricians interested in Ptolemy's Cosmographia and in the mapping of the New World.  相似文献   
9.
ABSTRACT

This paper deals with the problem of the Austro–Hungarian prisoners of war in World War I who were captured by the Russian Army and who then escaped from Siberian detention camps and ultimately found asylum in China. The Tianjin German Relief Fund (Tientsin Hilfsaktion) was a leading nongovernmental charitable organization that provided aid for these captives and refugees. It operated successfully in China until that country’s decision to join the war on the side of the Allied Powers forced the organization to close. A local network of German and Austro–Hungarian civilian middlemen also helped the refugee soldiers passing through, and the Chinese authorities set up camps in Manchuria for these soldiers, where they were interned until their repatriation after the war. This paper also introduces some individual cases to show how certain Austro–Hungarian POWs attempted to deal with their life in China. The author argues that China had a role and agency in World War I, that the refugee soldier question was the last episode of the nineteenth-century-style Concert of Europe, and that the POWs had a role and agency in shaping their own destinies.  相似文献   
10.
Abstract

As the most important specialized enterprise in eighteenth‐century Germany, the Homann map printing firm affords a good case for an investigation of the factors underlying map production. Commercial success seems to have rested on the production of maps which made a political statement as well as presenting geographical and topographical information. Publication of maps concerning specific events, such as sieges, or based on new surveys had no chance of success until the publishing firm had achieved commercial stability with its basic stock of maps.  相似文献   
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