Woman's Work in the Service of Empire: Lady Margaret Field (1905–94) from School Teacher to Governor's Wife

The presence of single and also of married British women in overseas colonies, especially those employed by or married to men in the Colonial Service in the later colonial period, has been the subject of scholarly enquiry. Their lives, roles and values and their distinctive contribution, if any, to the development of empire and of its ending have been debated. Their gendered roles were usually subordinate in a masculine culture of empire, and especially as wives they are commonly regarded as marginalised. The archived records left by Lady Margaret Field reveal her commitment as a single woman to a colonial mission and her sense of achievement as a school teacher and educational administrator, while also acknowledging the independence and career satisfactions she subsequently lost when she married a senior Colonial Service officer who rose to be a governor. But it is also apparent that, though incorporated and subordinate as a governor's wife to her husband's career, she was not marginalised to a separate sphere. As is evident from this case study, governors’ wives had important and demanding political duties, and such responsibilities need to be acknowledged.     

Confessional disputes in the republic of letters: Susan Du Verger and Margaret Cavendish

The starting point of this article is an understudied piece of critical exegesis from 1657 titled Humble Reflections Upon Some Passages of the Right Honorable the Lady Marchionesse of Newcastles Olio. An obscure Englishwoman named Susan Du Verger composed this 164-page tract to refute a three-page essay on “A Monastical life” by the prolific poet, playwright, and philosopher, Margaret Cavendish. While there is now a substantial body of work on nuns and convents, this research largely overlooks how early modern women engaged with these topics in a scholarly manner. Along with elucidating the gamut of relevant patristic and ecclesiastical histories that were available in the English and French vernaculars, Humble Reflections provides a prompt for investigating Cavendish’s ideas on ecclesiastical order, ceremonies, and toleration. I propose that Cavendish refused to grace Du Verger with a direct response because her polemic disregarded the unofficial codes of conduct — friendship, transnational community, and inter-confessional co-existence — that were supposed to maintain peace within the Republic of Letters. In conclusion, this essay displays that Cavendish was actually a great admirer of monasticism, though not so much for its role in the spread of Christianity as for its place in the development of natural philosophy.     

Spinoza’s translation of Margaret Fell and his portrayal of Judaism in the Theological-Political Treatise

The English Quaker Margaret Fell worked hard to have her conversionist pamphlets to Dutch Jews translated into Hebrew, and Richard Popkin has suggested that Spinoza was Fell’s translator. This article offers further evidence for Popkin’s claim by suggesting that Fell’s influence can be seen in chapters 4 and 5 of Spinoza’s Theological-Political Treatise. Fell’s and Spinoza’s remarks about Judaism and Jewish ceremonies bear significant similarities, as do the biblical passages they use to support their statements. Spinoza also challenges Fell’s arguments, though, by resisting her Pauline method of reading the Hebrew Bible and reading with a historicist method instead. Spinoza’s apparent use and revision of Fell’s arguments are significant because they speak to the role of the Quakers – and, notably, of a Quaker woman – in early modern intellectual history and because they sharpen our view of Spinoza’s opinions of Judaism.     

Reading Margaret Oliphant

Margaret Oliphant's fiction has been steadily undergoing critical reassessment since the 1990s. The advent of the Selected Works from Pickering & Chatto testifies to the growing significance of this great novelist within the scholarly community. The inquiries of several researchers, especially Elisabeth Jay and Joanne Shattock, have transformed our understanding of this prolific author's achievements. Yet the larger proportion of Oliphant's novels await the critical attention they deserve. The present discussion focuses on the main reasons why her seemingly minor works of prose fiction possess a psychological understanding that is as great as that which we find in her more famous narratives, such as Miss Marjoribanks (1866). The recognition of divided minds, of the games the mind plays, and her dramatization of them, is part of what gives her novels power that general critiques of her work often miss. This point becomes clear when we broaden our perspective on Oliphant's novels beyond the six fictions that comprise her Chronicles of Carlingford (1862–76). Here the analysis concentrates on The Ladies Lindores (1883) and, more expansively, the little-known For Love and Life (1874).     

