A STUDY OF CHINESE PORCELAIN RAW MATERIALS FOR DING,XING, GONGXIAN AND DEHUA WARES*

The raw material used largely determines the type and quality of porcelain produced. Twenty-three raw materials used for making Ding, Xing, Gongxian and Dehua porcelain bodies were studied using principal component analysis. Results show that for Dehua wares, only one raw material was used. For Ding wares, although there were many possible raw materials, the use of one alone is unlikely. Lingshan clay was the main raw material but it has to be mixed with other raw materials: Pinjiawa clay, quartz, feldspar and dolomite. The Xing pieces can be divided into three groups and Gongxian wares into two groups, which are discussed in detail.     

HISPANO-MORESQUE POTTERY PRODUCTION OF THE FOURTEENTH-CENTURY WORKSHOP OF TESTAR DEL MOLÍ (PATERNA,SPAIN)

Excavation of Testar del Molí, the only workshop found in the Manises-Paterna area, revealed the existence of a fourteenth-century ceramic workshop covering the remains of the thirteenth-century workshop. This study is concerned with the fourteenth-century production, and forthcoming papers will connect both epochs following the findings of current excavations. The chemical and mineralogical characterization of the ceramic production of this workshop shows the presence of three groups of ceramic pastes which could also be distinguished by, and, thus, related to, their daily use. The raw materials found in the excavation have also been mineralogically and chemically characterized, and a model of possible mixtures of raw materials has also been developed in order to determine their possible use in the manufacture of the pottery previously characterized.     

ANALYSIS OF ROMAN WALL PAINTINGS FROM THE THERMAE OF ‘IULIA CONCORDIA’

Twenty‐six wall painting fragments and some plaster, ‘intonachino’ and stucco samples, discovered at Iulia Concordia, have been studied by different analytical techniques to gain information about the pigment nature and the composition of the materials. The presence of calcite, dolomite and aragonite allow the distinction of four groups of wall samples varying in the nature of pigments and in the application technique. These differences can be attributed to different execution times or, more probably, to the arrangement of the rooms in the building structure. The nature of the pigments found in the Thermae of Iulia Concordia appears similar to that found in other Roman villas of Venetia et Histria, with the use of precious pigments such as Egyptian blue and cinnabar.     

THE WRITING'S IN THE WALL: A REVIEW OF NEW PRELIMINARY APPLICATIONS OF ELECTRICAL RESISTIVITY TOMOGRAPHY WITHIN ARCHAEOLOGY

Natural processes are known to cause significant damage to archaeological monuments. In fact, the key to understanding the decay of building materials is the internal movement of water through the mineral matrix, which influences the distribution of chemical, physical and biological deterioration processes. Electrical resistivity tomography (ERT) was traditionally used as a surveying tool within archaeology, but a new high‐resolution technique that accurately traces the movement of moisture in building materials could provide a vital tool for understanding the decay of many archaeological monuments. This paper considers current progress, the shift of ERT from soil to rock research and the impact that this development could have on future conservation, using Hertford College (Oxford) and Neolithic rock art (Golden Gate Reserve, South Africa) as case studies.     

UNIQUE PRE‐ROMANESQUE MURALS IN KOSTOĽANY POD TRÍBEČOM,SLOVAKIA: THE PAINTING TECHNIQUE AND CAUSES OF DAMAGE

Pre‐Romanesque murals at Kosto?any pod Tríbe?om, Slovakia, have been investigated by portable X‐ray fluorescence and by microanalytical methods to identify painting materials (pigments and binders), and to explain the degradation of colours. Today, missing green and blue shades have been reconstructed according to residual concentrations of Cu, which correspond to copper chlorides—products of salt corrosion of the copper carbonates azurite and/or malachite, accelerated by micro‐organisms. As confirmed by powder X‐ray microdiffraction, original minium (Pb₃O₄) has been transformed to brown–black plattnerite (PbO₂). In increased humidity, even insoluble pigments are washing down from the walls and the intensity of colours further diminishes.     

