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1.
The results obtained from the multi-analytic compositional characterization of ceramic pastes and paints of the Santa María style, from the El Bolsón valley (Belén Department, Catamarca Province, Argentina), are presented here. This pottery style had a wide regional distribution in Northwestern Argentina between ca. 1000 and1600 ce and is characterized by its complex iconography painted in black, cream and red. The analyses show that the containers correspond to the technical tradition of using grog temper and suggest that its manufacture involved a double firing process. This reveals a new practice for the time.  相似文献   
2.
The number of finds relating to metalworking, without evidence of mining and processing facilities, is very limited. In Final Eneolith graves of specialized metallurgists that have occurred, they contain a metal-founding or metalsmithing toolkit, whose origins were from eastern Europe (the Maykop, Yamnaya Culture). Such metallurgical tools may have reached central Europe as part of the so-called Yamnaya Package before the onset of the Bee Beaker Culture (BBC); and unlike the Pontic region, these two types of metallurgy separated here. There are found an accumulation of metallurgists' graves in Moravia, where the complete metalworking toolkit is deposited in a predefined place in richly furnished male graves with a distinctive funerary architecture that exhibit a clear relationship to the grave goods. EDX-analysis detected a high content of metals (Cu, Ag, Au, Au–Ag alloy) on all working surfaces of stone tools, grinders, and boar tusks used for the final treatment of their metal products. This makes us believe that the used artefacts were laid as symbolical objects in the graves of these craftsmen who perfectly knew these advanced technologies. Due to their knowledge, their social significance gradually rose and finally reached the level of social elites, who were usually buried in a spectacular manner, including the quantity of grave goods (Überausstattung) and the pars pro toto deposition in one part of the finds.  相似文献   
3.
明墓出土的历书,粘连固结成块,脆硬易于折断。通过实验分析研究,探明其主要原因可能是木质素选择性地吸附的钙铁离子与蛋白质的分解物形成复杂物质,沉积在纸上,渗入书内所致。故揭取该历书的关键是去除钙离子,EDTA二钢,碱性过氧化氢、气相二氧化硅等的分步处理,使脆硬的纸张软化,再逐页分离揭取,然后再去除色素沉淀物,终于恢复了书的原貌。  相似文献   
4.
Several samples of pyramids from Giza were obtained. The samples were analysed by scanning electron microscopy, electron diffraction by X-rays, powder X-ray diffraction, inductively coupled plasmography, Fourier-transform infrared spectroscopy and other techniques. Some scientists who have recently studied the pyramids have suggested that the pyramids were poured into place, stone by stone. The prevailing theory among Egyptologists is, of course, that the pyramids were built from blocks of natural stone. All of the results obtained during this study directly support the concept that the pyramids are made of limestone and are not cementitious in nature.  相似文献   
5.
About 200 analyses have been made on late Roman and Sassanian silver objects using energy-dispersive X-ray fluorescence. This has shown that the main feature of the composition of the silver throughout the period and across the geographical area studied was towards high fineness (average silver percentage about 95%). Compositional differences are found between Roman and Sassanian silversmiths' products for the elements copper and lead. Much of the material analysed came from hoards, and using a statistical technique on the analytical data (Discriminant Analysis) broad compositional differences between hoards were found to emerge. The use of different compositions of silver for different joined parts of a single object are discussed.  相似文献   
6.
The paper reports the results of a research project aimed at the characterization of the floor bedding mortars of two Roman houses in Aquileia (north‐eastern Italy), the Domus delle Bestie Ferite and the Domus di Tito Macro. Seventy floor bedding mortars of the two domus were selected and almost half were fully minero‐petrographically characterized by means of optical microscopy operated in transmitted light (OM‐TL), X‐ray powder diffraction analyses coupled with quantitative phase analysis by means of the Rietveld method (XRPD‐QPA) and scanning electron microscopy with EDS microanalysis (SEM–EDS). The results indicate an evolution of the mortar preparation techniques over time in the mosaic of both houses. The materials are compared to the traditional Roman recipes for specific construction techniques.  相似文献   
7.
