朱熹说《春秋》

朱熹认为《春秋》是史,是因为反对经学家一字褒贬的解经法,直把《春秋》看作史;朱熹不从一字褒贬中解经,而从具体史实中体会《春秋》义理。同时,他将义理贯穿于《春秋》史事之中,并将义理作为史书写作的指导原则。然而《春秋》义理本身却是不融通的,所以视《春秋》为史,出于朱熹对《春秋》义理不能融通之后无奈的选择。     

历史语境、史学语境与史料的解读——以弗吉尼亚州批准美国宪法大会中一条材料的解读为例

"语境主义"意识对于历史研究具有重要的意义。历史学家在解读具体的史料时,只有清楚而准确地把握史料产生的"历史语境",以及由相关研究构成的"史学语境",才有可能探明史料的"原意",进而恰当地运用史料。     

The Scandinavian languages

This article suggests that the enterprise of Mark Bevir's book (The Logic of the History of Ideas, Cambridge, 1999), is the reverse of what his title implies. Bevir seeks not to delineate the peculiar logic of a specialised subfield of history called the ‘history of ideas’, but rather the logic which underlies historical pursuit considered in general as the ‘explanation of belief’. If this is so, then the relationship between belief, meaning, and speech act in intellectual texts, and the task and method of the intellectual historian, must be reinterpreted along lines closer to those of Quentin Skinner than Bevir would allow. Indeed, Bevir's criticism of Skinner, which hinges on his own account of malapropism, is shown here to fail. The article concludes with brief reflections on the purpose and nature of studying the ‘history of ideas’.     

The revival of rituals among the Sakha‐Yakut and the Hokkaido Ainu

The revival of rituals has been one of the serious concerns of indigenous peoples. This paper deals with cultural revitalization movements among the Sakha‐Yakut in eastern Siberia and the Ainu in Hokkaido. First, it examines the revival of rituals among the Sakha. The relationship between recent cultural revitalization movements and shamanism in a broad sense, as well as the revival of rituals, focussing especially on the ysyakh festival, are examined, and the motivation for this revival is discussed. Second, the cultural revitalization movements among the Ainu after the Second World War and the recent revival of their rituals are described and the motivation for it discussed. Finally, the paper compares the revival of rituals among these two different ethnic groups and discusses its significance.     

The Collision,Interaction, and Integration of Heterogeneous Cultures in the Global Context: The Impact of The Monument on Huaju (Modern Chinese Drama)

This article reads Alice Munro’s “Material” as a staging of the failure of its narrator’s voice and understanding. Her failure exposes the limits of the mind to understand and language to represent, but it does so within a complex aesthetic structure that obliquely asserts the value of literature. This aesthetically realist story displays a deconstructive ethics that shows Munro working toward a literature free from phallogocentrism and pushing at the limits of logos itself. “Material” exposes the ethical risk and the power of writing, as well as the significance of that which lies beyond its ability to express.     

张家山汉简字义札记

本文就《张家山汉墓竹简》十个字的字义进行了考释。认为“荃”为“絟”之借,其义为“细葛”布;“道”当读为“由”,用作介词;“qian”读为“鬝”或“顅”,义为“秃”;“胗胗”,亦作“chēn”,其义为“气体或液体满盛貌”;“洒洒”,亦作“洗洗”,读为“shēn”,其义为“寒”;当为“渴”字异构,其义为“泄”;“央”作名词用,义为“尽头”。“为”有两种用法,一为连词,一为动词,其义为“有”;“喜”为“禧”之借,其义为“吉”;“敦”借为“顿”,其义为“跺”。     

词义训释与文意训释的学理及其应用

本文阐述词义训释与文意训释的学理及其对古籍整理和辞书编纂等应用实践的指导意义。     

《革》卦辞义别解

“语出双关,文蕴两意”是《易经》卦辞的特点之一,《革》卦中“革”、“变”、“面”等皆“语出双关,文蕴两意”。本文联系《革》卦宗旨,对其中的“大人虎变”、“君子豹变”、“小人革面”提出了不同于前人的解释。     

《毛诗音义》中"行"之"如字"音读考

《经典释文》音注是多层次多体系的,其“如字”音层次为常用音的常用义。考察《毛诗音义》中“行”之“如字”音读,是全面考索《经典释文》“如字”音的一次小实验。《毛诗音义》中“行”之“如字”音读为衡。     

《毛诗音义》中“行”之‘如字”音读考

《经典释文》音注是多层次多体系的,其“如字”音层次为常用音的常用义。考察《毛诗音义》皇．“袋”之“如字”音读,是全面考索《经典释文》“如字”音的一次小实验。《毛诗音义》中“行”之“如字”音读为衡。