On Skin and Bone: Samoan Coconut Oil in Indigenous Practice

ABSTRACT

International promotional material on coconut oil commonly references its centuries of use as a beauty and health aid by Pacific Islanders. However, this gesture towards Indigenous Pacific use of coconut oil is rarely accompanied by substantive information. This paper explores the topical application of coconut oil in three Indigenous Samoan practices: fofō, or massage by taulāsea and other forms of customary healers or medical attendants; samaga, the anointing with coconut oil of the newly inked pe‘a or malu to mark the completion of these customary tattoos; and liutofaga, the ritual ‘washing’ of the bones of a deceased relative with coconut oil prior to reinterment. This paper argues that there are interrelated practical, medicinal, and spiritual dimensions to Samoan uses of coconut oil, and that these are usefully understood through reference to Samoan conceptions of sociospatial relationship, or vā.     

‘The Tent’s Big Enough for Everyone’: online slash fiction as a site for activism and change

This article draws on a piece of wide-scale mixed-methods research (n = 429) that examines how women who write and read male/male erotica feel their involvement with the genre has affected their views on gender and sexuality and their political engagement with gay rights issues. Previous work has looked at how online slashfic communities might provide a safe space for exploring gender performance and sexuality, while other researchers have observed a tension between those who identify as queer themselves and those who only ‘play at queerness’ exclusively within the online environment. However, much of this work has examined the theoretical positioning of such forums as transgressive and/or political. Far fewer pieces have attempted to engage with the women who frequent such sites to ask them about whether their involvement in these online spaces has affected their attitudes and behaviours. This study looks not only at the ways in which online m/m fandoms can act as a safe space for women to explore their sexualities and gender identities, but whether and how these insights connect to women’s real-world lives. Data presented here shows a strong consensus among participants that involvement with explicit slash communities has had a positive effect on their lives, as well as contributing to beneficial changes in their knowledge, attitudes, and practices with regards to LGBTQ+ issues. Overall, slash is seen as a medium which can create better allies, encourage cross-identification, and bring about positive personal changes. To this extent, I argue that explicit online slash sites can act as heterotopias.     

UNDISCIPLINED AND PUNISHED

The title of Robert Doran's collection of essays on Hayden White proves provocative and evocative. Provocative because it claims to mark a move within philosophy that pivots on the work of Hayden White, and this despite the fact that White himself explicitly resists inclusion within such a classification, that is, as a philosopher of history. Indeed, another contributor, Arthur Danto, had as of 1995 declared passé the whole subfield of philosophy of history. Doran situates White, then, in a niche White rejects and in any case one largely abandoned by those who do academic philosophy. Thus a question that this title evokes concerns why—whatever philosophy of history happens to be before Hayden White—after him it becomes a topic of philosophical lack of interest, one pursued almost exclusively by those not associated with departments of philosophy. Given White's professional travails, his acquaintance with another undisciplined academic, Richard Rorty, and his long‐standing friendship with preeminent philosophers of history such as Louis Mink, one might well assume that White eschews Doran's disciplinary labeling for a reason. In this regard, reframing him as this book's title does invites a worry that, if only unwittingly, the book elides discussion of why certain positions excite not merely disagreement but prompt rather a type of professional shunning. In failing to confront White's reception (or rather lack thereof) by historians and his position (or rather lack thereof) within philosophy, Doran passes over in silence a highly salient aspect of White's work.     

Stitching modernity: the textile work of Fortunato Depero

Fortunato Depero (1892–1960) was a Futurist artist who worked in a variety of artistic mediums, from painting and graphic design to furniture and textiles. His work in textiles, created and produced in close collaboration with his wife, Rosetta Amadori, can be considered the most important development in his artistic career, as it comprised a large portion of his creative production. Yet this work has been largely overlooked. Many reasons explain this oversight, including categorizing inconsistencies – for example, his textiles have been described as embroidery, needlework, tapestry, patchwork, and cloth mosaic – and the persistent relegation of textiles to the realm of crafts and domestic arts rather than art, which has meant that his work in textiles has not been a priority for scholars and conservators of Futurism. This paper places Depero's textiles within the context of early-twentieth-century modernist artistic activities, and demonstrates the centrality of his textile work to his artistic oeuvre.     

Ayatollah Khomeini: From Islamic Government to Sovereign State

This paper argues that the mature form of the political doctrine of the Ayatollah Khomeini (1902–89), Iranian Shiite religious authority and architect of the Islamic Republic of Iran, grew out of an encounter with the modern understanding of the state and the concept of sovereignty. Khomeini’s political doctrine, called the Absolute Guardianship of the Islamic Jurist, although based on a religious foundation, should be studied as a break with the traditional understanding of political power in Shiism. It will be argued that such a political doctrine can play the same role as the Christian rhetoric of the early modern political thinkers played, pave the way for modernization of Shiite political thought, and prepare the ground for a modern temporal conception of politics.     

