MULTIVARIATE ANALYSIS OF THE ENERGY DISPERSIVE X-RAY FLUORESCENCE RESULTS FROM BLUE AND WHITE CHINESE PORCELAINS*

The energy dispersive X-ray fluorescence technique was employed to study non-destructively the surface of 66 samples of Chinese porcelain, of different periods and origins, and determine the contents of 13 chemical elements, namely, Ti, Mn, Fe, Co, Ni, Cu, Zn, Ga, Pb, Rb, Sr, Y and Zr. Principal components analysis was performed on these 13 variables, and scatter plots, incorporating the first, second and third principal components, used to study the clustering behaviour of the data. Based on these results, discriminant analysis was then performed on the data, and discriminant functions established for attributing the period and origin of the porcelains.     

DISTINCT,LATE BRONZE AGE (c. 1650 bc) WALL‐PAINTINGS FROM AKROTIRI,THERA, COMPRISING ADVANCED GEOMETRICAL PATTERNS*

This paper studies a set of wall‐paintings of the Late Bronze Age (c. 1650 bc ) initially decorating the internal walls of the third floor of the edifice called ‘Xeste 3’, excavated at Akrotiri, Thera, whose restoration is now in progress. It deals with the methods used for the drawing of the geometrical figures appearing in these wall‐paintings. It is demonstrated that most of the depicted configurations correspond with accuracy to geometrical prototypes such as linear spirals and canonical polygons. It is pointed out that the steady lines of the figures, their remarkable repeatability, the precision of the geometrical shapes and their even distribution in the wall‐paintings indicate a very distinctive use of the ‘Xeste 3’ third floor, which is now investigated.     

Archaeology and Authenticity in South African Heritage Locales and Public Spaces

Abstract

This article investigates the construction, display and consumption of archaeological authenticity at two museums and two heritage-themed entertainment locales in South Africa. I consider authenticity not simply as intrinsic, but as strongly framed by physical and conceptual locations, before audience experiences and post-colonial priorities. I use as case studies the Maropeng visitor centre at the Cradle of Humankind, the Origins Centre Museum at the University of the Witwatersrand, Sun City's Lost City, and the Monte Casino entertainment complex in northern Johannesburg.