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1.
聚醋酸乙烯酯(PVAc)乳液是常见的彩绘类文物保护材料。采用激光粒度仪、热重/差热分析、红外光谱、X-射线衍射、扫描电镜、透射电镜等表征了PVAc乳液的粒径以及胶膜的热稳定性、结构和形貌;采用粘度计、表面张力仪、pH计、电导率仪等研究了乳液浓度与其粘度、表面张力、pH、电导率的关系;通过冻融、室温-高温放置、离心分离研究了乳液的稳定性;同时用PVAc乳液对模拟起甲和酥碱的壁画进行了修复。结果表明,PVAc乳液粒径呈双峰分布,小粒子的平均粒径为380 nm,大粒子的平均粒径为5.85μm;乳液胶膜为非结晶物质,胶膜热重的最终质量残留为1.54%,335℃出现放热峰。PVAc乳液的电导率随浓度的增大而增大,pH随浓度的增大而下降;相同温度下表面张力随浓度的增大而基本呈现低浓度下降,高浓度上升的趋势。相同浓度下,表面张力随温度升高而无显著变化,表明PVAc乳液的表面张力受温度变化影响不大。相同温度下,乳液粘度随浓度的增大而增大;相同浓度下,乳液的粘度随温度的升高而降低。冻融、离心分离和不同温度下静置发现,该乳液出现分层。用该乳液对模拟起甲和酥碱壁画修复后,再分别老化20个循环和12个循环,发现颜料层再次空鼓、起甲。综合分析,说明实验中所使用的该种PVAc稳定性和抗老化能力较弱,在修复彩绘类文物中应慎重选择PVAc的种类,综合考虑PVAc的使用浓度、环境因素对其性能的影响,以达到最佳使用效果。  相似文献   
2.
Yelang (夜郎), a mysterious state located in the south‐western area of early China and dating from the Bronze Age to the Early Iron Age (1300 bc – ad 25), is a cultural interactive junction between the Yunnan–Guizhou Plateau and the Yangtze River Basin. The Zhongshui Basin in Weining County, Guizhou Province, was one of the important distribution areas of the Yelang civilization. This area, which includes sites at Jigongshan (鸡公山; 1300 – 800 bc ), Hongyingpan (红营盘; 700 – 400 bc ) and Yinzitan (银子坛; 400 bc – ad 25), has provided a very integrated chronology, spanning from the Bronze Age to the Early Iron Age in the eastern Yunnan – western Guizhou area. To investigate human migration and horse‐trading at these Yelang sites, we conducted a strontium isotopic analysis on the teeth enamel of humans and horses unearthed from these three sites. The results indicated the following: (1) people at the earlier sites (Jigongshan and Hongyingpan) were all indigenous, whereas in the Yinzitan cemetery, there was a more immigrant population, and all the people who were buried in an upper limb flexed supine position were non‐local; and (2) most of the horses found at the Jigongshan and Yinzitan sites show different provenances, probably related to the famous Dian (滇) and Zuo (筰) horses recorded in historical documents, providing more clues for further study on horse‐trading in South‐West China during the Bronze Age and the Early Iron Age.  相似文献   
3.
许多出土饱水木质文物因其降解严重、含水率较高,容易在脱水过程中出现不可逆的收缩变形以及开裂现象,从而遭到严重破坏。因此,饱水木质文物脱水方法的研究是文物保护工作中的重要课题。为探究风冷冷冻法对饱水木质文物脱水的效果,以一批无法复原的出土饱水木质文物为研究对象,在对其材种、含水率、基本密度及化学成分进行了测定和分析后,使用一台风冷电冰箱在-18℃条件下对样品进行了风冷干燥脱水处理,记录脱水时间和脱水效果,并分析了该方法的传质传热特点,证明了风冷干燥法用于饱水木质文物的脱水干燥能够取得良好效果,并且具有对文物干预小、适用性广、操作简便、成本低廉等优点,为饱水木质文物的脱水处理提供了一种新的思路。  相似文献   
4.
为了解古代彩绘文物中胶结物的研究现状和发展趋势,本研究利用Web of Science核心数据库,对古代彩绘中常见的胶结物(蛋白质类胶结物、植物胶、干性油、天然树脂、天然蜡)的研究论文进行了收集整理。通过对数据库中发文时间截至2017年的研究论文进行了系统检索,对期刊论文的年份、收录情况、期刊种类、作者、研究机构、被引数和影响因子等进行定量分析,并对中国学者的研究论文进行统计,以此了解国际国内彩绘文物胶结物的研究现状和发展水平。此外,还对近年来迅速发展的免疫分析技术在彩绘文物胶结物检测中的应用进行统计,以此了解免疫法在检测彩绘文物蛋白质类胶结物中的适用性。  相似文献   
5.
