Briefly remembering Rosario Villari (1925–2017)

Umberto Gentiloni Silveri reflects briefly on the life and career of the Italian historian Rosario Villari who died in October 2017.     

Fighting the Risorgimento: foreign volunteers in southern Italy (1860–63)

Abstract

Between 1860 and 1863 hundreds of men from all over Europe volunteered for service in the wars of southern ‘brigands’ on behalf of the exiled King Francis II of Naples. In an attempt to correct the often biased interpretation of this involvement (that was attributed simply to a thirst for adventure, romanticism or even psychological disorder) that coloured the accounts by Italian patriots, this essay suggests the need for fresh consideration. It develops three lines of inquiry that focus respectively on the strong impact of Italian Unification on conservative and Catholic opinion and the ways in which these sources portrayed the struggles of the southern insurgents, the clumsy efforts made by the Neapolitan government-in-exile to recruit volunteers and organize armed expeditions against the former kingdom, and the so-called ‘white international’ in which the warriors of the counter-revolution were depicted as combatants in conflicts that were both civil wars and at the same time episodes in a much longer international ideological struggle. In this context, the significance of foreign involvement in defence of the Neapolitan Bourbons takes on a significance that goes far beyond its poor military outcome.     

Early Renaissance Production Recipes for Naples Yellow Pigment: A Mineralogical and Lead Isotope Study of Italian Majolica from Montelupo (Florence)

The Naples Yellow pigment was apparently used for the first time by the Egyptians, as a glass‐colouring agent. Also known in the Mesopotamian and Roman cultures, the recipe was lost in Western Europe between the fourth and the 16th centuries ad . The recipe for the production of lead antimonate recently discovered in the ‘Codice Calabranci’ (second half of the 15th century) at Montelupo, a small town near Florence (Italy) known for its large‐scale ceramic production, possibly represents the very first evidence of the reintroduction of Naples Yellow in Western Europe after a long period of absence. The major‐element composition of the lead antimonate pigment in the Montelupo ceramics of the 15th and 16th centuries is in accordance with the ‘Codice Calabranci’ recipes. Lead isotope analyses indicate that the lead used to produce the yellow pigments and the underlying glaze of the Montelupo majolica did not come from the Tuscan mining districts, but was possibly imported via Venice from more distant lead sources in Turkey.     

Preserving the Neapolitan state: Antonio Genovesi and Ferdinando Galiani on commercial society and planning economic growth

Both Antonio Genovesi and Ferdinando Galiani devised strategies for Neapolitan economic development, which they realised was essential for preserving its recently acquired independent statehood. In order to avoid any socially disruptive effects they considered how economic processes changed the human mind. Both thinkers grounded their political visions on foreign trade on highly sophisticated ideas of the nature of self-interest. In spite of the similar characters of their projects, the political thought of Genovesi and Galiani has never been subject to serious comparison. Instead the two thinkers have tended to be portrayed as opposite characters with highly divergent political leanings. It is argued here that this view is historically questionable and itself a product of a distorting canonisation process that was set in motion in the second half of the eighteenth century. Ironically, comparing the moral philosophies and economic ideas of Genovesi and Galiani, a picture emerges that inverts the myth that started at the end of the eighteenth century and that until this day has determined accounts of the early Neapolitan Enlightenment.     

Book review

In his main work, The Science of Legislation (1780–1783), the Neapolitan Gaetano Filangieri proposed a set of extensive political and cultural reforms. These reforms were necessary to free eighteenth-century societies from the remnants of feudal institutions that obstructed international peace and economic growth. Filangieri's ideas were shaped by the international political climate between the seven Years’ War and the eve of the French Revolution. Reinterpreting Montesquieu and Genovesi through the influences of French radical and Enlightenment thought (Helvétius, Raynal, l’Encyclopédie), as well as the economics of Hume, Verri and the Physiocrats, he concluded that European modernity was inherently contradictory.

From this perspective Filangieri set out to force a clean break between the technical horizons of mercantilism and enlightened absolutism and a society based on civil rights, a fair distribution of wealth and resources, and free trade. Proper ‘scientific’ knowledge of the rules and principles of legislation would allow governments to balance out the natural and cultural factors that characterise individual states, and to identify the appropriate model for social and economic development. If all states acted on their proper interest, international free trade and peaceful competition between states would emerge and the potential for general economic growth be materialised. Thus, the natural equilibrium and ‘universal consensus’ among nations could be restored.     

