The whistleblower and the canary: rhetorical constructions of climate change

This paper is concerned with the historical dimension of the current debates on climate change, and argues that the history of the understanding of climate change has itself become part of the rhetorical account. Key historic moments of disclosure and revelation have become central to the ways in which climate change is presented as a persuasive narrative today. This paper takes a discursive approach to exploring the background of these signal moments in climate change history, and aims to show how they have helped to shape the terms of the current debate.     

良渚文化玉琮及相关纹饰的文化隐喻

良渚文化中一种典型、奇特,且颇具神秘色彩的器物——玉琮,长久以来一直受到研究者们的关注。迄今为止,关于它的研究文章,数量已经相当之多。有关玉琮的研究,一般集中于其形制、纹饰、源流、年代、功能、工艺等方面,观点多样,迄无定论。笔者近来对玉琮也略有思考,发现玉琮的形制、神人     

Rethinking the metaphor of light: María Zambrano in dialogue with Jacques Derrida and Hans Blumenberg

ABSTRACT

The notion of metaphor has been broadly discussed during the twentieth century as an essential and necessary part of language and history. This article examines the theoretical dialogue that links the centrality of the metaphor of light in the work of María Zambrano with reflections on this topic by Jacques Derrida and Hans Blumenberg. Through various formulations of this metaphor across different works, Zambrano presents the metaphor linked to poetic reason as not reducible to a mere rhetorical ornament or to a concept. By articulating alternative metaphors to the imperative of clarity as the blinding light of Occidental reason, Zambrano introduces a solid critique to rationalism and introduces the metaphor of the Dawn as a new form of knowledge. This new intonation of the metaphor of light opens up an unexplored direction in Spanish thought not only by thinking the metaphor of light through poetic reason and its critique to the philosophical tradition, but also by assuming the political implications of this metaphor and criticizing its heliopolitical configuration. Indeed, Zambrano states the significance of the metaphor of the sun linked to the sacrificial structure of history, particularly of Spain, and its necessary overcoming as the possibility of a radical democracy.     

论《毛传》“独标兴体”的诗学贡献

本文仅以《毛传》解《诗》“独标兴体”为题,从历时角度,阐明其特殊的诗学地位和贡献,认为：《毛传》把《诗三百》原本单纯的引起之“兴”,发展为复杂的隐喻之“兴”,从而构建起自己独特的解诗之道,开创了以讽喻、寄托释“兴”的传统,并通过《郑笺》、《文心雕龙·比兴》篇的阐释得以延续和不断丰富起来,进而对后世中国古代诗学以及古代思想文化传统的建树均居功甚伟,影响深远。     

Nerven‐Saiten‐Stimmung. Zum Wandel einer Denkfigur zwischen Musik und Wissenschaft 1750–1850

‘Stimmung’. The Career of a Concept in Music and Science between 1750 and 1850. The German word ‘Stimmung’ originally refers to the musical praxis of tuning instruments. Whereas the English concepts of ‘tonus’ and ‘atunement’ used to describe the physical status of the body developed independently from the psychological ‘mood’, ‘Stimmung’ was used metaphorically in both physiology and psychology in the discussed period. This leads to various interrelations between the areas of knowledge involved. The paper investigates these on a synchronic and diachronic level. By concentrating a) on the analogy between musical strings and nerve fibres within the framework of a mechanistic conception of the body and b) on the metaphoric use of ‘Stimmung’ as a psychological concept describing the general mood of an individual, it becomes evident that the different metaphorical adaptations do not only have consequences within the specific area of knowledge, but also lead to distinct interpretations of musical effect. The second half of the paper concentrates on the diachronic development of ‘Stimmung’ in physiology and analyses the shifts within the semantic field of the metaphor occurring during the transformation from a mechanical to an organic conception of the body. On a theoretical level the emphasis lies on the conceptual potential of vague metaphors and the function of marginal metaphors in periods of theory change. In this context the results question Thomas Kuhns theory of an abrupt, gestaltlike change of theory by emphasizing the importance of continuous shifts within the semantic fields of vague metaphors.     

Beyond Orientalism: When Marceline Desbordes-Valmore carried Saʿdi’s Roses to France

This article follows a thread of translation and intertextual dialogue, taking us from the thirteenth-century Persian poet Sa?di to the nineteenth-century French poet Marceline Desbordes-Valmore. It reads Desbordes-Valmore’s poem ‘Les roses de Saadi’ (1860) with the two passages from Sa?di’s Golestān from which it was inspired, shedding new light on the poem’s metapoetic subtext. The original Persian text is compared to two French translations that were circulating at the time when Desbordes-Valmore was writing. This analysis of the Golestān’s reception forms the basis for the argument that Desbordes-Valmore recast in secular terms Sa?di’s discourse on poetic language, emphasizing the continuity, rather than difference, between her concerns and Sa?di’s. The case of Desbordes-Valmore thus reveals a forgotten facet of nineteenth-century French engagements with Middle Eastern culture: one of identification and literary influence, which existed alongside the processes of “othering” for which the period is better known.     

Whose logic? Reflections on gender in the history of ideas

The paper challenges Bevir's failure to engage with issues of gender in his attempt to establish a logic of the history of ideas. It argues that this exclusion both compromises his claim to have articulated a comprehensive (and inclusive) logic, and suggests the limitations of his model as a way in which we might bring greater subtlety and texture to the understanding of history.