Vico and the disgregation of historia salutis

This study aims to analyse the problem of Vico’s religiosity, still a subject for debate, in the European tradition of universal historiography. Vico’s historical reconstruction has traditionally been considered as orthodox and apologetic. The Neapolitan philosopher, in his major work, New Science, tried to defend not only the historical veracity and authority of biblical narratives as the only source to reconstruct the initial phases of history, but also the temporal and spatial frame of historia salutis, confuting the thesis of a greater antiquity of pagan nations. Nonetheless, it is difficult to conclude that Vico’s historical reconstruction followed the same route of the apologists of his time. Vico demolished not the temporal and spatial sphere, but the unitary frame of historia salutis. In Vico’s setting, all nations formed their civilizations in an autochthonous way and developed them autonomously with diverse timetables. Vico introduced the concept of the plurality of history. In this way, the Neapolitan philosopher contributed to the process of secularization of universal history in a completely different way from his contemporaries.     

Make-believe: fashion and Cinelandia in Rizzoli's Lei (1933–38)

Amidst the wide array of women's magazines published in Italy in the 1930s, Lei. Rivista di vita femminile presents a compelling case study of the make-believe effect achieved through fashion and the allure of the silver screen. Published by Angelo Rizzoli between 1933 and 1938, Lei stands out for a cosmopolitan, American-looking lifestyle that champions an Italian ‘new woman’, aware of her own new image and enmeshed in a fantastic world of romantic novels and movie stars. This essay studies the paradoxes and complexities of an Italian illustrated periodical promoting the image of a fashionable woman in the midst of growing imperialism and autarchy, and publishing the work of Leica photographers, Lucio Ridenti and Paul Wolff in particular. Lei reflects the fundamental ambivalence of this time, promoting Italian fashion through Hollywood as a way to counteract the French fashion industry, and inviting women to role-play through the allure of their image.     

Between east and west: Glass beads from the eighth to third centuries bce from Poland

The study analyses the chemical composition of 57 glass samples from 40 beads discovered at 20 archaeological sites in Poland. The beads are dated to Hallstatt C–Early La Tène periods (c.800/750–260/250 bce ). Analyses were carried out using laser ablation-inductively coupled plasma-mass spectrometry (LA-ICP-MS). Two groups were distinguished among the glasses based on the MgO/K₂O ratio: high-magnesium glass (HMG), five samples; and low-magnesium glass (LMG), 52 samples. The former were melted with halophyte plant ash, the second with mineral soda. These glasses were produced in the Eastern Mediterranean (more likely in Mesopotamia or Syro-Palestine than in Egypt) and transported in the form of semi-products to secondary glass workshops in Europe. Some of the white opaque glass was coloured and opacified in Europe.     

Isotopic Composition of Lead in Copper Ores and a Copper Artefact from the La Profunda Mine (León,Spain)

This paper continues the characterization of the lead isotopic fingerprint of ancient copper mines in the north‐west of Spain. In this work, the lead isotopic compositions found in copper ores from the La Profunda mine are presented. Azurites and malachites sampled from this deposit were subjected to lead isotope analysis by multicollector ICP–MS. The results showed a clear radiogenic lead signature compatible with the presence of uranium‐rich minerals (such as zeunerite) in the same mining complex. Moreover, a rare copper artefact, found in the galleries of the mine during its modern exploitation, was also analysed and showed that local mineral was used for its manufacturing.     

Perspectivismo Narrativo y Enjuiciamiento Social en La familia de Pascual Duarte

The phenomenal ambiguity and irony in Camilo José Cela's La familia de Pascual Duarte has led to many often differing conclusions regarding its social message. While some scholars regard its protagonist as a victim of society and of the new regime that followed the Civil War, others have argued that Pascual is the evil perpetrator of unspeakable crimes who is rightly punished by the new order. This article proposes to reconsider the picaresque nature of this novel, focusing on two features of the picaresque genre, namely its political commitment (or poética comprometida) and the determinism versus free will foil. This analysis will show that Cela replicated the Quevedian vilification of the protagonist and the Alemanian presentation of a false conversion at the end of the story with one purpose: to present Pascual as an unremorseful murderer who lived an irreligious life, killed his mother, and supported the Republican repression in his village killing the local aristocrat, before the new regime makes justice by executing him.     

Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain)

This article explores the relevance of acoustics as a factor for in the production and active use of Levantine rock art in Spain. The renowned rock art area of La Valltorta Gorge serves as a case study. Two experiments are described; the first assessed whether the sites with the most painted motifs had better acoustics than those with fewer motifs. The second tested which areas in La Valltorta Gorge had better acoustics and whether there was a difference between the acoustics of the decorated area and the contiguous sectors of the Gorge where no paintings have been found. In both experiments different sounds and pitches were used. The results suggest a strong relationship between the painted areas and the sonority of the place, with the major sites generally having provided the best results, with the exception of the sonority when facing the rock art panels. It is suggested that La Valltorta Gorge was chosen to be decorated with a view to increasing the perceptual impact of the rituals that may have been held at rock art sites due to the amplification caused by the echoing and resonance.     

也说师■鼎铭的“困(韋東)伯太师武”

师■鼎铭"困伯太师武"一句的"困(韋東)"二字,原文写法非常奇怪。裘锡圭先生释为"東(韋東)",读为"范围",认为是遵循、效法之意。本文同意把后一字释为"(韋東)",但把前一字改释为"困"。"困(韋東)"也是遵循、效法的意思。     

A Review of “Henri Lefebvre and the Spanish Urban Experience: Reading the Mobile City”

In this article, the author analyzes how Salvador Espriu in La pell de brau (re)builds the myth of Sepharad that refers to the Hebrew name of the assembly of the medieval Hispanic kingdoms. La pell de brau is a work that opens the "collective cycle" toward a "we" framed within a specific historical context. The poet criticizes the unified vision of the Spanish nation and of the Catholic religion. The (re)construction of the myth of Sepharad not only reflects the crisis of the subject in search of an identity in an intolerant Spain after the civil war but also subverts the myth of the Spanish nation as created by the doctrine of National Catholicism under Franco.     

Crop Fertility Conditions in North-Eastern Gaul During the La Tène and Roman Periods: A Combined Stable Isotope Analysis of Archaeobotanical and Archaeozoological Remains

ABSTRACT

Considerable archaeobotanical datasets describe cereal cultivation in north-eastern France, from the Iron Age to the Roman period. This study aims to complement these by using stable isotope analysis on charred cereal grains. Soil fertility was investigated through δ¹⁵N and δ¹³C analyses of 1480 charred cereal grains, dated from the Late La Tène to the Late Antiquity periods. In the Île-de-France, charred grain Δ¹³C values suggested good hydric conditions, with drier episodes in the 1st and 3rd century AD; while in Champagne, the lower Δ¹³C values for spelt reflect the lower water holding capacity of the chalky soils. A wide range of cereal δ¹⁵N values (0.8–8.7‰) implies a wide range of soil fertility conditions. Jouars-Pontchartrain and Palaiseau (Île-de-France) yielded the highest cereal δ¹⁵N values, whereas Acy-Romance (Champagne) delivered among the lowest. From these three sites, the δ¹⁵N values of red deer bone collagen were used to estimate the reference δ¹⁵N values for unmanured plants. Unlike in Acy-Romance, there were significant differences in Palaiseau and Jouars-Pontchartrain, indicating that the cultivated cereals inherited their high δ¹⁵N values from manured soil. At Jouars-Pontchartrain, the δ¹⁵N value (almost 9‰) suggested a high trophic level manuring source, possibly from pig and/or human faeces.     

废甲编区:清初衡山县里甲赋役改革与基层区划的重塑

清初,迭遭兵燹的湖南地区经历了兴垦、均编粮里、清丈等重建赋役秩序的过程。其中,衡山县于康熙四十三年实施的"废甲编区"更是呈现出清初里甲赋役改革的丰富面相。因应偏沅巡抚赵申乔革除里排、滚单催征的举措,衡山县打破原有里甲规制的束缚,改革中坚持粮不过区、就地编区的原则,孕育了字区的地缘性色彩,重塑十七字四百三十七区的赋役区划体系。以康熙五十三年新一轮的清丈为契机,知县葛亮臣在业已建立的区划结构内清查荒籍,使字区成为地方重要的赋役征派和土地登记单位。在这一区域变迁的历史过程中,字区的行政区划功能逐渐得到强化和延续,以赋役征派为目的建立起来的基层赋役区划向实体化与政区化迈进,与之相应的行政话语也深刻地影响着民间契约文本的表达。