Going beyond the grid: literary mapping as creative reading

Drawing from the importance of narrative inquiry in contemporary geographical reasoning and teaching, this paper focuses on some practices set around the relationship between maps and literature. Reader-generated maps, maps produced starting from the reading of a literary text, are at the core of a reflection on the potentialities of literary mapping in higher education; relating maps and literature in an educational environment, I suggest creative reading and creative mapping as co-constructive practices that are able to guide students in addressing and internalising the complexity of spatial categories. Reflecting on the students’ literary mappings, I focus on the various ways that the literary map contributes to mobilising the space of the text, guiding students in approaching spatial issues from a different (and creative) perspective. Time, point of view and literary trans-scalarity are the key narrative concepts that guide and inform possible inductive ruminations on literary mapping as a learning strategy. Following the core question of “what literary mapping might be and do in the digital age”, I aim to resituate contemporary discussions on literary mapping in an educational environment.     

The Persian Presence in Nineteenth-Century English Poetry: A Taxonomy

This study employs keyword searches of literary databases such as Literature Online (LION) in an attempt to map the image of “Persia” in nineteenth-century English poetry as it was molded by a proliferation of thoughts and ideas in a variety of contexts. Completeness is not possible, of course, but the article aims to identify and explore some of the major categories within which the image of Persia was formed and disseminated in the nineteenth-century. The scope of the study is not confined to a corpus of poetic works that were written specifically on or about “Persia,” but takes account of a broader range of poems, and attends to the structure, texture and variations of the presence of “Persia” in nineteenth-century English poetry.     

Topoiesis del espacio textual

ABSTRACT

The concept of topoiesis of textual space addresses an analysis of the spatial elements that tend to provide a meaning to the literary text. Based on textual semiotics where there is an organized relational system of meanings, in this article we propose that it is possible to determine the function of space as a meaning issue from three different literary text instances (event or motive; character; and object). This distinction will permit a deeper interpretation of the sense of space in the literary text.     

Medieval Italian pilgrims to Santiago de Compostela: New literary evidence

This paper offers literary evidence of the interest in the cult of St James on the part of late medieval Italian pilgrims. While extant written itineraries are few, occasional literary references demonstrate this interest without furnishing precise details of the route to Santiago de Compostela. Compostela holds a special place in chivalric literature: the legendary wars against Muslims in Spain and the status of the warrior Roland as a popular saint derive much of their impetus from the piety centred on Santiago. One episode of the widely-circulated chivalric romance Guerrino il Meschino by the Florentine Andrea da Barberino displays its genre's concern with the Spanish shrine and details and route from Rome to Compostela. Andrea, known for his verisimilar style, incorporates a virtuoso display of contemporary geographical knowledge which gives his fiction the texture of a chronicle. The author's inclusion of towns not found in the chivalric literary corpus argue for his reliance on maps or the testimonies of returned pilgrims. Places named tally with those in actual pilgrim accounts. The passage in Guerrino furnishes evidence of Italian pilgrimages to Santiago in the early fifteenth century, a period for which no historical accounts remain.     

“整理国故”与郭绍虞《中国文学批评史》

郭绍虞的《中国文学批评史》在思想观念和研究方法上都是"整理国故"思潮的具体实践。郭绍虞"在古人的理论中间,保存古人的面目"的研究范式遵循了"整理国故"的"科学"方法和"求真"精神;他对中国诗学范畴的辨析、对文学批评史学科的史料学建设和诗话研究,与"整理国故"运用新观念、新思想积极改造传统文化的态度也是相一致的。但郭绍虞又超越了一般意义上的"整理国故",注意恢复和发现古人的言外之意,因而显现为一种创造性还原。     

The transition of British Africa

At the turn of the century British literary historians and critics, such as Geikie, Sharp, and Thomas, studied the influence of environment on the works of novelists and poets. In particular, the concepts of literary geographers and a writer's country were developed. Earlier deterministic approaches have been modified and more recent studies by Drabble, O'Brien and Pocock have looked at the totality of influences of place on the work of various writers.     

中国现代史家论文学作品的史料价值及其史学实践

中国现代史家在继承传统思想与方法的基础上,吸收近现代西方新的文学观和史料观,对文学作品的史料价值及其成因、如何正确看待文学作品的史料价值、历史研究运用文学作品的基本原则和方法等问题作了深入探讨,一些史家还在运用文学作品研究历史方面取得了突出成就。     

A Geography of Blood Meridian: Primitive accumulation on the frontier of space

The attempted extirpation of Indigenous populations has been an enduring condition of the ‘idyllic proceedings’ of primitive accumulation. For Marx, such acts of evisceration characterised the dawn of the era of capitalist production. Cormac McCarthy's novel Blood Meridian, or The Evening Redness of the West, is read here as one such ‘annal of mankind’ written in ‘letters of blood and fire’. More pointedly, by contributing to an interdisciplinary approach to world literature covering literary studies, geographical studies and political economy, it is argued that Blood Meridian should be considered a quintessential novel of the racial and historical geography of the frontier economy and its spatial expansion within the uneven conditions of capitalist development. This is evidenced through the real spaces and historical occurrences that shaped capitalist expansion recounted in the novel. The latter include the racialised acts of scalping Native Americans licensed by the state between the 1840s and 1850s in Mexico through the actions of the Glanton Gang; the slaughtering of the buffalo that reached its peak in the 1870s marked in the novel by bonepickers that trawl the calcined architecture for skeletons to turn into commodities for the West; and the systematic mapping and simplifying practices conducted through outposts of appropriation on the frontier, such as Fort Griffin, which signal the barbed-wire fencing of rangeland into ranches. The meridian of bloodiness marked by these racialised acts is therefore revealed as an intrinsic aspect of the literary economy of primitive accumulation.     

The Social and Literary Context of German Translations of Saʿdi’s Golestān

Sa?di’s Golestān has been translated into German numerous times since the seventeenth century. The purpose of this article is to examine the social and literary context of three German translations and translators: Karl Heinrich Graf, a theologian and researcher of the Old Testament, published his translation of the Golestān in 1846 during German Romanticism; Dieter Bellmann, a professor of Oriental studies, published a revision of Graf’s Rosengarten in 1982 in the German Democratic Republic, where literature was strictly regulated; Kathleen Göpel published her indirect translation from English, prepared by the Afghan translator Omar Ali-Shah, in 1997, at a time of intercultural literature, also called “bridge literature.” Through examples the article shows how the context may have influenced their translations and how the text has changed when traveling across linguistic and cultural borders.     

报纸经济新闻文体风格的创新

经济新闻报道的创新,从总体上说,应是一种文体风格的创新。我国报纸在经济新闻报道时,应注意指导性与服务性相结合、专业性与可读性相结合、创立不同媒体的个性特色,并逐渐形成我国媒体经济新闻报道的理想风格。