Geschichtswissenschaft - Wissenschaftsgeschichte: Koexistenz oder Konvergenz?

Until recently, in Germany general history lived with the history of science in a peaceful coexistence which was the result of their mutual ignorance. The debates on the integration of social and cultural theories and methods into both disciplines have offered opportunities for a new convergence of general history and history of science. The basic assumption of social constructionism that science does not produce knowledge independant from time and space, has offered new possibilities to link history of science with the discourse of general history. This article will argue that the biographical method, the theory of national innovation systems, institutional history and cultural history are among the most promising approaches to ensure that scholarly coexistence will be replaced by convergence.     

Von Vielschichtigkeiten und Verschränkungen “Kulturen der Wissenschaft – Wissenschaften in der Kultur”

On Multiple Levels and Linkages: Introduction to the Symposium ‘Cultures of Sciences – the Sciences in Culture’. – The article presents briefly approaches to cultural history and cultural studies that seem potentially useful to or have recntly been applied in historical studies of the sciences. The first section discusses three such approaches: discourse analysis, symbolic artefacts (images and text), and cultures of scientific practice. Each of the three approaches raises issues of its own, and all of them share a common problem characteristic of cultural and social history in general: linking micro and macro levels of analysis. The second section presents three approaches to resolving this dilemma by focusing on specific linkages between cultures of science (or culture in the sciences) and general history: scientific thought and practice as norms for professional behavior, for example in fields of knowledge dominated by women; spaces of knowledge, for example the city; and linkages of cultural, media and economic history in fields such as radio and television.     

Die Entwicklung der Sozialgeschichte der modernen Mathematik und Naturwissenschaft und die Frage nach dem sozialen Raum zwischen Disziplin und Wissenschaftler

The use of the concept of social history of science is sketched in the Anglo‐American and the German discussions from the mid 1970s up to recent work. By presenting a ‘social map’ of a selected scientific community it is argued that between the categories of discipline and single scientist there exists a wide ‘social space’ of groups within which science is pursued. In adopting a milieu theoretic approach an ecology of science is proposed as a suitable extension of the social history of science.     

Wissenschaftliche Photographie als visuelle Kultur. Die Erforschung und Dokumentation von Spektren

This paper discusses facets of 19th‐century scientific photography as a visual culture. The example of spectral research and documentation is particularly well suited, because prismatically diffracted light from the sun or from luminous gases was one of the most frequently examined phenomena of that century. The results were significant not only for physics but also for analytical chemistry and astrophysics. The spectrum also served as an ideal test object for checking the effectiveness of a wide array of photochemically sensitizable surfaces to the various color regions. Scientific photography became the most important experimental technique in the infrared and ultraviolet. H. A. Rowland's spectrum charts are discussed as an example of the transition from comprehensiveness in documentation to fetishism. The discussion of the Lippmann process, one of the first methods of color photography, addresses the associated training of the eye. Issues of authenticity and the much averred ?mechanical objectivity”? are raised with regard to retouching. The overriding theme of visual science cultures leads furthermore to unanticipated interdependencies with other scientific fields, such as geography, and draws the importance of practitioners into the foreground.     

Design als ‘mediating interface’ Zur Zeugen‐ und Zeichenhaftigkeit des Radioapparates

Design as Mediating Interface: Historical Evidence and Symbolic Enunciation of the Radio Set. – Based on a case study on the invention of the radio station scale in the late 1920's and early 1930's, this article pleads for an interdisciplinary look at the importance of design as a mediating interface in the production‐consumption junction. In this cultural history perspective on technology, the material artifact matters both as a witness of and a sign for the symbolic meaning and appropriation of the technical object, which transgresses the functional logic of instrumental rationality. In presenting five different perspectives on design offering some alternative looks for a cultural history of technology, this theoretically inspired essay wants to sound the critical potential of a multilayered semantic approach to the radio apparatus as a prominent representation of a radical innovation in media technology.