水陆庵位于陕西蓝田王顺山下,庵内现存三百余平方米精美绝伦的明代彩绘泥塑,是我国泥塑保存最多、最完整的明代彩绘泥塑群之一。为明确水陆庵彩绘泥塑的颜料使用情况,采用光学显微镜、X射线衍射仪、显微红外光谱仪、扫描电镜-能谱仪和显微拉曼光谱仪对颜料样品进行科学分析。结果表明,除中隔壁背面重妆区域的蓝色颜料主要成分是普鲁士蓝之外,水陆庵彩塑使用的颜料大多为矿物颜料,包括铅丹、朱砂、铁红、氯铜矿、雌黄和云母等。研究结果将为水陆庵后续保护修复提供科学依据,并为丰富关中地区明代彩绘泥塑颜料类型补充科学信息。  相似文献   
6.
This paper is the outcome of a lecture held at the Institute of Archaeology, University College London. It provides a summary in English of the archaeozoological research work which has been carried out in Central Europe during the last 30 years, with special reference to material from medieval times. It is shown that a thorough zoological analysis of bones from excavations provides much information for historical interpretation. Not only was the ratio of wild and domestic animals or of the different species of interest, but also the age and sex structure of the population by taking the function of the site into consideration. Some observations on animal teeth gave indications of distinctive handicrafts. Cut marks on cervical vertebrae of horse skeletons found as grave goods from early medieval times were considered in connection with beliefs and juridical conceptions of that time.  相似文献   
7.
本文在对寺观彩塑的制作材料和制作工艺剖析的基础上,探讨了物理因素、化学因素、生物因素及人为因素对彩塑产生的破坏,并提出了针对性的保护措施,该研究对寺观彩塑的修复及保护具有参考价值.  相似文献   
8.
Balts' territories have one peculiarity—large amounts of horse bones are found in burial grounds. This phenomenon is typical to the Prussians (5th–11th centuries) and Lithuanians (Kaunas region 8th–11th centuries) Horse burials of the 8th–11th centuries reflect the archaeological culture of Middle Lithuania most significantly. Several horse burial types have been defined on the basis of individuals; osteological signs and the archaeological data of the horse remains. A typical horse grave is when the whole horse was buried. Sometimes only a head or a head with forelegs, or scattered horse remains are found in a burial. The large number of burial grounds with an abundance of horse graves testifies to a very expressive ritual of horse offering in the Balts' region. On the basis of the data obtained, we determined that mostly 4–10 year old horses were buried in the grounds of Middle Lithuania. From the bone measurements, it has been determined that the length of metacarpals ranges between 180 and 216 mm (the average length 193.1±0.99 mm); the length of metatarsals between 218 and 253 mm (average length 233.9±0.73 mm).These data demonstrate that horses of different types were buried in Marvelė and Veršvai burial grounds (wither height 120–136 cm). A certain number of the larger horses (wither height 136–144 and 153 cm; length of metacarpals 210–222 mm) might not have belonged to local breeds. We have come to the conclusion that the most similar horse skeletons (according to the osteometric data) were found in Latvia. Copyright © 2001 John Wiley & Sons, Ltd.  相似文献   
9.
针对考古出土的彩绘陶存在脆弱易毁、难以保存的问题,选择明胶和水性氟碳作为潮湿彩绘陶片的加固材料,采用不同浓度的加固材料对4种颜色彩绘陶片进行加固,并对加固前后的强度、色差以及光泽度进行检测和对比,结果表明较为理想的浓度选择为明胶在1%左右,水性氟碳浓度在20%左右。同时,对有底层和无底层两种类型的彩绘陶片进行加固对比实验,发现经明胶加固及老化后,有底层试样的色差和光泽度变化比无底层试样小;经水性氟碳加固后,有底层试样的色差和光泽度变化比无底层试样小,但老化后,则相反。在实践应用时,选用这两种材料对盱眙出土的一组潮湿彩绘陶进行了抢救性加固保护,都取得理想的效果。  相似文献   
10.
Two ancient wooden anchors with ropes, dating to different periods, were found on the western shore of the Dead Sea. The one-armed anchor was dated by 14C to the Late Iron Age—Persian Period, and the second anchor to the Roman Period. The saline water of the Dead Sea preserved the wood and ropes, but corroded almost all the metal parts. A thin black crust of lead and a green crust of copper are the only remains of the collar of the Roman anchor. The finds were made from local tree species and were probably made locally: the one-armed anchor from Acacia, the Roman one from Christ-thorn, and both ropes of date-palm.
© 2005 The Nautical Archaeology Society  相似文献   
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