THE LETTER KILLS: ON SOME IMPLICATIONS OF 2 CORINTHIANS 3:62

The paper focuses on an argument put forward by Augustine in his De doctrina Christiana: there are passages in the Bible that need to be read in a literal, contextual, and ultimately rhetorical perspective. This approach to the Bible (usually overshadowed by Augustine's own parallel emphasis on the importance of allegory) was needed to deal with customs—for instance the patriarchs' polygamy—that had to be evaluated, Augustine argued, according to standards different from those prevailing in the present day. This need inspired Augustine to utter some sharp remarks on the need to avoid (as we would say today) ethnocentric, anachronistic projections into the Biblical text. The long‐term impact of Augustine's argument was profound. The emphasis on the letter played a significant role in the exchanges between Christian and Jewish medieval readings of the Bible, which affected Nicholas of Lyra's influential commentary (Postilla). The same tradition may have contributed to Valla's and Karlstadt's audacious hermeneutic remarks on the Biblical canon, which covertly or openly focused on contradictions in the Biblical text, questioning the role of Moses as author of Deuteronomy. Traces of those discussions can be detected in Spinoza's Tractatus theologico‐politicus. The paper suggests that the emphasis on a literal, contextual reading of the Bible provided a model for secular reading in general. The possible role of this model in the aggressive encounter between Europe and alien cultures is a matter of speculation.     

THE SYNTAX OF OBJECTS AND THE REPRESENTATION OF HISTORY: SPEAKING OF SLAVERY IN NEW YORK

The representation of history continues to evolve in the domain of museum exhibitions. This evolution is informed in part by the creation of new display methods—many of which depart from the traditional conventions used to achieve the "museum effect"—in part by an increased attention to the museum-visitor relationship. In this context the ethical force of bearing witness, at times a crucial aspect of the museum experience, has emerged as a particularly compelling issue. In seeking to represent and address atrocity, injustice, and the abrogation of human rights, museums have the potential to become "sites of conscience" and to encourage "historical consciousness." Through a series of three exhibitions devoted to slavery, the New-York Historical Society demonstrated how such sites can be constructed and how objects can be deployed to represent extreme or "limit cases." In this review/essay I investigate and interrogate these exhibitions, looking closely at the use of objects as a source of "indirect testimony" (Marc Bloch) and at the "dialogical situation" (Paul Ricoeur) that might arise in an encounter among objects, exhibit narratives, and visitors. Thinking in terms of point of view, I look at the variety of rhetorical platforms from which objects speak in these exhibitions; thinking in terms of syntax, I look at the effects of ordering and of the radical juxtaposition of objects; thinking in terms of irony, I look at the provocations of double-voiced narratives and at how objects are used to support those historical sentences.     

The development and evolution of “cerebral thermometry”: The physiology underlying a nineteenth-century approach to cerebral localization and neurological diagnosis

ABSTRACT

Surface thermometers were developed in the latter half of the nineteenth century. From the 1850s through the 1880s, collaborations between physicians, research scientists, and instrument makers produced clear improvements in the technology to measure cranial surface temperatures, with development of self-registering mercury surface thermometers resistant to pressure and little influenced by ambient temperature, apparatus for recording cranial surface temperatures from multiple stations simultaneously, and development of thermoelectric apparatus. Physiologic studies of cranial surface thermometry were conducted over a quarter century from 1861 to 1886. Beginning in the 1860s Albers in Bonn, Germany, and Lombard at Harvard and later in England systematically investigated surface temperatures on the head using surface thermometers and thermoelectric apparatus; they demonstrated that head temperatures were variable over time and across individuals and were not clearly influenced by thinking or muscular contraction but were influenced by ambient air temperature. In 1880 Amidon in the United States claimed that cranial surface thermometry during exertion produced localized increases in surface temperature on the contralateral scalp in a specific pattern (“external motive areas”) indicating underlying brain areas responsible for each movement. Amidon’s results were not reproduced by experienced physiologists in England or France. Contemporaries recognized that significant technical and practical problems limited the accuracy and reliability of cranial surface thermometry. Physiological studies of cranial surface thermometry ended in the mid 1880s, although some clinicians who were early advocates promoted its use in clinical contexts into the early twentieth century.     

Ideology and the ‘Liberation of Theology’: The Role of Critique in Juan Luis Segundo and Slavoj Žižek

The turn to religion within critical theory has brought the critique of ideology back into theological view. This essay examines the relation of theology to ideology in the liberation theology of Juan Luis Segundo. Segundo's key contribution is his use of the concept of ideology as an efficacious force in theological work in service to poor communities. I argue that the critical and political force of Segundo's theology is dulled by this neutral use of ideology critique. This may be ameliorated by consulting Slavoj ?i?ek's negative use of Christianity as ideology critique. Without endorsing ?i?ek over Segundo, I propose that ?i?ek's critical use of political theology can help liberation theology reengage the role of negativity and critique in the immanent relation of theory and praxis.     

THE COUNTED TIME: TECHNICAL TEMPORALITIES AND THEIR CHALLENGES TO HISTORY

One of the main debates regarding historical representation within digital media concerns narrative, particularly the difficulty in articulating it. Digital technologies are usually presented as opposed to linear, written narratives, which is of consequence to historical writing. Despite the many merits of scholarly approaches that try to circumvent this difficulty, the lack of theoretical understanding of the categories implied in such discussions is noticeable. To counter this, this article addresses the relationship between time, technics, and narrative. I contend that the challenges of crafting narratives in digital media conceal a problem pertaining to the relationship between time and technics. Drawing on Paul Ricoeur's work on narrative, Jimena Canales's studies of the history of science, Wolfgang Ernst's and Yuk Hui's discussions of technical temporality, and Bernard Stiegler's understanding of the relationship between time and technics, I argue that it is the temporality imbued in the workings of technical objects (such as computers) that renders them averse to narrative. In making this argument, I employ the notion of “counted time” (in contrast to Ricoeur's “narrative time”) to denote a temporal mode that, despite its intersections with social, human temporality, is alien to narrative.     

Contested Cartographies: Empire and Sovereignty on a Map of Sistān,Iran (1883)

ABSTRACT

The papers of Malkam Khān (1833–1908), Iranian ambassador in London from 1872 to 1889, a staunch supporter of Iranian state modernization and a scholar, include an often-overlooked map of the Iran–Afghanistan border dating to 1883. Mirzā Mohammad-Rezā Tabrizi compiled this exceptional piece of nineteenth-century Iranian cartography. The map is an illustration of how quickly the Qajar administration was able to emulate European cartographical discourses to protect its own interests in the context of the so-called ‘Great Game’, that is, the often confrontational Russo–British relations over the control of Central Asia and Afghanistan in the nineteenth century. In this article we show that Iranian officials had developed a much more substantial articulation between cartography and statecraft than is conveyed by the stereotypes in nineteenth-century Western literature, when the capacity of local players to use counter-mapping to their own advantage was often underestimated by European agents. Mirzā Mohammad-Rezā Tabrizi’s map of Sistān exemplifies how the apparently all-powerful Western science that seemingly supported nineteenth-century imperial expansion was rarely left unchallenged locally. The genealogy and circulation of the map also reflects how overly simplistic the postulation of a polarization of ‘Western’ knowledge and ‘Eastern’ attempts at safeguarding local sovereignty can be.