佛光寺东大殿实测数据解读

结合山西省古建筑保护研究所2004年、清华大学2005—2006年对五台山佛光寺东大殿的手工测绘和三维激光扫描测量,本文借鉴前辈学者对于佛光寺东大殿原始设计尺寸权衡的论述,在今天毫米级精度的测量数据的基础上,得出以下结论:东大殿所用营造尺长298毫米,中五间开间1丈7尺,标准柱高同之;斗拱材宽7寸;斗拱下昂斜度等于总举斜度,基本斜度可描述成“平出47分~(?),抬高21分~(?)”,总举为此基本斜度的11倍,稍间、进深各间尺寸因此定为1丈4尺8寸;中平槫到柱头的高度等于总举高。通过上述的分析与结论,本文强调提高古建筑测绘数据全面性和精度的重要意义及深远的科研前景。     

Building and ornamental stones of the Awam (Mahram Bilqis) Temple in Marib, Yemen

One of the most famous monuments of the ancient Kingdom of Saba is the first-millennium BC Awam Temple in Marib, Yemen. Despite its fame, almost nothing has been published about the building and ornamental stones used in its construction, or the quarries that supplied these stones. This paper presents the results of the first geological study of the Awam Temple and its stone quarries.     

陕西蓝田水陆庵彩绘泥塑颜料分析研究

水陆庵位于陕西蓝田王顺山下,庵内现存三百余平方米精美绝伦的明代彩绘泥塑,是我国泥塑保存最多、最完整的明代彩绘泥塑群之一。为明确水陆庵彩绘泥塑的颜料使用情况,采用光学显微镜、X射线衍射仪、显微红外光谱仪、扫描电镜-能谱仪和显微拉曼光谱仪对颜料样品进行科学分析。结果表明,除中隔壁背面重妆区域的蓝色颜料主要成分是普鲁士蓝之外,水陆庵彩塑使用的颜料大多为矿物颜料,包括铅丹、朱砂、铁红、氯铜矿、雌黄和云母等。研究结果将为水陆庵后续保护修复提供科学依据,并为丰富关中地区明代彩绘泥塑颜料类型补充科学信息。     

傅雯指画《胜果妙音图》流传考

本文利用画史、笔记及档案等文字资料,考察现存北京广济寺大雄宝殿之清代傅雯巨幅指画《胜果妙音图》原存何处及其流散经过。     

X‐ray Diffraction and SEM Investigation of Wall Paintings Found in the Roman Temple Complex at Horvat Omrit,Israel

In the present study, the fragments of wall painting found in the Roman Temple Complex at Horvat Omrit were analysed for the first time using the non‐destructive techniques of X‐ray diffraction (XRD) and scanning electron microscopy (ESEM) equipped with energy‐dispersive X‐ray spectroscopy (EDS). The application of these methods enabled unambiguous identifications of the pigments and plaster components of the samples. Quantitative information on mineral composition, crystallite size and elemental composition of each studied paint layer and plaster was collected. Based on the results of the XRD and EDS analyses, the green pigment was identified as celadonite. It was revealed that the Egyptian blue pigment does not contain impurities of tin and lead, and this excludes the use of bronze scrap in its synthesis. Comparison of the mineral composition of the paint layers indicates that a wider palette of colours was obtained by mixing the available mineral pigments. The study of cross‐sections of painted specimens revealed the usage of slaked lime for plastering. The obtained results give a new insight into the wall painting technique employed by ancient artists at Horvat Omrit, in northern Israel.     

New conceptions of transcendence in the thought of the British idealists

ABSTRACT

British Idealism was the philosophical school which dominated during the last quarter of the nineteenth century. Using the ideas of Bernard Bosanquet, John Caird and Andrew Seth Pringle-Pattison as an illustration, this paper looks at some of the ways in which the British Idealists sought to develop new and more subtle conceptions of the transcendent, able to resist the corrosive effects of late nineteenth-century critical and naturalistic thinking. The paper concludes by looking at three fields – philosophy, theology and literature – in which it is possible to discern the ongoing influence into the first half of the twentieth century of their efforts.     

青海瞿昙寺壁画颜料的研究

通过对青海瞿昙寺画郎和建筑彩绘所用的22个绘画颜料样品的 x-射线衍射和同位素 x 荧光分析.共分析出20多种无机矿物颜料,此外.还有蓝钯、黄钯有机颜料。本文对这些颜料的分析结果进行丁综合论述.并与敦煌石窟、麦积山石窟、炳灵寺石窟等的彩绘颜料进行了研究。     

New excavations at the Barbar Temple, Bahrain

In 2004 excavations at the Barbar Temple dating to c. 2000 BC established that the function of the southeastern subterranean channel connected to the temple pool was to supply the pool with water and not to divert water away from the pool. North and west of the temple the oval terrace wall of its third phase was located. In the centre of the Northeast Temple the remains of a shaft-stairway leading down to a well-chamber was uncovered and shown to be furnished with two subterranean channels leading water into the chamber. South of the Northeast Temple a house with late pottery was excavated. Two stamp seals and two seal-impressed tokens were found.     

唐代“登州海行入高丽道”的变迁与赤山法华院的形成

“登州海行入高丽道”是唐代重要的海上航道。但在不同时期,其主要航线也不尽相同。大致说来,前期主要从登州北部的蓬莱、黄县境内的出海口出发,沿着贾耽所记述的“登州海行入高丽道”的航线航行;后期则主要从登州南部的牟平、文登县境内的出海口出发,横渡黄海,直抵韩半岛。正是在登州通往朝鲜半岛主要航线变迁南移的形势下,赤山浦以其优越的地理位置和交通条件,成为新罗商人张保皋首选的在唐贸易最重要的联络地和中转站,并在这里修建了一座法华寺院。     

Ritual and Politics: An Examination of the 1072 Primal Ancestor Debate in the Northern Song

In considering the vital role played by imperial rites in claiming political legitimacy and maintaining social stability, Chinese emperors endeavored to present themselves as the perfect model for their subjects in terms of ritual performance. Focusing on a Northern Song (960–1127) ritual debate over the placement of imperial ancestors’ spirit tablets and ancestral chambers, especially that of the Primal Ancestor, this study aims to contribute to a better understanding of discussions on ancestral rituals and how they were intensified during the implementation of Wang Anshi’s New Policies. More importantly, this study reveals the differences between Song scholar-officials’ political positions and intellectual interests, thus providing a new interpretation of Song factionalism from the perspective of ritual politics.