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Runnymede has large samples of Neolithic and Late Bronze Age animal bones, with contrasting preservation conditions in both periods. The bone evidence has been used to interpret the formation of the site deposits. There are few articulated bones, and no joins were found in butchered bone, indicating that the area studied did not contain primary refuse. Various aspects of bone alteration have been analysed: (i) the proportion of bones with very good surface preservation was high in the in situ Neolithic excavation units and the basal Bronze Age midden, but bones in the upper units were mostly eroded. These units are reworked flood deposits. The greater degree of fragmentation of the bone in the reworked units has been quantified, using a system of recording the ‘zones’ present on each bone, which allows calculation of the fraction present. It is also demonstrated that the reworked units contain a lower proportion of identified bones and a higher proportion of teeth and iaws than the units with well-preserved bone, (ii) Quantification of canid gnawing shows, unexpectedly, that more was recorded on well-preserved bone. Thus recognition of gnawing depends on bone condition. This also confirms that most of the erosion of the bone surface is a post-depositional phenomenon. The sequence of activities is therefore interpreted as follows: meat was cooked and consumed, and the bones discarded for the dogs. At a later stage, larger bones were picked up and thrown away in the river or midden. Some ethnographic examples of periodic cleaning of farming settlements are cited.  相似文献   
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本文利用画史、笔记及档案等文字资料,考察现存北京广济寺大雄宝殿之清代傅雯巨幅指画《胜果妙音图》原存何处及其流散经过。  相似文献   
4.
A. Tarriño 《Archaeometry》2015,57(5):928-948
A new classification system is proposed to describe the volumetric formats of clastic lithic products of geological and archaeological origin. In order to build this operative classification, the rectangular block or cuboid is established as the standard geometric format to represent their three‐dimensional format (the X‐axis being length or long diameter, the Y‐axis being the width or intermediate diameter, and the Z‐axis being the thickness or short diameter) on a two‐dimensional diagram. To obtain this graph, each absolute coordinate (X, Y, Z) defining the prisms is projected on to an auxiliary plane with a new set of relative coordinates (x, y, z), expressed as the percentage of their sum. The projection generates a triangular diagram on which the indices of elongation and flatness are represented. A geometric transformation converting the triangular diagram into a quadrangular diagram has been produced in order to better represent the scatter points. Then, a double scale is necessary: (i) an absolute scale to quantify the indices, and (ii) a relative scale to calculate where the graphic locus is projected. This new graph also allows us to work with statistical parameters. Finally, two classic examples of applications selected from the literature are shown.  相似文献   
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谈谈考古遗址的展示保护   总被引:1,自引:0,他引:1  
本文讨论了考古遗址的风化状况和原因,指出考古遗址的破坏是多种因素共同作用而产生的,为了保护考古遗址,就要采用多种相应的技术措施。这些措施包括:保护房的建设、地下水的治理、土体的机械和化学加固及生物因素的控制等。在遗址保护中要根据实际情况选择保护手段。  相似文献   
6.
This article explores the juxtaposition of the 1853 Irish Industrial Exhibition in Dublin and the dramatic rise of department stores in the city during the same decade. It analyses the aims, structure and reception of the 1853 Exhibition within the context of the Irish industrial movement, the economic modernity of the post-Famine era and the dramatic changes to consumer culture which were occurring during the 1850s. The article takes as its focus the hitherto neglected ‘monster house’ controversy – conducted in pamphlets and public lectures – regarding the growth of Dublin's department stores. Coinciding with the 1853 Exhibition, the controversy rehearsed many of the same concerns regarding economic and social structures in Irish urban society in the wake of the Famine. Consideration of the ‘monster house’ controversy alongside the issues raised by the 1853 Exhibition allows a new perspective on the development of middle-class urban life in Dublin during the mid-nineteenth century.  相似文献   
7.
Within the site of Kutná Hora-Denemark (Kutná Hora distr., central Bohemia – Eneolithic, ?ivná? Culture, 3000–2800 BC), 893 frog bones or bone fragments were present in five archaeological features. All identified specimens are of the Common Frog (Rana temporaria Linnaeus, 1758). Males predominate, according to humeral morphology, and only adult individuals are present. The most important findings come from feature 36, where an accumulation of 739 frog bones (MNI = 123) were found, of which 10% (NISP) were burned. This and other contextual evidence indicates that they relate to activity of the Eneolithic people in the settlement. The predominance of hind leg bones and other circumstantial evidence suggest that the frogs were part of the human diet. Behavioural studies of this species suggest that the frogs were gathered from small ponds during the months of March or April. Similar findings are rare.  相似文献   
8.
A method is suggested whereby modern ecological information on fish behaviour and distribution, together with commercial catch figures, may be used to assess season of occupation of archaeological sites. Monthly catch probabilities for each species are scaled by minimum numbers from prehistoric osteological assemblages to yield an overall likelihood of the fish being caught at different months of the year. A test case on two assemblages from Palliser Bay, New Zealand, suggested year-round habitation, and this was consistent with individual qualitative seasonal markers. The fishbone evidence can also be used to comment on aspects of prehistoric technology connected with marine foods, such as the use of canoes, baited traps, long line hauling, rock fishing and seine netting. In addition, the fish information substantiated subtle environmental changes which are believed to have taken place in this region.  相似文献   
9.
陕西安康紫阳北五省会馆壁画颜料分析研究   总被引:3,自引:3,他引:0  
陕西安康紫阳北五省会馆壁画是目前陕西省境内发现的最大的一处建筑壁画,为了解其颜料组成,本工作采用X射线荧光、偏光显微镜、X射线衍射、激光显微拉曼光谱及扫描电镜能谱分析相结合的分析方法,对颜料样品进行了分析。结果表明,北五省会馆壁画除正殿发现一处红色染料外,其他均为无机颜料;红色颜料主要是铅丹、朱砂、铁红;绿色颜料为氯铜矿、石绿、斜氯铜矿;蓝色颜料的主要成分是普鲁士蓝、smalt、石青;黄色颜料为雌黄、铁黄;褐色颜料的主要成分是铁红及铅丹的变色产物二氧化铅;黑色为炭黑;白色颜料主要是铅白,且多使用铅白作为调色颜料。研究结果对于了解清代民间壁画的制作工艺,丰富对陕西建筑壁画的认识具有重要意义。  相似文献   
10.
史前太湖流域,礼器出现在社会初步分化的崧泽文化时期;良渚文化时期已经是一个分层的复杂社会,社会成员分化成为不同的等级、阶层,与此相适应,太湖流域史前社会出现了陶质、石质和玉质三种不同质地的礼器,并有着比较严格的使用制度,太湖流域史前社会的礼仪制度初步形成。  相似文献   
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