PLACES AND SPACES OF DISLOCATION: LADY ORACLE'S TORONTO

In this paper we explore some of the issues relating to place, identity, and ideology in Margaret Atwood's third novel, Lady Oracle, first published in 1976. Simply, Lady Oracle relates the story of the writer Joan Foster as she struggles to come to terms with her multiple identities. In so doing, the novel depicts some of the many social and spatial changes taking place in Toronto from the 1940s to the 1970s. Herein we focus on the representations of home and city, and how Joan's search for identity is embedded in the reconfiguration of these geographical spaces and places. Home assumes negative connotations as it is associated both with the suburbs and with a mother who relinquished her own needs and desires for motherhood. The city, on the other hand, is an ambiguous landscape; we suggest, however, that it is precisely this ambiguity that encourages and permits Joan to explore alternative identities. By way of conclusion, we will point to some of the novel's assumptions and silences. Dans cet article, nous examinons comment Lady Oracle (le troisième roman de Margaret Atwood, publié pour la première fois en 1976) traite les questions de place, d'identité et d'idéologie. Simplement, Lady Oracle ra- conte l'histoire de l'ecrivain Joan Foster, qui rencontre des difficultés d se reconcilier avec ses identities multiples. En même temps, le roman dépeint les transforma- tions sociales et spatiales A Toronto entre les annees quarante et les annees soixante-dix. Ici, nous portons principalement sur les représentations de la maison et de la ville, et comment la reconfiguration de ces places et espaces géographiques est integree à I'enquéte pour une identité entreprise par Joan. ‘La maison’ acquiert des connotations negatives, vue qu'elle est associee a la fois aux banlieux et à une mere qui renonce à sa propre volonte et à ses propres besoins pour se vouer à la maternite. Par contre, la ville est un paysage equivoque: nous proposons cependant que c'est precisement cette equivocation qui permet à Joan d'explorer des nouvelles identites. Enfin, nous examinerons les presuppositions et les silences du roman.     

Fashioning the Domestic Novel: Rewriting Narrative Patterns in Margaret Oliphant’s Phoebe,Junior and Dress

This article argues that in her 1876 novel Phoebe, Junior, Margaret Oliphant used fashion and dress as a means to rework and modernize the narrative patterns of the domestic novel. In a volume entitled Dress, written for Macmillan’s ‘Art at Home’ series in 1878, Oliphant developed a mode of dress that privileged the adaptation of prevailing forms and fashions to the needs of the individual body. Oliphant saw such an individualist approach to dress as a modern understanding of fashion that favoured change and the adaptation of prevailing styles over the imitation of dominant social and aesthetic forms. This article links Oliphant’s understanding of fashion in her Dress volume with the revisionary narrative process that she exemplified in her writing of Phoebe, Junior. Returning to her series of novels charting the Chronicles of Carlingford after a number of years, Oliphant marked in sartorial terms the social and aesthetic changes that had occurred since the publication of her penultimate Chronicle, Miss Marjoribanks, in 1866. Revising in Phoebe, Junior her earlier novel, the trope of female creativity that linked the pen with the needle, and the conventional narrative patterns of the domestic novel, Oliphant posits a model of artistry based around the image of scissors and a process of cutting in order to create.     

‘A Tiny Little Footnote in History’: Conservative Centre Forward

In May 1985, two years after he had returned to the back benches, Francis Pym launched the first organised display of dissent within the parliamentary Conservative Party against Margaret Thatcher's leadership: Conservative Centre Forward. Those Conservative MPs who joined the group were very much believers in One Nation Conservatism. Conservative Centre Forward survived for barely a week after going public; it rapidly collapsed amid accusations of disloyalty and inept leadership. The group proved to be a short-lived experiment which achieved little of note and exposed those who were involved to widespread ridicule. Yet, it was precisely because Conservative Centre Forward collapsed so quickly and achieved so little that it was significant. In its own way, the short life of the group provided a revealing commentary upon the character of the mid-1980s Conservative Party. It was a party which, on the one hand, was moving inexorably to the right and therefore ever further away from the values of One Nation Conservatism which Conservative Centre Forward espoused. On the other hand, it was a party which was still traditional enough to view open displays of dissent, of whatever magnitude, as a threat to the unity upon which its continued electoral success depended.