A series of graves belonging to the Phoenician period were investigated after the campaign excavation of 2007 in the Phoenician‐Punic necropolis of Monte Sirai (Carbonia, Sardinia, Italy). One tomb in particular (labelled 252) is presented here because of its uniqueness. Tomb 252 contained the cremated remains of an individual, probably male, and comparison of the excavation records alongside reconstruction of the bone material itself makes clear that the individual was cremated in a prone position. It represents the first case of prone cremation reported in the literature. To investigate whether the temperature of the cremation was homogenous across the entire body, we have conducted a combined physical–chemical analysis using X‐ray diffraction spectroscopy and Fourier transform infrared. Copyright © 2012 John Wiley & Sons, Ltd.  相似文献   
8.
In the present study, the fragments of wall painting found in the Roman Temple Complex at Horvat Omrit were analysed for the first time using the non‐destructive techniques of X‐ray diffraction (XRD) and scanning electron microscopy (ESEM) equipped with energy‐dispersive X‐ray spectroscopy (EDS). The application of these methods enabled unambiguous identifications of the pigments and plaster components of the samples. Quantitative information on mineral composition, crystallite size and elemental composition of each studied paint layer and plaster was collected. Based on the results of the XRD and EDS analyses, the green pigment was identified as celadonite. It was revealed that the Egyptian blue pigment does not contain impurities of tin and lead, and this excludes the use of bronze scrap in its synthesis. Comparison of the mineral composition of the paint layers indicates that a wider palette of colours was obtained by mixing the available mineral pigments. The study of cross‐sections of painted specimens revealed the usage of slaked lime for plastering. The obtained results give a new insight into the wall painting technique employed by ancient artists at Horvat Omrit, in northern Israel.  相似文献   
9.
Thirteen bronze battleaxes from Middle Bronze Age II graves at Rishon LeZion, Israel were analysed by ED XRF at multiple surface locations in order to determine their metallurgical composition. Six of these were further subjected to neutron diffraction using an ENGIN‐X diffractometer in order to determine bulk phase composition. The results indicate that the previously established geographical and chronological variability in Sn–Cu (with occasional Pb) and As–Cu alloys found using the former method may be an artefact of preservation and conservation. In addition, the varying homogeneity determined by the latter reflects special treatment for improving on the metal cast.  相似文献   
10.
青铜箭镞是古代制造量最大、一次性使用的兵器,与要求甚高的青铜剑和青铜礼乐器等相比,在选材和表面处理等方面有很大的不同,其锈蚀过程最能反映材料在经过数千年后所产生变化。长江中下游地区环境潮湿,埋藏条件复杂,本研究利用扫描电子显微镜(SEM)、能谱仪(EDS)、X-射线衍射仪(XRD)、显微硬度等分析测试技术,从材料科学的角度对长江中游地区战国晚期古墓中出土的青铜箭镞的锈蚀现象和锈蚀机理进行了全面的研究和分析,以期为古代青铜器的保护提供更准确的信息和资料。结果表明,青铜箭镞的组织结构可分为完全矿化层、过渡层和心部原始材料等三个特征层,不同特征层具有不同的显微组织、化学成分、致密性,以及显微硬度等;并沿横截面观察和分析了锈蚀层中的微裂纹的性质和产生原因,即,平行于表面的裂纹是由矿化层氧化物膨胀引起的剥离开裂,其进一步发展将形成“粉状锈”,而垂直于表面呈放射状的裂纹是当圆柱形箭镞杆膨胀时,矿化层的塑性差,抗变形能力低而产生的开裂;锈蚀机理研究认为青铜器的锈蚀过程是环境中杂质元素通过过渡层沿界面能较高的α固溶体和(α+δ)共析体晶界或孔隙等缺陷逐步向内部扩散的结果。  相似文献   
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