Becoming a camorrista : criminal culture and life choices in Naples

In 1992, Pasquale Galasso, a Camorra superboss, revealed many intricate secrets about the Neapolitan Camorra. This led to revelations from other pentiti (criminals turned state witnesses), allowing an insight for the first time into the Neapolitan Camorra from the insider's point of view. Understanding why individuals join a criminal organization, the Camorra in particular, is one of the questions addressed in this article. Using primary sources and an 'interaction model' based on the interplay of agency and structure, it studies the impact of Neapolitan criminal culture on an individual's life choices in the 1950s, and compares these with the 1980s and 1990s. It concludes that while in the 1950s criminal values were emerging as an ethos and had a somewhat limited impact on individuals, by the 1980s this ethos had become a clear 'subculture', an 'ideology' which had a pervasive influence on the life choices of many young Neapolitans. Nel 1992, Pasquale Galasso, super boss della Camorra, rivelÒ parecchi segreti sulle cosche napoletanc. La sua disponibilitÀ a collaborare spinse altri pentiti a seguire il suo csempio. CiÒ consentì per la prima volta di conoscere in maniera più approfondita la Camorra tramite le rivelazioni di alcuni dei suoi membri. Pertanto, i motivi per cui si sceglie di entrare nella Camorra è una fra le questioni analizzate nel presente articolo. Attraverso l'uso di fonti primarie e di un modello interattivo caratterizzato da una combinazione tra capacitÀ decisionale e struttura organizzativa, l'articolo sviluppa una analisi comparativa sull'impatto di una cultura criminale napoletana nei confronti delle scelte di singoli individui negli anni cinquanta, ottanta e novanta. Le conclusioni di questo studio sottolineano che, sebbene negli anni cinquanta una cultura criminale stava acquisendo un valore etico, essa aveva una influenza minima sulle scelte comportamentali dei singoli soggetti; mentre dagli anni ottanta era ormai divenuta una subcultura, una ideologia che aveva prodotto un impatto notevole sulle scelte di vita di molti giovani napoletani.     

Topographies of Difference: Cartography of the City of Naples, 1627–1775

The eclipse of the city view by the geometric plan around 1700 is a well‐documented phenomenon that traditionally has been explained by recourse to a meta‐historical narrative about the progressive triumph of science over art. In actuality, throughout the early modern period the modes of representation available to the cartographer ranged from the geometric to the pictorial, and their employment was predicated on concerns that were more cultural and political than scientific. To show how these concerns contributed to the dramatic shift in the representation of cities which occurred at the outset of the eighteenth century, the content of the languages employed in the most famous early modern view (1627) and the plan of Naples (1775) is analyzed and the ways in which their respective strategies of representation explicitly sought to accommodate or challenge the political status quo are exposed.     

Bad news from an aberrant city: a critical analysis of the British press's portrayal of organised crime and the refuse crisis in Naples

This article examines the coverage of Naples since 2000 in the Guardian and the Independent, paying particular attention to their portrayal of the Camorra and the refuse crisis. It argues that this coverage was not simply riddled with stereotypes but was also characterised by significant inaccuracies and omissions. Analysts in Italy have detailed how the trash emergency in 2008 was the outcome of corporate malpractice and institutional complicity and that organised crime, although intent on exploiting the situation, was not a determining factor. The British press, instead, tended to conflate the breakdown of the urban waste cycle with the dumping of toxic waste and, by inverting cause and effect, to point the blame at the Camorra. These accounts, it is argued, are partially explained by the very nature of foreign news that seeks out dramatic and clear-cut stories for an otherwise disinterested audience. They also reflect the heightened interest in the Camorra following the Secondigliano War and the English translation of Roberto Saviano's Gomorrah. However, the article suggests that it is the press's assumption that Naples is already an ‘out of the ordinary’ urban setting that ultimately precludes the possibility of an informed coverage of the city and its predicaments.     

Towards a new philosophy of history. European Vichianism and Neapolitan Hegelianism (1804–48)

ABSTRACT

This article examines how Hegel’s reception among nineteenth-century Neapolitan authors went hand-in-hand with a renewed interest in Giambattista Vico’s philosophy of history. It considers the mechanisms of circulation and reception that shaped responses to Hegelianism within the broader context of European debates on La Scienza Nuova. These developments largely directed Neapolitans’ understanding of Hegel’s ideas and encouraged the merging of local thought with wider European currents. Neapolitan Hegelians engaged very extensively with the works of French and northern Italian authors, such as Jules Michelet and Carlo Cattaneo, who had understood Vico as a proponent of an absolute concept of historical time that neatly dovetailed with the philosophical preoccupations common among German idealists. The article makes a case for a transnational understanding of Neapolitan Hegelianism, arguing that this current of thought did not merely stem from the passive absorption of Hegel’s ideas, but emerged as the synthesis of a local and a European dimension of philosophy.     

Dendrochronological analysis of bowed and plucked instruments from the San Pietro a Majella Conservatory,Naples

The Museo Storico Musicale of the San Pietro a Majella Conservatory of Music in Naples owns a collection of over 200 musical instruments of considerable historical importance. Within the collection, 30 bowed and plucked instruments representative of the Neapolitan violin-making tradition were analysed dendrochronologically to date them, estimate the provenance of the wood and investigate the instruments’ construction characteristics. The values of the statistical cross-dating tests were generally high and allowed 26 instruments to be dated. In all but one case, the dates were consistent with those of the catalogue. From the perspective of wood selection, we noted an unusual use of very old spruce wood, well beyond simple seasoning. The construction technique of the soundboard and other characteristics show good similarities with instruments analysed in other Italian collections. Thus, even in Neapolitan instruments, the growth rings are smaller in small instruments and larger in cellos or double basses. In conclusion, the Neapolitan violin-making school has shown great care in the choice of wood, most coming from regions as far away as Germany or Switzerland, thus confirming the existence of an active large-scale trade in wood for the production of musical instruments.