WITH SPLINTERS (OR STARS) IN OUR EYES: ON READING THE FRANKFURT SCHOOL WITH MARTIN JAY

This mostly admiring review article focuses on Martin Jay's 2020 essay collection entitled Splinters in Your Eye: Frankfurt School Provocations. Though it highlights details and insights from nearly every essay in the collection, the review devotes significant attention to chapter 4, which focuses on the relationship of the Frankfurt School's first-generation scholars with Sigmund Freud. The departure point for my engagement with Jay's fourth chapter is the translation of the German word Trieb (drive) as “instinct” throughout The Standard Edition of the Complete Psychological Works of Sigmund Freud. Although Jay's treatment of Max Horkheimer's, Theodor W. Adorno's, and Herbert Marcuse's recourses to Freudian psychoanalysis emphasizes their abiding commitment to Freud's theory of instinctual forces (over and against objections to his biologism), the question of whether a drive differs from an instinct does not arise. This question therefore offers an occasion to speculate on how distinguishing more firmly between instinct and drive might matter for the Frankfurt School's opposition between first and second nature. Though I praise Jay's decision to include a chapter on Miriam Hansen's Benjaminian revision of the public sphere, I also criticize his practice, in this volume at least, of consigning most scholarship authored by women to the endnotes rather than engaging with it in the main text.     

From resistance to revolution: the limits of nonviolence in Arendt’s ‘Civil Disobedience’

ABSTRACT

Arendt’s work on civil disobedience sets out an optimistic portrayal of the possibilities of such forms of action in re-energising the spirit of American politics in the late twentieth century. Civil disobedience should not simply be tolerated, she argued, but incorporated into the legal structure of the American political system. Her work is usually seen to promote an idea of civil disobedience that is thus bound to existing constitutional principles and essentially nonviolent. However, by looking at Arendt’s discussion and critique of various practices of civil disobedience in 1960s and 1970s America, specifically in relation to the nonviolence movement influenced by Martin Luther King, and on the other side, the more militant Black Power movement, a different idea of civil disobedience emerges. This paper argues that whilst, for Arendt, civil disobedience within America certainly possesses the constitutionally restorative potential she assigns to it, in a broader sense – theoretically, globally, and even in terms of alternative ideologies within America – her conception of civil disobedience is in itself neither necessarily constitutional, nor nonviolent. It is, instead, a form of revolutionary action, whose limits are set only by politics itself, and specifically, Arendt’s criterion of publicity.     

Make-believe: fashion and Cinelandia in Rizzoli's Lei (1933–38)

Amidst the wide array of women's magazines published in Italy in the 1930s, Lei. Rivista di vita femminile presents a compelling case study of the make-believe effect achieved through fashion and the allure of the silver screen. Published by Angelo Rizzoli between 1933 and 1938, Lei stands out for a cosmopolitan, American-looking lifestyle that champions an Italian ‘new woman’, aware of her own new image and enmeshed in a fantastic world of romantic novels and movie stars. This essay studies the paradoxes and complexities of an Italian illustrated periodical promoting the image of a fashionable woman in the midst of growing imperialism and autarchy, and publishing the work of Leica photographers, Lucio Ridenti and Paul Wolff in particular. Lei reflects the fundamental ambivalence of this time, promoting Italian fashion through Hollywood as a way to counteract the French fashion industry, and inviting women to role-play through the allure of their image.     

14C测定判别武王克商年代范围始末

武王克商年代是我国古代编年中的一个关键点,近年来^14C测定技术有了重要发展,我国^14C测年界在此基础上探讨了^14C方法应用于商周历史纪年的希望。1996年夏商周断代工程正式立项,利用^14C测定判别武王克商年代范围的任务得以实施。1998年初两个常规^14C实验室以3‰测定精度,前后开始对陕西丰镐遗址出土样品^14C测定,并于1998年10月6－7日先后公布了^14C数据,提出武王克商代范围应判别在公元前1050－1020年间。1998年下半年AMS室开始测定。三室测定数据对比结果基本相合,利用殷墟,琉璃河等遗址出土的样品系列作^14C测定得出的结果,与上述年代范围一致。1998年11月30日公布了天计算结果,与测定结果不谋而合,经多方面反复验证,历时近二年,都无法动摇已有的判别结果,具有较高的可信度。     

