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1.
In this talk, Brazilian media theorist Ivana Bentes (who was briefly Secretary of Citizens’ Rights and Cultural Diversity in Dilma Rousseff’s second government) revisits the protests of 2013, driven by progressive and emancipatory agendas but subsequently hijacked by a media-induced anti-corruption discourse that led to the parliamentary impeachment of the elected head of state and the installation of vice-president Michel Temer at the helm of a right-wing coalition. Why, Bentes asks, has the Left not been able to capitalize on this crisis of representation and what can cultural and media activisms do to rebuild the coalition that took to the streets five years ago against the World Cup and Olympic spending spree and in favour of land rights and the right to the city?  相似文献   
2.
In this article, I explore the biographies of three professional black-and-white photographers of the 1970s from Batcham, West Cameroon. They are Edouard Fofou, alias Photo-Edouard; Michel Kenne, also known as Photo-Kmichel and Gaspard Vincent Tatang, alias Tagavince. They and their work stands as an example of the very many African photographers whose work could be archived but probably will not be. If we know of a few celebrated names like Malik Sidibe but not Vincent Tatang it is as much by chance as anything else. This then is an exploration of a possible but unrealized archive. What we could call an archival path not taken.  相似文献   
3.
ABSTRACT

This article highlights an intersection between the science fiction of Neal Stephenson and the science philosophy of Michel Serres. As two of the most prolific contemporary advocates of the communication between literature and science, Serres and Stephenson employ permutations of the trickster figure as a potent lens on the epistemological transformations that occur when boundaries are crossed and static systems perturbed. Allegorizing the birth of science and rational consciousness as the intervention of a trickster, Stephenson finds in hackers and couriers the same generative force that Serres associates with the Greek god Hermes and the figure of the parasite. With particular attention to Stephenson’s postcyberpunk novel Snow Crash (Stephenson, Neal. 1992. Snow Crash. London: Penguin Books) and Serres’ Hermes series (1969–1980), the concept of the trickster will be explored as both a personification of the kinship between creation mythologies, information theory, anthropology, and modern physics, and as the template for a productive transdisciplinary mode of cultural inquiry.  相似文献   
4.
The Maronite–Syria relationship is troublesome, and one can say that the two sides are diametrical opposites. The Maronites, in general, represent the aspiration for an independent Lebanon, while Syria considers Lebanon a part of “Greater Syria” and aspires to annex the Lebanese territories. The Maronite community has consistently resisted these aspirations. However, the Maronite community is not a coherent one, which is reflected in its approach toward Syria. In fact, the Maronite leadership has adopted three different approaches toward Syria: an integrative one that aspires to full cooperation with Syria; a separatist one that strongly considers Lebanon and Syria to be separate states; and a pragmatist one that adheres to intimate or unfriendly ties according to local Lebanese interests. This article introduces the three Maronite approaches and claims that one cannot disassociate these approaches, especially the pragmatist one, from the Syrian policy toward Lebanon, which includes changing alliances according to Syria’s political interests. Moreover, the article suggests that these approaches will remain in place regardless of which Maronite leader supports each one and regardless of who will rule in Syria.  相似文献   
5.
Condorcet's classical Enlightenment statement of human progress became an essential element of nineteenth‐ and twentieth‐century consciousness, but by the millennium grand narratives had fallen victim to a disillusioned cultural climate. Now Steven Pinker, like Condorcet drawing on a wide range of contemporary “knowledges,” has reasserted a sweeping narrative of human progress in The Better Angels of Our Nature: Why Violence Has Declined. Mapping a spectacular long‐term decline in person‐on‐person violence and reduction in deaths due to war, Pinker celebrates the spread of a cultural pattern of self‐restraint, sensitivity to human suffering, and recent regard for human rights, due to the modern state and gentle commerce capitalism. For Pinker the human condition has gotten steadily better, the decline of violence is an accomplishment we can savor and an impetus to cherish the forces of civilization and enlightenment that made it possible. Why then are so many so negative about modernity? Citing the psychology of temporal proximity to horrific events and the bad‐news predilection of the media, Pinker ignores the specifically modern and less directly brutal institutionalized forms of violence as well as the profound ambivalence of progress. He decisively demonstrates the drop in certain kinds of violence, but his account becomes strangely ideological, recapitulating key Cold‐War themes—the individual against totalitarianism, the Enlightenment against the counter‐Enlightenment, rationalism and freedom against murderous utopianism—distorting his study in the name of gentle commerce, Marxism, and anti‐Communism.  相似文献   
6.
