The agrarian history of Byzantium,from the origins to the twelfth century. The sources and problems

The relationship between conquerors and conquered in the Latin Empire of Constantinople has traditionally been understood as a relentlessly hostile one, particularly on the religious level. Whatever its merits, the dominance of this view has sometimes resulted in the gross misinterpretation of important pieces of evidence. This article examines two unusual liturgical texts that were treated by their discoverers as products of a Latin campaign of liturgical proselytism. The texts themselves are bilingual presentations of the Western rite of mass, with Greek and Latin text presented in an interlinear format. Most unusually, the Latin text is written in Greek characters. This article makes the case, due to internal evidence as well as the broader context of ecclesiastical relations in the Latin Empire, that these texts were created by Greek clerics rather than by Latin authorities, and that their purpose was entirely different from that imagined by their discoverers.     

Rewriting the Latin liturgy of the Holy Sepulchre: text,ritual and devotion for 1149

ABSTRACT

An extraordinary reform of Jerusalem’s liturgy took place under the patriarchate of Fulcher of Angoulême (1146–57). The refocusing of Jerusalem’s rite positioned the commemoration of Easter as its central theological theme. This was effected to a level unparalleled in the liturgical traditions of the West. However, rubrics from extant twelfth-century liturgical books from Jerusalem further reveal how this reform was made to coincide with the 1149 rededication of the Church of the Holy Sepulchre, and the 50-year celebration of the capture of Jerusalem. From this newly discovered perspective, this study argues that liturgy, through its active rewriting, formed an integral part of a hitherto unexplored religious programme carried out by Patriarch Fulcher. Liturgy, alongside architecture and civic festivities, was used as a central tool to reshape the devotional identity of Jerusalem and the Latin East.     

The renaissance in Switzerland

The geographical position of Switzerland made contact with Renaissance manifestations in Italy and Germany easy even if the country was too small and poor for notable buildings or works of art. Participation in the wars in north Italy increased interest in military and governmental aspects of the Renaissance.Basel was an early centre for printing, and its presses, particularly when intelligently directed by the Amerbach family and by Froben, contributed largely to the availability of Greek and Latin texts.Erasmus lived for many years in Basel and attracted numerous scholars - Bär, Glarean, Capito, Beatus Rhenanus, Vadian, Oecolampadius, Zwingli and Myconius wrote near-classical Latin and all had some knowledge of Greek. Konrad Witz, Manuel, Urs Graf and Asper were painters of repute: Dürer and Holbein did some of their work in Basel.The Swiss cities, Basel, Zurich, St Gall, Glarus and Bern, encouraged scholarship and education: with Tschudi, Justinger, Schilling and Anshelm, a new approach to the writing of history was possible. Paracelsus and Gessner made contributions to medicine and natural science.     

Gregory the Great, the Rule of Benedict and Roman liturgy: the evolution of a legend

This paper relates the evolution of Gregory the Great’s reputation as creator of the Roman liturgy to the slow process by which the Rule of Benedict acquired authority within monasticism in the seventh and eighth centuries. It argues that Gregory composed the Dialogues to promote ascetic values within the Church, but that this work did not begin to circulate in Spain and then Gaul until the 630s, precisely when Gregory’s known interest in liturgical reform is first attested in Rome. The letters of Pope Vitalian (657-72) provide hitherto unnoticed testimony to the theft of Benedict’s relics by monks of Fleury c.660, marking a new stage in the evolution of monastic culture in Gaul. The paper also argues that the Ordo Romanus XIX is not a Frankish composition from the second half of the eighth century (as Andrieu claimed), but provides important evidence for the Rule being observed at St Peter’s, Rome, in the late seventh century. While Gregory was interested in liturgical reform, he never enforced any particular observance on the broader church, just as he never imposed any particular rule. By the time of Charlemagne, however, Gregory had been transformed into an ideal figure imposing uniformity of liturgical observance, as well as mandating the Rule of Benedict within monasticism. Yet the church of the Lateran, mother church of the city of Rome, continued to maintain its own liturgy and ancient form of chant, which it claimed had been composed by Pope Vitalian, even in the thirteenth century.