BALANCED TRUTH: STEVEN SPIELBERG'S SCHINDLER'S LIST AMONG HISTORY,MEMORY, AND POPULAR CULTURE1

Looking at the public reaction to it, one might say that Steven Spielberg's Schindler's List is undoubtedly the most successful film about the Holocaust. The film's success in the U.S. and other Western countries can be traced back mainly to the fact that it creates the impression of telling a true, apparently authentic, story. This essay investigates how this impression of historical truth and authenticity emerges in a fiction film. For this purpose the essay reverts to a concept developed by Jörn Rüsen, which distinguishes among three dimensions of historical culture, namely political, aesthetic, and cognitive. In addition to the historical context that serves as a specific precondition for the film's success, the essay primarily investigates the strategies of authentication Spielberg applied at both the visual and narrative levels. The investigation concludes that the impression of evidence produced by the movie is significantly a result of the sophisticated balancing of the three dimensions mentioned above. The film utilizes artifacts of an existing and increasingly transnational (visual) memory for the benefit of a closed, archetypical narrative. It follows the aesthetic and artistic rules of popular narrative cinema, and largely recurs to conventions of representation that were common in film and television programs of the 1990s. Although these forms condense the historical course of events, the film manages to stay close to insights gained by historiography. The hybrid amalgamation of history and memory, and of the imaginary and the real, as well as the combination of dramaturgies of popular culture with an instinct for what can (not) be shown—all of these factors have helped Schindler's List to render a representation of the founding Holocaust myth in Western societies that can be sensually experienced while being emotionally impressive at the same time.     

The Imperial Subject: Geography and Travel in the Work of Mary Kingsley and Halford Mackinder

How do places shape and interact with subjectivity? By exploring how a change of location had implications for the way the effects of imperialism were registered, this paper shows how imperialism shaped subjectivity both at home and abroad. It takes the travels and mountain climbing of Mary Kingsley and Halford Mackinder as case studies for a consideration of gender as an effect and as a part of these processes.     

股东资格确认的法律问题研究

本文针对新《公司法》第33条确立的股东资格确认标准,就实践中出现的股东资格确认问题,对股东资格确认应当遵循的原则、要件及可能证据的效力进行了阐述,并进一步提出解决股东资格确认问题的对策。     

Medieval Italian pilgrims to Santiago de Compostela: New literary evidence

This paper offers literary evidence of the interest in the cult of St James on the part of late medieval Italian pilgrims. While extant written itineraries are few, occasional literary references demonstrate this interest without furnishing precise details of the route to Santiago de Compostela. Compostela holds a special place in chivalric literature: the legendary wars against Muslims in Spain and the status of the warrior Roland as a popular saint derive much of their impetus from the piety centred on Santiago. One episode of the widely-circulated chivalric romance Guerrino il Meschino by the Florentine Andrea da Barberino displays its genre's concern with the Spanish shrine and details and route from Rome to Compostela. Andrea, known for his verisimilar style, incorporates a virtuoso display of contemporary geographical knowledge which gives his fiction the texture of a chronicle. The author's inclusion of towns not found in the chivalric literary corpus argue for his reliance on maps or the testimonies of returned pilgrims. Places named tally with those in actual pilgrim accounts. The passage in Guerrino furnishes evidence of Italian pilgrimages to Santiago in the early fifteenth century, a period for which no historical accounts remain.     

Bison butchery at Cooper,a Folsom site on the Southern Plains

Cooper, a Folsom arroyo-trap bison kill site in northwest Oklahoma is composed of three large-scale kill episodes. The bison bones have been examined for butchering evidence and exploring the butchering pattern. Damage categories to cortical bone are indentation, cut mark, helical fracture, and impact blow. The 99 elements damaged are from 36 carcasses across all three kills, and damage morphology indicates both lithic and bone expediency tools were used in the butchering. Animals are being butchered in an upright position on their stomachs, with transverse and abdominal muscles the focal point. Experimental butchering of a bison replicates the reconstructed sequence and underscores a gourmet butchering style for the Cooper kills.     

关于清代的苏钟

“苏钟”是清代苏州所制钟表的简称,一般认为,苏州地区钟表制造的起源甚早.水平很高。但以往对苏钟的研究推测演绎成份居多,影响了我们对苏钟乃至中国钟表史的整体认识。本文即在前人研究之基础上,从文献和实物等方面对苏钟历史进行重新考察,从而获得对苏钟历史较为客观的描述,纠正了以往研究者对苏钟认识的偏颇之处。