Pharmacy as a means of propagating the Lutherian doctrine of justification

Pharmacy serving to propagate the Lutherian doctrine of justification: "Christus as a pharmacist" is an interconfessional, but confessionally differentiated symbolic motif (Sinnbildmotiv) of Christian folklore art in German-speaking countries. The article investigates the sociocultural conditions and prerequisites (German bible translation, religion and confession, piety, pharmacy, chymiatry, chemistry, apothecary training and status) for transfering the old metaphor and idea of Christ as a physician to the new vision of Christ as a apothecary who prepares and dispenses his heavenly medicine all by himself. In the early 17th century (especially in the 1610's) these requirements were fulfilled, so that the oldest known witness to this motif transfer (picturing the so-called Heilandsruf of Matthew 11, 28), a genre picture of 1619, will be the first pictural version of this motif in general. It was created by the protestant Painter Mich(a)el Herr of Nuremberg. In the abstract and reduced form of a devotional picture this motif then became widespread in churches and vicarages, in monasteries and their apothecaries as well as in private houses (with small altars: Herrgottswinkel). The oldest yet known examples are works from around 1630. For the first time during the Thirty Year's War, it served in this form for propagating the Lutherian justification doctrine (now referring to Jesaja 55, 1), saying that the belief in Christ is enough to be released from all sins (sola fide). Around 1650, as a reaction to that, a catholic version of the devotional picture was created, claiming and picturing that in contrast eucharist is the highest and real, healing medium' of Christ to redemption. All pictures of this version avoid quoting Jesaja 55, 1, whereas all protestant pictures quote this verse from the Bible word-for-word.     

Prehistoric Whale Bone Technology in Southern New Zealand

Whale bone was used by Māori throughout New Zealand prehistory as an industrial resource for the manufacture of a range of artefacts. However, the selection of bone and the methods used to process it are poorly understood. This paper details the analysis of a southern right whale (Eubalaena australis) bone working floor that was excavated from a fifteenth‐century coastal fishing camp at Kahukura, on the southeast coast of New Zealand. The whale bone working floor assemblage, comprising a large quantity of debitage fragments, was used to reconstruct reduction methods and to determine the products being made at the site. Rib bones were the main element being worked, and were reduced longitudinally using a chipping technique. The intensive bone working assemblage at Kahukura represents the by‐products from primary processing. This stage focused on reducing the bones into workable portions so that they could be easily transported to another location, where they were likely further reduced into artefacts. Copyright © 2015 John Wiley & Sons, Ltd.     

The Waikato River: Changing Properties of a Living Māori Ancestor

In Māori cosmology, rivers and other waterways are conceptualised as living ancestors, who have their own life force and spiritual strength. The special status of rivers in Māori society also explains why they are sometimes separated from other Māori claims to natural resources of which they were dispossessed in the 19th century. Until recently, Māori were often eager to contend that ownership of rivers is not their prime interest, but instead, they argued that they feel obliged and responsible to keep rivers fresh, clean, and flowing. This perspective, however, changed under the impact of a new government policy of selling shares in energy corporations that use freshwater and geothermal resources for energy production. In this paper, I provide an ethnohistorical account of the Waikato River and show how conceptions of this ‘ancestral river’ changed in the course of colonial and postcolonial history, more specifically in response to a recent shift in government policy. In 2008, a joint management agreement was signed between the government and Waikato Māori for a ‘clean and healthy river’, leaving the issue of ‘ownership’ undecided. Only two years later, however, Māori felt forced to claim ownership when the government moved to sell shares of power‐generating energy companies located along the river, which effectively transformed their ‘ancestor’ into a property object.     

Dating and provenance of glass artefacts excavated from the ancient city of Tall Zirā‛a,Jordan

Fourteen glass objects recovered from excavations at the ancient city of Tall Zirā‛a, Jordan, were analysed using laser ablation inductively coupled plasma mass spectrometry (LA-ICP-MS) to determine the period and origin of manufacture. The composition of glasses manufactured in the Late Bronze Age (LBA) and Iron Age are distinctly different, therefore major element analysis can be used to distinguish between the groups relatively easily. The LA-ICP-MS analysis provided quantitative trace element data which were used to determine the provenance of those glasses identified as LBA. This research discusses the implications of the presence of both Egyptian and Mesopotamian LBA glasses and examines the varying compositions and colour strategies employed in both the LBA and Iron Age objects. Specifically, glass in the LBA was considered to be one of the highest status items attainable, playing an instrumental role in diplomatic gift-giving. When considered with the archaeological information, the significance of these finds at Tall Zirā‛a indicates that this city was a settlement of high status, not primarily a convenient trading stop on the Transjordan route.     

7. TOWARD A GENEALOGY OF THE RESEARCHER AS SUBJECT IN POST/DECOLONIAL PACIFIC HISTORIES

Recent discussion has drawn out some important differences between postcolonial and decolonial theories. The former are associated primarily with the work of South Asian scholars working in cultural, literary, or historical studies; decolonial scholarship, by contrast, is located in Latin America and has emerged from sociological critiques of dependency theory. Shifting the locus of debate to the Pacific centers another subject in globalizing critiques of colonialism: the historian in indigenous communities. In this article, I examine how the role of the researcher is conceptualized in Linda Tuhiwai Smith's landmark work Decolonizing Methodologies: Research and Indigenous Peoples (1999). Revealing tensions between objectivity and intersubjectivity, on the one hand, and between essentialist identity and hybridity, on the other, I ask why Smith's book hinges on dichotomizing nonindigenous and indigenous researchers, who are by turn enabled or constrained in a colonial present. I situate this late twentieth-century subject in a genealogy of indigenous engagement with history and anthropology in New Zealand and contemporary problems of historical justice.