Jens Bircherod’s In Timaeum exercitatio historico-philologico-philosophica (1682): Platonic cosmology in seventeenth-century Denmark

ABSTRACT

This article examines a previously unstudied dissertation on Plato’s Timaeus presumably authored by the Danish bishop Jens Bircherod (1658–1708). By means of a study of Bircherod’s sources and interpretative method, it assesses the place of his In Timaeum exercitatio historico-philologico-philosophica (1682) in the history of philology and philosophy, and in the context of seventeenth-century Lutheran pedagogy. It shows how Bircherod makes use of Plato’s dialogue against the background of early modern religious debates, and how his method largely follows the historicist approach that had begun to characterise the reception history of the Timaeus since the late sixteenth century. It argues that Bircherod wrote his historical-philological-philosophical exercise on the Timaeus to demonstrate the existence of divine providence and monotheistic tendencies in antiquity, and to harness Plato’s cosmological treatise to the cause of Christian apologetics.     

Samuel Taylor Coleridge on ideas actualized in history

ABSTRACT

Situating Samuel Taylor Coleridge’s thought on historically actualized ideas with reference to a range of classical thinkers, this article examines his intriguing philosophical theory about how ideas become progressively actualized in history. This cultural growth can be understood as contemplation-in-action, although it occurs through mainly fumbling – or else overenthusiastic – human agents. I distinguish Coleridgean first-order, transcendent ideas (such as God, infinity, the good, the soul) from second-order, historical ones (such as church, state, the constitution). It has been argued that Coleridge’s theory of ideas develops from Bacon’s inductive method for discovering laws of nature through experiment and natural law through common law. I further claim that Coleridge upholds the reality of “Forms” in science, and of rights in ethics and politics; that his later political thought is inherently more progressive than is generally admitted; and that his account differs from Schelling’s and Hegel’s respective theories by maintaining the transcendence of ideas above the immanence of their evolving historical actualizations. Coleridge’s philosophy is therefore, whether political or metaphysical, ultimately an ontological defence of the transcendence of ideas above the immanence of their progressive but imperfect actualization.     

History and theory: the paradox in Francesco Patrizi

ABSTRACT

Patrizi's Ten Dialogues on History bring the Renaissance humanist discourse on the meaning of history to a new level. First, he emphasizes narrativity as the fundamental structure of history. Then he asks for the essence of history, which hinges on the creativity of the narrator, who organizes the facts to be told. With a focus on the Third Dialogue, we see that, for Patrizi, history is elapsing time preserved beyond time and human knowledge enacted in time or reenacted in events. A theory of history shows that history is the connection between contingency and truth.     

Is Francesco Patrizi’s L’Amorosa Filosofia a heterodox reading of the Symposium?

ABSTRACT

This paper focuses on L’Amorosa Filosofia, perhaps the most compelling response to Ficino’s De Amore produced in the sixteenth century, as it is centered on the notion of love as philautia, based upon a naturalistic and psychological interpretation. The learned lady Tarquinia Molza, the most important interlocutor of Francesco Patrizi, affirms that love, from its beginnings in the inner self to its end, when reaching the divine, cannot but be a phenomenon that engages the sense of touch, showing a naturalistic attitude toward the body and an interest in the mediation between matter and spirit. Contrary to popular notions of self-love as selfish and callous, an honest man must necessarily love himself first in order to love others. In The Praise of Folly, Erasmus also tackles the concept, making Folly praise Philautia as a fundamental means for happiness. More relevant to Patrizi’s work, in Mario Equicola’s De Natura de Amore, there is a long digression on the virtues of self-love.