Pharmacy as a means of propagating the Lutherian doctrine of justification

Pharmacy serving to propagate the Lutherian doctrine of justification: "Christus as a pharmacist" is an interconfessional, but confessionally differentiated symbolic motif (Sinnbildmotiv) of Christian folklore art in German-speaking countries. The article investigates the sociocultural conditions and prerequisites (German bible translation, religion and confession, piety, pharmacy, chymiatry, chemistry, apothecary training and status) for transfering the old metaphor and idea of Christ as a physician to the new vision of Christ as a apothecary who prepares and dispenses his heavenly medicine all by himself. In the early 17th century (especially in the 1610's) these requirements were fulfilled, so that the oldest known witness to this motif transfer (picturing the so-called Heilandsruf of Matthew 11, 28), a genre picture of 1619, will be the first pictural version of this motif in general. It was created by the protestant Painter Mich(a)el Herr of Nuremberg. In the abstract and reduced form of a devotional picture this motif then became widespread in churches and vicarages, in monasteries and their apothecaries as well as in private houses (with small altars: Herrgottswinkel). The oldest yet known examples are works from around 1630. For the first time during the Thirty Year's War, it served in this form for propagating the Lutherian justification doctrine (now referring to Jesaja 55, 1), saying that the belief in Christ is enough to be released from all sins (sola fide). Around 1650, as a reaction to that, a catholic version of the devotional picture was created, claiming and picturing that in contrast eucharist is the highest and real, healing medium' of Christ to redemption. All pictures of this version avoid quoting Jesaja 55, 1, whereas all protestant pictures quote this verse from the Bible word-for-word.     

FROM CATASTROPHE TO HOPE

In his recent book, Amir Eshel focuses on over thirty recent German‐, Hebrew‐, and English‐language novels to develop a reading method—the “hermeneutics of futurity”—that would replace moralizing approaches to past traumas, including German guilt over the Holocaust and Israeli denial of Palestinian suffering. Futurity demonstrates how various narratives imagine a future liberated from denial, guilt, and thus traumatic repetition. In so doing Eshel emphasizes human agency to counter the “hermeneutics of suspicion” that has long dominated a great deal of literary theory, and focuses on how novelists construct human choices and their consequences. He covers two generations of German‐language novels spanning the Adenauer era to the present, and two generations of Israeli writers reflecting on 1948 and later, 1967. In order to develop fully the concept of futurity he also writes on recent American and English novels, often with implicitly political themes. The book succeeds in demonstrating the value of how various novelists read the past otherwise in order to reconstruct the present and future. At the same time, Eshel conceives human agency and “choice” so capaciously that the book often neglects the institutional constraints on agency that afflict victims of traumas in particular. His treatment of Martin Walser's controversial fictionalized memoir is exemplary of this problem in an otherwise stimulating work.     

商纣俎醢侯伯新证

战国秦汉时的文献中常言商王纣脯醢俎杀诸侯方伯,并认为这是周武王兴兵讨伐、商纣亡国的一个主要原因。古今不少学者对此多有怀疑。今地下出土的晚商金文及殷墟甲骨文资料可证商纣俎醢酋长侯伯并祭祀先王完全是历史事实。从殷墟卜辞看,商代从武丁起以人为牲的情况呈递减趋势。商纣俎醢酋长侯伯不是个人品质性格问题,而是殷人文化习俗观念使然。     

Sigmund Freud und die Lauterkeit

In his carrier as physician, Sigmund Freud claimed various and surprising successes in healing patients. An evaluation of those cases in which evidence independent of Freud's publications has been discovered reveals a lifelong pattern of Freud claiming successes, patients, however, not being cured, and Freud being aware of this. The elements of this pattern are matched with the components of the legal definition of fraud.     

说花园庄东地甲骨卜辞的“丁”——附:释“速”

最近公布的殷墟花园庄东地甲骨卜辞中,多次出现一位当时还活着的、称为“丁”的人物,从卜辞内容可以看出其地位甚高。本文主要通过指出这批卜辞中与历组一类占卜同事的一组卜辞,肯定了“丁”就是当时的商王武丁。以“丁”称呼时王武丁,究竟应该如何解释尚待进一步研究。同时,也可以进一步推定这批卜辞的时代,当为武丁晚期而非整理者认为的“武丁前期”。此外,这批卜辞中多次出现的一个整理者隶定作“”的字,应释为“速”,意为“召”、“召请”。旧有殷墟卜辞中一个或释读为“眚”、“软”、“喘”等的字,应释为“” ,读为咳嗽之“嗽”。     

Orthodox violence: “Critique of Violence” and Walter Benjamin's Jewish political theology

This paper deals with the role of Judaism in Walter Benjamin's famous 1921 essay on violence and law, Zur Kritik der Gewalt. Despite the intense attention devoted to this essay, the role of Jewish myth in it has not yet been thoroughly explained. This study contends that the association between what Benjamin termed revolutionary violence and the Jewish messianic tradition, which plays a central role in the evaluation of Benjamin's text, is far more problematic than has hitherto been assumed, and poses a serious challenge, which has not been fully examined in its historical context. Second, this essay claims that the subversive elements that many have supposedly found in Benjamin's text and the attempts to link these elements to messianic traditions are also unconvincing. Third, the paper contextualizes Benjamin's thought within the framework of the Jewish political–theological debate of the period. It contends that Benjamin's theory of law and justice should be understood not as a revolutionary, anti-republican text, as has been generally accepted, but as a secularized conservative orthodox one. In doing so, it seeks to shed light not only on Benjamin's early thinking and its influences, but also on the neglected element of Jewish orthodoxy within the broader topic of political theology.