The Armada Tapestries in the Old Palace of Westminster

The tapestry series of the ‘Defeat of the Spanish Armada’ was a national artistic treasure which hung in the old Palace of Westminster from the mid 17th century until the fire of 1834. This article outlines the creation of the tapestries in the 1590s and covers the major treatments of them in illustrations of parliamentary interiors and in John Pine's 1739 engravings; it ends with a short account of the curious episode of the tapestry which escaped the conflagration. In the absence of any known historical record of how the tapestries were displayed, suggestions are offered about how many and in what order they hung in the two chambers occupied successively by the house of lords (before and after 1801), and about how they were physically supported on the walls of the Parliament Chamber.     

Stitching Together the Fabric of Industrial Houses: Investigating the Origins and Development of Cotton Workers’ Accommodation in the Derwent Valley,Derbyshire

At the close of the 18th century, the first purpose-built industrial communities connected to mechanised cotton spinning were created in the Derwent Valley, Derbyshire. Across four sites at Cromford, Belper, Milford and Darley Abbey, three mill-owning families constructed a wide variety of purpose-built accommodation in order to house their growing workforces. This article uses a buildings-led approach to investigate the complex influences acting on the form and design of these houses. Through the analysis of historic building fabric, this research demonstrates that workers’ housing in the Derwent Valley comprised both innovative and traditional influences, reflecting the experimental character of early cotton manufacture. Ultimately, this research suggests that the array of approaches to house-building within the valley were the result of a highly nuanced interaction between the agenda, requirements and expectations of both occupant and patron.     

一个展览和一个时代——“明永乐宣德文物特展”设计综述

"明永乐宣德文物特展"是一个全面展现明早期艺术的综合性文物大展。展览的最终目的是要激发大众对传统艺术的兴趣,令其得到文化的熏陶与艺术的启迪,因此,展览陈列设计所要考虑的是一个多层次的体系。首先提炼装饰元素作为视觉主题,将艺术品的美感尽可能展现给观众,同时还要向观者传递时代背景、皇帝的思想境界等信息。此外,设计者还精心挑选不同的装饰材料以营造新颖的展示环境,达到衬托文物高超工艺水平的目的。     

The Late Upper Palaeolithic Occupation of the Moroccan Northwest Maghreb During the Last Glacial Maximum

New work at Kehf el Hammar Cave provides the first well-dated palaeoenvironmental sequence for the Late Upper Palaeolithic in this region of the northwest Maghreb. The archaeological layers are dated via a combination of AMS radiocarbon and luminescence dating methods. The sequence contains charcoal-rich occupation layers with faunal, human and lithic finds. Local vegetational patterns are reconstructed on the basis of preliminary analysis of the charcoal evidence. Using standard calibration curves the AMS radiocarbon dates are compared with proxy evidence for climatic change from sea core records in the Alborán Sea. These appear to show that the Late Upper Palaeolithic occupation of the region coincides closely with Heinrich Event 1, a period marked by intense aridification and dating to ca. 16,700–17,250 calendar years ago.Les nouvelles recherches dans la grotte de Kehf el Hammar ont permis d’obtenir la première séquence paléoenevironnementale bien datée du Paléolithique supérieur tardif au Nord Ouest du Maghreb. En effet, les niveaux archéologiques ont été datés par le radiocarbone par accélérateur (AMS) et des méthodes radiométriques basées sur la luminescence. En revanche, les paléoenvironnements végétaux ont été partiellement reconstitués à base des premières analyses des charbons de bois. Les dates AMS calibrées ont été comparées aux données climatiques issues des carottes marines dans la mer Alborán. Ainsi, les occupations humaines du Paléolithique supérieur tardif dans la région ont sensiblement coïncidé avec l’événement climatique Heinrich 1. Celui-ci correspond à une période qui a été marquée par une aridification intense entre 16.700 et 17.250 ans (cal.).     

Arade River Archaeological Complex: Dredges and Archaeology

Situated on the southern coast of Portugal, the Arade River mouth has been visited and inhabited for over three millennia. Dredging operations, in the first and last decades of the 20th century, brought up the importance of Arade's cultural heritage and triggered a large-scale project of study, survey, and archaeological excavation. This project is conducted by Centro Nacional de Arqueologia Náutica e Subaquática, the Portuguese agency for nautical archaeology, under the direction of Francisco Alves, and with the support of both local and state authorities. This paper is a preliminary assessment of the finds made so far.
© 2005 The Nautical Archaeology Society     

Environmental Education in Russian Universities

This paper presents the results of a simulation exercise designed to explore and understand the implications of trying to survive in a marginal and poverty-stricken African community. The aim of the simulation was to create an approximation of a community involved in an income-generating project, akin to a Public Works Programme. This project sought to enable every person to earn a dollar a day on which to live. In addition, the exercise helped the participants to question and assess whether the Millennium Development Goals (MDGs) have a chance of reaching their proposed targets. The nearly one hundred participants were undergraduate geography students, reading Development Studies and Demography at Rhodes University in Grahamstown, South Africa. The outcome of the simulation was that the students developed a clearer understanding of poverty, particularly the ‘Deprivation Trap’, and how complex the development process is in practice.     

《中国共产党历史》第二卷对中华人民共和国史研究的意义

2011年出版的《中国共产党历史》第二卷记载了中国共产党自1949年10月中华人民共和国成立至1978年12月中共十一届三中全会召开这段历史,该书不仅是党史研究的一项重大成果,而且对国史研究也具有重要意义:为正确把握新中国前29年历史的重大问题提供了基本参照;披露了140多件文献档案,整理了一系列统计数据,为深入研究新中国前29年的历史提供了有价值的新史料;其编写方法为研究编纂新中国前29年的历史提供了有益的借鉴和启示。     

The use of a high-resolution 3D Chirp sub-bottom profiler for the reconstruction of the shallow water archaeological site of the Grace Dieu (1439), River Hamble,UK

The remains of Henry V's flagship, the Grace Dieu, currently lie buried within the inter-tidal sediments of the River Hamble (S. England). Previous archaeological investigations have been hindered by difficult excavation conditions resulting in a poor understanding of the dimensions, shape and degradation state of the hull's deeper structure. This study therefore aimed to image, characterize and reconstruct the buried remains of this vessel using a high-resolution 3D acoustic sub-bottom Chirp system with RTK-GPS positioning capability. The accurate navigation and high-resolution data that were acquired enabled the construction of a full 3D image of the site that not only identified the remains of the wooden hull, but also features buried within it. In addition, the degradation state of these buried wooden remains were investigated by calculating reflection coefficients while a hypothetical larger reconstruction of the Grace Dieu's hull was achieved, through the use of the ShipShape ship design software package.