A Great American Scholar of the Royal Navy? The Disputed Legacy of Arthur Marder Revisited

This article examines the scholarly reputation of the late Professor Arthur J. Marder. Once universally acclaimed as the doyen of historians of the Royal Navy in the First World War era, in recent times his work has come in for sustained criticism from a small group of revisionist historians, who not only dispute his conclusions, but argue that his entire methodology and approach were fundamentally flawed. This article assesses the specific charges of inadequate scholarship levelled against Marder by these revisionist historians and concludes that, while aspects of Marder's analysis may well be open to dispute, there are no grounds for attacking his scholarly integrity. On the contrary, he thoroughly deserves his reputation as a pioneering and painstaking scholar.     

ET SI C'ÉTAIT PAR LA FIN QUE TOUT COMMENÇAIT? PEN BEFORE PLOT,OR TRESCH ON POE'S REVERSALS

This brief comment offers some reflections on John Tresch's “Compositor's Reversal.” Contrasting his approach with Gaston Bachelard's, I situate Tresch in the tradition of reading Edgar A. Poe's Narrative of Arthur Gordon Pym as a riddle to be decoded. I suggest that Tresch's analytical emphasis on material composition practices rather than Pym's content opens up insightful ways of reading both Pym itself in terms of its composition, style, and narrative voice, and also Poe's well‐known programmatic Philosophy of Composition. The key achievement of Tresch's article beyond its engagement with Poe scholarship is its contribution to the study of writing practices and media studies more broadly. By demonstrating the tight connection Poe forged between natural theology and the material practice of typography, Tresch inserts the typesetting process as an important step in the historiographical trajectory between pen and typewriter. He shows that the mid‐nineteenth‐century context of natural theology marks a decisive difference in connotation between Poe's compositional play with questions of authorship and plausibility, of truth and appearance both described in and performed by his narrative, and later concerns with the apparatus and its potential for the production of an écriture automatique.     

Deceptive data? The role of the investigators in the New Survey of London Life and Labour 1928–32

The data collected by the New Survey of London Life and Labour between 1928 and 1932 is one of the most significant resources of detailed household information for the interwar period, with data extracted for almost 30,000 households, providing detailed information including birthplaces, hours of work, and wages. This article assesses the process of the original data collection, highlighting issues that mean users of the extracted data must proceed with a measure of caution. In particular, it demonstrates that one investigator employed by the survey, who provided information for around a fifth of households, appears to have regularly submitted generic and estimated information that problematizes the dataset.     

Development Imperative,Terrae Incognitae: a Pioneer Soil Scientist 1912–1951

James Arthur Prescott was a prominent soil scientist whose career responded to an increasingly complex, recognisably Australian web of interpenetrating spatial scales, served to promote revolutionary global advances in his chosen field, and in the process negotiated the blurred boundaries between ‘pure’ and ‘applied’ research. Encounters with this instructive life suggest that, while resolutions of pivotal anxieties might turn on ineluctably personal qualities, they also reflect a dynamic interplay between international, imperial, national and state contexts. Prescott's innovative contributions to soil science, fruits of a tenaciously consolidated career, influenced resource appraisal and environmental management across a prodigious continental expanse. A sustained focus on local and regional development brought him into contact with a wide range of contemporaries, including pioneering geographers, and culminated in his election to a Fellowship of the Royal Society.     

Fotografie als Wissenschaft

Photography as Science: In 1908 the English physicist Arthur Mason Worthington published A Study of Splashes, a treatise on the physical behaviour of falling drops. The photographic experiments were performed by means of an electric spark „in absolute darkness”︁. Worthington's experimental practice dealt with two different areas of knowledge production: an area the operator could perceive control from the outside and a corresponding black-box where the photographic recording itself took place. The paper discusses the epistemic challenges of this specific shift from imperceptible events to their photographic representations. It shows to what extent the information revealed by the photographic apparatus had to be converted, for it did not speak for itself. Thus, Worthington's work went beyond the classical dichotomy between objectivity and imagination.     

ELECTIVE AFFINITIES AND THEIR PHILOSOPHY

Elective Affinities: Musical Essays on the History of Aesthetic Theory collects a selection of Lydia Goehr's recent essays. In them she traces "a history of attraction and reaction … of music to philosophy, drama, birdsong, crime, film, and nationhood" (ix). Goehr examines the ways that philosophers, the ideas that they present, and works of art display "elective affinities". Her procedure is like that of an art historian who presents parallel slides to reveal visual affinities, even between artists who themselves were unaware of each other. Her analyses are erudite, lucid, and always suggestive, but what I found most admirable in Elective Affinities is Goehr's extraordinarily brave experimentation with a novel form of philosophy-writing, the adumbration of which is the focus of this review. Her book is strange enough to be genuinely magnificent and lastingly influential.     

England,France, the papacy and the Flemish succession, 1361-9

International politics in the 1360s were dominated by a diplomatic duel between England and France to secure the marriage of Margaret de Male, only child of the count of Flanders and ‘the richest heiress in christendom’. This struggle ultimately involved every major European power, including the papacy and the Empire, and resulted in wars in areas as far apart as Hainault, Castile and Lombardy. It was eventually won by the French, leaving the English with a bitter resentment both toward the Flemings and, more especially, towards the papacy, which had been instrumental in securing the victory for France.     

Arthur Schnitzler’s Professor Bernhardi — Antisemitism on the Stage and in Reality

Abstract

Professor Bernhardi was one of Schnitzler’s most successful plays, and at the same time, a key document in the development of his Austrian-Jewish identity. The central conflict in the play is not, as often assumed, that of science against religion, but rather that between the critically minded individual and those who submit to a political or religious programme. The figure of Bernhardi reflects Schnitzler’s own position on the Jewish identity crisis, which may be termed ‘enlightened apolitical individualism’. In addition to his experiences working in his father’s clinic, Schnitzler drew inspiration for the plot from sources that are cited here for the first time.     

Going Against the Flow: Sinn Féin’s Unusual Hungarian ‘Roots’

Can states as well as non-state political ‘actors’ learn from the history of cognate entities elsewhere in time and space, and if so how and when does this policy knowledge get ‘transferred’ across international borders? This article deals with this question, addressing a short-lived Hungarian ‘tutorial’ that, during the early twentieth century, certain policy elites in Ireland imagined might have great applicability to the political transformation of the Emerald Isle, in effect ushering in an era of political autonomy from the United Kingdom, and doing so via a ‘third way’ that skirted both the Scylla of parliamentary formulations aimed at securing ‘home rule’ for Ireland and the Charybdis of revolutionary violence. In the political agenda of Sinn Féin during its first decade of existence, Hungary loomed as a desirable political model for Ireland, with the party’s leading intellectual, Arthur Griffith, insisting that the means by which Hungary had achieved autonomy within the Hapsburg Empire in 1867 could also serve as the means for securing Ireland’s own autonomy in the first decades of the twentieth century. This article explores what policy initiatives Arthur Griffith thought he saw in the Hungarian experience that were worthy of being ‘transferred’ to the Irish situation.