It was only in the early twentieth century that China discovered that it had a population, at least if a population is understood not as a simple number of people but instead in terms of such features as variable levels of health, birth and death rates, age, sex, dependency ratios, and so on—as an object with a distinct rationality and intrinsic dynamics that can be made the target of a specific kind of direct intervention. In 1900, such a developmentalist conception of the population simply did not exist in China; by the 1930s, it pervaded the entire social and political field from top to bottom. Through a reading of a series of foundational texts in population and family reformism in China, this paper argues that this birth of the Chinese population occurred as a result of a general transformation of practices of governing, one that necessarily also involved a reconceptualization of the family and a new logic of overall social rationalization; in short, the isolation of a population–family–economy nexus as a central field of modern governing. This process is captured by elaborating and extending Foucault's studies of the historical emergence of apparatuses (dispositifs) into a notion of fields of governability. Finally, this paper argues that the one-child policy, launched in the late 1970s, should be understood not in isolation from the imposition of the “family-responsibility system” in agriculture and market reforms in exactly that period, but as part—mutatis mutandis—of a return to a form of governing that was developed in the first half of the twentieth century.  相似文献   
7.
This article examines Michel de Certeau’s analysis of the declining social and political authority of the Church and its political implications for the life of a Christian. In response to the shifting social dynamics of the West in the latter half of the twentieth century, de Certeau advocates for a poetics of “wandering” wherein Christians have no knowledge of their destination, no place to call their own, and no expectation of arrival. While his position provides enduring insights into the contours of religious belief, de Certeau’s analysis raises questions regarding a contemporary spiritual life. The article argues that de Certeau’s poetics of wandering neglects the dynamics of hope and anticipation in the life of a believer. Further attentiveness to these dynamics suggests a move from a poetics of wandering to a politics of wandering, which includes embracing a less institutionalized Christian political engagement and transgresses untenable secular/religious divides.  相似文献   
8.
A Political Matter: Science and Ideology in the 21st Century . In the last two decades, history of science and science studies have been quite reluctant to adopt the notion of ideology when analyzing the dynamics of science. This may be an effect of the decreasing popularity of neo‐marxist approaches within this disciplinary field; but it is also due to the fact that alternative approaches have been developed, for example Michel Foucault's notion of problematization, Roland Barthes' semiotic mythology, Bruno Latour's re‐interpretation of the ontological difference between fact and fetish in science, or Donna Haraway's semi‐fictional re‐narrations of the techno‐scientific world. This contribution undertakes to sketch the impact of two strands of 19th century immanentism on the authors named above, and on their use of concepts related to the notion of ideology, namely fetish, fetishism, myth and mythology respectively. It is argued that in some respect, Marx' concept of commodity fetishism is worth being re‐examined, since it articulates a dialectical relation of ‘reality’ and ‘seeming’, and its impact on Barthes' mythology is deeper than it might appear at first glance.  相似文献   
9.
In his 1969 Trevelyan Lectures, Franco Venturi argued that Kant's response to the question “What is Enlightenment?” has tended to promote a “philosophical interpretation” of the Enlightenment that leads scholars away from the political questions that were central to its concerns. But while Kant's response is well known, it has been often misunderstood by scholars who see it as offering a definition of an historical period, rather than an attempt at characterizing a process that had a significant implications. This article seeks (1) to clarify, briefly, the particular question that Kant was answering, (2) to examine - using Jürgen Habermas’ work as a case in point - the tension between readings that use Kant's answer as a way of discussing the Enlightenment as a discrete historical period and those readings that see it as offering a broad outline of an “Enlightenment Project” that continues into the present, and (3) to explore how Michel Foucault, in a series of discussions of Kant's response, sketched an approach to Kant's text that offers a way of reframing Venturi's distinction between “philosophical” and “political” interpretations of the Enlightenment.  相似文献   
10.
Museums are often sites for the fabrication of hegemonic discourse. They represent the political nature of heritage construction and the instruments used to support these narratives. This paper traces the appropriation of museums as symbols of national projects and argues that not all museums achieve this political end. The Kuwait National Museum designed by Michel Écochard will be examined as a case study for this argument. Écochard’s project demonstrates the many challenges that develop between nationalist politics, heritage production and competing centres of power.  相似文献   
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