The Parliamentary Organisation of the Whig Junto in the Reign of Queen Anne: A Further Note

The parliamentary organisation of the whig Junto in the reign of Queen Anne was far superior to that of the tory party. At the centre were the meetings in which three or four of the five members of the Junto were present together with some of their followers. Evidence of such meetings is rare but here is presented a letter giving the details of a meeting of all five in April 1713 at the home of Lord Somers, together with their ally, the tory earl of Nottingham, probably to discuss the forthcoming peace proposals, to end the war of the Spanish Succession, and the protestant succession to the British throne.     

Introduction

The eolith debate mirrors the development and demise of evolutionist anthropology in Britain between 1880 and 1940. This paper traces the connections between some of the key protagonists in the controversy, especially those associated with the Pitt-Rivers Museum at Oxford. The evolutionist pre-occupation of early Oxford anthropology with the continuity between archaeology and ethnology is shown to be linked to an interest in the Eolithic controversy, and these concerns persisted into a second generation as evolutionism was marginalized and prehistoric archaeology matured. Although the eolith debate finally floundered in the debris of the “epistemic rupture” between the world of Victorian evolutionism and late twentieth-century anthropology, some of its technical pre-occupations—particularly in relation to what we would now call ethnographic analogies and in terms of the techniques for distinguishing artefacts from geofacts—persist and are very much current issues.     

Social Notes: Oscar Wilde,Francis Bacon,and the Medium of Aphorism

This paper reads Oscar Wilde's aphoristic style in terms of the note-taking practices he develops as an undergraduate at Oxford. It treats his use of small, mobile pieces of language as a strategy for dealing with methodological uncertainty in a time of curricular upheaval. His trademark style is perhaps best understood as a form of social notation, whereby pieces of information behave as actors seeking sociality and recombination, rather than placement in systematic arrangements. One significant unpublished source – the ‘Notebook on Philosophy’ – discloses Wilde's engagement with a surprising aphoristic precursor, Francis Bacon, who deploys the form for similar purposes. In modelling a form of non-teleological informational assembly, Wilde's notebooks also body forth the utopian social life he conceives in his later critical writings.     

The Importance of Cheltenham: Imperialism,Liminality and Gustav Holst

The study of liminality, pioneered by the anthropologist Arnold van Gennep, and reinvigorated by Victor Turner, considers the ambiguity that exists for individuals as they move between defined groups or identities. Reconsidering the relationship between the British composer, Gustav Holst (1874–1934), and his birthplace, the west country spa town of Cheltenham, provides not only a case study of the general liminality of the professional musician, but of a figure who is betwixt and between in almost all aspects of his life. In essence, Holst is the archetype of a liminal being. This study problematizes Holst's place in the received history of British music, arguing that his liminality has been overlooked in various attempts to make his life and music fit a mainstream narrative for English musical culture, the so-called Second English Musical Renaissance. The origins of that liminality are explored by considering Holst's relationship with Victorian Cheltenham, ranging widely from the civic to the religious, from the public to the private, and from the individual to the social. This includes his contact with prominent influences such as imperialism and evangelicalism, but also elements that are seemingly more marginal to the town but central for Holst, such as Theosophy. Doing so clarifies the origins and importance of Holst's relentlessly liminal status in Victorian and Edwardian society, demonstrating how such reconsiderations can reshape the historical narrative of Victorian influence on the twentieth century.     

Tory Travails and Collegiate Confusion: The Oxford University Election of 1722*

In terms of the unreformed franchise operative in the early 18th century, the University of Oxford made up an unusual parliamentary constituency. Here it was the votes of non-resident members that could be decisive to the outcome if the seat was contested. In late Stuart and early Hanoverian Oxford, Tories were almost certain to be returned but, in the general election of 1722, the Tory vote was split between rival candidates offering a possible opening for Oxford Whigs. This essay considers the varieties of electoral behaviour inside the university at this time of exceptional political flux nationally, how the candidates confronted the practical problem of getting ‘outvoters’ into Oxford, and the extent to which the heads of the colleges could rely on a sufficiently stable corporate identity to have their resident members vote in an approved way. The 1722 general election again raised questions as to who exactly was entitled to vote in a university constituancy, how much illegal voting was going on, and whether it was in a candidate's best interests either to connive or draw attention to it. The eventual choices made by the Oxford electorate would signal where the university stood in the wider political picture of the early 1720s, how far it – and the varieties of toryism it contained – was prepared to endorse the legitimacy of the new Hanoverian order.     

A Biographical Note on James Maxwell,Gentleman Usher of the Black Rod

This note seeks to clarify the course of the career of James Maxwell, gentleman usher of the black rod in several earlier Stuart parliaments. Maxwell was a Scot who followed James I south in 1603, serving in his household and that of Charles I, first as a gentleman usher daily waiter, and from 1619 as a groom of the bedchamber. In 1620 he secured the office of black rod. In 1642 he failed to follow the king to Oxford but remained with the parliament at Westminster, although largely delegating his duties as black rod to his associate, Alexander Thayne. In 1647, he was allowed by parliament to attend the king at Holdenby House. He died in 1650 as earl of Dirletoun in Scotland, although the circumstances in which he acquired this title are obscure.     

A thirteenth-century Anglo-Jewish woman crossing boundaries: visible and invisible

In 1242, the private life of an Anglo-Jewish couple, Muriel and David of Oxford, became very public when David asked the royal curia to intervene in the Jewish court (bet din) which had either refused or stalled his divorce from the childless Muriel. The curia not only agreed to force the divorce, but used it as an excuse to ban all betai din, catching the whole Anglo-Jewish community in the growing anti-Judaism of the time. Though David married a fertile widow who bore him a son shortly before his death in 1244, Muriel lived on in growing poverty. David was the most prominent financier of his time but examining the story from Muriel's usually silent point of view allows us insights into the life of a woman in a growing academic town. Her story especially highlights how she might have interacted with both male and female Christians in her daily life as well as in seeking help with her especially feminine problem of infertility.     

‘One single ivory cell’: Oscar Wilde and the Brain

This paper considers Oscar Wilde's ongoing interest in the image of a single brain cell as a souvenir of human autonomy in a world of matter. Taking a long view of Wilde's career that demonstrates the relevance to his literary work of his college interests in physiology and philosophy, this paper shows how Wilde's socialism can be explained by his uniquely aesthetic take on the brain. For many late Victorians brain science threatened both the autonomy of human action and the legitimacy of beauty because it had the potential to invalidate conscious experience, but writers whose work Wilde knew, like Ernst Haeckel, W.K. Clifford and John Tyndall, apply aesthetic vocabularies to their own discussions of cells. Their theories illuminate Wilde's representation of the cell as an aesthetic object. Wilde's art collaborates with science to reject action, as action is conventionally understood, without relinquishing beauty as his ultimate value. His discovery of beauty in matter that is beyond the pale of human experience, yet intimately and strangely constitutive of our experience, directs the senses to a new field of experience that values the molecular life the species holds in common, in which individuals and their actions matter less to the possibility of social change than does the necessity of pleasure.