The Irish rent … and mended: transitional textual communities in nineteenth-century America

In this paper, traditional folkloric forms that were ritualised and practised in pre-Famine Ireland are examined. So, too, are the strategies that storytellers employed in disseminating the imaginative aspects of the oral tradition to their audiences. Following the disruption of the storytelling tradition precipitated by the Great Famine and emigration, the fabric of Irish storytelling lay threadbare, both in Ireland and abroad. Of interest is the fact that in America the less “heroic” and more subtle strands of Irish folklore resurfaced in the theatrical venues that developed during the second half of the nineteenth century, namely, minstrelsy, Vaudeville, and Tin Pan Alley. By the turn of twentieth century, the Irish were responding to other “heroic” depictions of themselves, not only with protestation but also with “tongue-in-cheek” laughter. Their grounding in a variety of folkloric texts in Ireland enabled them to transition to multiple kinds of accommodation and expressive resistance.     

On Sophron fr. 3 K.-A. (Athenaeus 11.480 B)

After a brief review of some of the general problems posed by Sophron’s work, the paper analyses Sophron’s fr. 3 K.-A., offering a detailed commentary and a new interpretation of the passage.     

Theories of the Sublime in the Dutch Golden Age: Franciscus Junius,Joost van den Vondel and Petrus Wittewrongel

This article explores how writers from the Dutch Golden Age thought about human contact with that which is elevated far above everyday life. The Dutch Republic offers an interesting context because of the strikingly early use there by seventeenth-century humanists of the Greek concept ?ψο?, from (pseudo-)Longinus, to discuss how writers, artists and their audiences were able to surpass human limitations thanks to an intense imagination which transported them to supreme heights. Dutch poets also used the Latin sublimis to discuss how mankind constantly aims at that which is far above it, but, despite this, can never entirely be a part of it. Thirdly, protestant writers discuss the concept of the Fear of God by explaining that elevated contact with God should be accompanied by the contrasting emotions of attraction and fear. With reference to the humanist Franciscus Junius, poet Joost van den Vondel and preacher Petrus Wittewrongel, I will discuss how these artistic, literary and religious discourses concerning contact with the sublime are related to one another.     

The Two Eschatological Perspectives of the Book of Daniel

The revelatory traditions found in chs. 2,7-12 of the book of Daniel are exceptional in connecting the historical circumstances pertaining to the persecution under Antiochus IV Epiphanes with the eschatological hopes of the Hebrew Bible. We will argue that the nature of this connection is twofold. On the one hand, for the redactor who gave the book of Daniel its canonical form, the distress associated with Antiochus was the distress associated with the last days. On the other hand, for the original composers of the book of Daniel, the distress associated with Antiochus was only a precursor to the distress associated with the last days. Finally, we will apply the insights gained from making this argument to the question of the book of Daniel’s composition.     

水东宋氏职衔考

水东宋氏从唐初至明末统治贵州水东地区,唐宋元明四朝先后封赐诸多官衔。通过对水宋氏所任职衔的研究,可充分认识其兴起、发展、兴盛和衰亡过程,也可窥见中央王朝的治黔方略及贵阳政区的形成过程。     

Teatro crítico contra la conciencia en crisis: Nada que perder

ABSTRACT

In this article I introduce how the 2008 financial crisis appears in the Spanish recent drama. Although the impact of the crisis has been studied in other genres and artistic expressions such as narrative, poetry, or comics, this issue needs more attention in Spanish contemporary drama. The article proposes a critical analysis of Nada que perder (Bazo, Romero, and Yagüe, 2016). In this play, we can observe a new perspective of the crisis that not only holds the ruling class responsible for the situation, but also charges the ordinary people with irresponsibility and lack of public conscience.     

Meaning in a Changing Context: Towards an Interdisciplinary Approach to Authorial Revision

Summary

In this article, I seek to develop a genetic/diachronic approach to the phenomenon of authorial revision, and to the interpretation of texts that exist in multiple versions. In all such cases, the reconstruction of textual meaning cannot be separated from the reconstruction of the process through which the text in its ‘final’ form came into being; furthermore, an understanding of the author's intentions in (re)writing cannot be entirely separated from an understanding of his/her motives for (re)writing. This article is divided into three sections. In the first section, I consider recent trends in editorial and literary theory that aim at characterising texts in terms of processes rather than products, in order to uphold the equal dignity of each version without losing sight of its connectedness to other stages in the history of the text. In the second section, I discuss how Quentin Skinner's views on meaning and context apply to cases of authorial revision, and I suggest that some key aspects of Skinner's contextualism need to be reconsidered. In the concluding section, I focus on a case study in order to demonstrate the operational value of such a genetic and motive-based approach to authorial revision: more particularly, I seek to show how a close examination of Jean Bodin's rewriting practices in the Methodus (1566–1572) and the République (1576) can throw new light on his shift from a concept of limited sovereignty to one of absolute sovereignty.     

论明万历中后期言官对神宗的批判

明万历中后期,以言官为首的官僚集团兴起了一股批判明神宗的风潮。其根本缘由,首先是神宗君德严重缺失,其次在于言官勇于以道事君。在深层次上,这种批判也是该时期政局危殆、皇权变异并衰落以及士风日下、部分言官沽名钓誉等社会变动综合作用的结果。尽管这种批判并未摆脱传统的“尊君—罪君”的政治评判模式,但它是明清之际启蒙思想的先导和重要的思想资源。     

《四库全书》载《图绘宝鉴》底本考原

四库全书辑入的《图绘宝鉴》是一部重要的古代画史作,其内容与本书其他重要版本多有不同,使研究颇感困惑。通过对四库本与正德本、津逮秘书本及借绿草堂本等版本的比较,发现四库本的底本孔府本并非正德本,而应是嘉靖本或其增补本毛大伦本：并同时推论出嘉靖本的底本是正德本的一个残本。