THE CHALLENGE OF ‘TECHNOLOGICAL CHOICES’FOR MATERIALS SCIENCE APPROACHES IN ARCHAEOLOGY*

Recently several anthropological and sociological studies have interpreted technologies as cultural choices that are determined as much by local perceptions and the social context fly any material constraints or purely functional criteria. Using the example of ceramic technology we consider how materials science studies can contribute to and benefit from this understanding of technology as a social construct. Although we acknowledge some potential difficulties, it is our contention that both materials scientists and archaeologists have gained much and have much to gain by cooperating together to study ancient technologies, and that the concept of ‘technological choices’can facilitate a wider consideration of the factors shaping technological developments.     

RAW MATERIALS OF GLASS FROM AMARNA AND IMPLICATIONS FOR THE ORIGINS OF EGYPTIAN GLASS*

Analysis has been conducted on 19 blue glasses from Amarna in Middle Egypt dated to around 1350 BC. The results suggest that these glasses fall into two distinct types: cobalt coloured glasses with a natron based alkali made from local Egyptian materials, and copper coloured glasses with a plant ash alkali, which follow a Mesopotamian tradition of glass making. It is suggested that at least some of this copper/plant ash glass is imported into Egypt during the Amarna period despite extensive local production of cobalt/natron glass. Existing analyses (Lilyquist and Brill 1995) of the earliest glass from the reign of Tuthmosis III (c. 1450 BC) suggest that during this period the same two types of glass are present. Local Egyptian cobalt and natron in these early glasses implies that, despite the lack of archaeological evidence for production sites, glass was produced from its raw materials in Egypt as early as the reign of Tuthmosis III.     

MINERO‐PETROGRAPHIC STUDY OF COOKING WARE AND POMPEIAN RED WARE (ROSSO POMPEIANO) FROM CUMA (SOUTHERN ITALY)

Excavations carried out in Cuma by the Centre Jean Bérard archaeologists have uncovered a large quantity of pottery. This study is focused on cooking ware and on internal red‐slip cookware, also known as Pompeian Red Ware (Rosso Pompeiano), dated from the first century bc to the first century ad . A comparison with the minero‐petrographic composition of beach sands collected along the Bay of Naples coastline highlights the provenance of the temper from the Somma‐Vesuvius area, marked by leucite‐bearing scoriae and garnet. Petrochemical analyses allow us to distinguish two main groups of pottery characterized by different technological options based on the amount of temper and on the type of clay. X‐ray diffraction and scanning electron microscope data demonstrate improved accuracy in the production of Rosso Pompeiano, especially with regard to firing control, which was in a prevailing oxidizing atmosphere and in a narrow thermal range, between about 800 and 900°C.     

Comparing the Old and New: Traditional Building Materials and the Uch Monument Complex,Pakistan

Abstract

The supposition that modern traditionally produced building materials are inherently similar to original building fabric is common in Pakistan. Laboratory analysis on historic and modern samples of fired brick, mud brick, and mud mortars was undertaken for the first time in the region to investigate similarities in basic physical properties and composition of the materials. Simple analytical techniques were used to determine porosity, density, particle size distribution, plastic limit and other properties, as well as chemical composition of the samples. Further analytical methods were used to confirm the results of simpler analyses and further characterize materials. Results indicate that modern locally produced materials were in many ways comparable to their historic counterparts and may be used as intervention materials within the buildings of the Uch Monument Complex. This information will inform the choice and manufacture of proposed intervention materials, while providing preliminary quantitative evidence for continuing traditions.     

GLASS BY DESIGN? RAW MATERIALS,RECIPES AND COMPOSITIONAL DATA*

Compositional analyses of ancient and historic glasses have often been interpreted in terms of the use of specific raw materials in glass manufacture. However, the known inhomogeneity of many glass‐making raw materials and the insolubilities of some compounds make any explanation of compositional data problematic. This paper looks at three glass‐making alkalis with a view to understanding how the compositions of these raw materials are carried through to the final glass. The chemistry and variability of the raw materials are discussed, as is their contribution to the final glass composition. In addition, the choices and decisions made by glassmakers are acknowledged in the final glass compositions. This combination of factors addresses the complexity of predicting the use of specific raw materials from the finished glass composition.