盘庚迁都新议

盘庚迁殷,以往大多数学者认为是自奄迁于今之安阳洹南之殷墟,即今之小屯村一带.然而在今之洹南的考古发掘中,很难找到盘庚、小辛、小乙三王时期的文化遗存和遗物.随着考古发掘的扩大和发展,我们认为,盘庚始迁为漳南洹北的殷墟,历经小辛、小乙时期,至武丁时,都城稍稍南移,遂移至今洹南殷墟.盘庚始迁之漳南洹北,文献上称之为漳南之商丘,又可称亳、称殷.它与洹南之殷墟合则称之为殷(后世称之为殷墟),析则分别称亳与殷.由于盘庚、小辛、小乙居洹北仅二十多年,析称的史实遂被“二百七十三年更不徙都“的记载所湮没,致使人们忽略了盘庚始迁的这段历史.     

苏州盘门清代墓葬发掘简报

苏州盘门清代墓葬,墓主潘祖年为大收藏家潘祖荫之弟,出土了一批金玉饰件,制作精美,弥足珍贵。     

New radiometric ages for the Fauresmith industry from Kathu Pan,southern Africa: Implications for the Earlier to Middle Stone Age transition

The Fauresmith lithic industry of South Africa has been described as transitional between the Earlier and Middle Stone Age. However, radiometric ages for this industry are inadequate. Here we present a minimum OSL age of 464 ± 47 kyr and a combined U-series–ESR age of 542₋₁₀₇⁺¹⁴⁰ kyr for an in situ Fauresmith assemblage, and three OSL ages for overlying Middle and Later Stone Age strata, from the site of Kathu Pan 1 (Northern Cape Province, South Africa). These ages are discussed in relation to the available lithostratigraphy, faunal and lithic assemblages from this site. The results indicate that the Kathu Pan 1 Fauresmith assemblage predates transitional industries from other parts of Africa e.g. Sangoan, as well as the end of the Acheulean in southern Africa. The presence of blades, in the dated Fauresmith assemblages from Kathu Pan 1 generally considered a feature of modern human behaviour ( McBrearty and Brooks, 2000, The revolution that wasn't: a new interpretation of the origin of modern human behavior, J. Human Evolution 39, 453–563),-provides evidence supporting the position that blade production in southern Africa predated the Middle Stone Age and the advent of modern Homo sapiens.     

潘玉良油画修复保护

为抢救性修复保护我国著名旅法爱国女画家潘玉良众多的油画,选用欧洲的传统工艺和技法,采用与气候湿润的意大利、荷兰、日本等国家基本相似的材料,用整体托裱法等技法,并运用现代数码及电脑图片技术,对108幅油画进行修复。从列举的4个例子：《弹曼陀铃老人》、《新枝》、《南京夫子庙》、《黑白女人体》修复结果说明,修复后恢复了其原貌,效果良好,对类似工作具有示范意义。     

COUNTRY HOUSE POEMS: THE POLITICS OF A GENRE

Abstract

The St. Louis Art Museum’s statue of Reclining Pan proved inspirational to many artists of the seventeenth century, none more so than Giovanni Benedetto Castiglione. The artist reproduced the statue in many of his works, making it a symbol of his invenzione. Previously, the few reproductions known of the statue have given the impression that Baroque audiences considered it antiquwct 2 e, and of less interest than other antiquities. This article corrects that assumption by examining Castiglione’s, as well as Peter Paul Rubens’, Joachim von Sandrart’s, Nicolas Poussin’s, and Salvator Rosa’s uses of the statue. The artists used the Pan as both figural exemplar and symbol for pastoral themes. These artistic responses are here set alongside new information concerning the Pan’s seventeenth-century provenance, display, and attribution to Bernini, to reveal the Reclining Pan as a primary catalyst for the period’s extensive Arcadian and bacchanalian imagery while simultaneously representing lessons of the classical style.     

Neotaphonomic measures of carnivore serial predation at Ngamo Pan as an analog for interpreting open-air faunal assemblages

Here I present a neotaphonomic account of natural bone accumulations that have resulted from carnivore serial predation at Ngamo Pan, a vast complex of seasonal water holes located in Hwange National Park, Zimbabwe. Reconstructing the taphonomic histories of faunal assemblages from open-air archaeological sites is burdened with a host of interpretive complications, and this study is offered as a referential means for evaluating instances where stone tools and bone accumulations are associated in apparent archaeological contexts. While the presence of stone tools implies some involvement on the part of humans, open-air sites near water would also have served as prime locations for serial predation by large carnivores to ambush prey—a situation that, over time, can mimic archaeological bone accumulations. The taphonomic and zooarchaeological signatures of carnivore serial predation at Ngamo Pan show marked similarities with the open-air faunal accumulation from Kalkbank, a late Pleistocene site in Limpopo Province, South Africa, located along the margins of a relict pan. Many potential archaeological sites within the interior of southern Africa dating to the Middle Stone Age are known from open-air settings near permanent or ephemeral bodies of water, and the ability to decipher between hominin and non-hominin carnivore involvement with bone accumulations is paramount in determining the hunting and scavenging behaviors of our early ancestors. As much of our understanding of hominin subsistence during the Middle Stone Age is drawn from coastal cave locations, this study is intended to encourage a broadening of our perspective on the taphonomic histories of faunal accumulations dating to the Middle Stone Age by incorporating supplementary evidence provided by these open-air sites.     

士绅的坚守与权变:清代苏州潘氏家族的家风与心态研究

苏州潘氏是徽商后裔,亦是江南著名的科第世家。潘氏家族发展过程中所形成的科举与经商迭相为用的二元价值观、学宗宋儒与讲究实用的家学传统,既是明清以来,尤其是晚清士商相混的结果,也是徽州和苏州两种不同地域文化整合的结果。而潘氏族人慎言慎行如履薄冰的仕途实践经验、行善与积福密切相连的因果报应观,则生动地反映了清代江南上层士绅的行为方式和源自于社会生活的伦理道德观。     

近出[口白]畁盉铭文考释

[口白]畁盉出于山西,应为西周穆恭时期器。此器铭之“[口白]畁”应是器主。《左传·昭公十五年》说,诸侯受封皆受明器于王室……故能薦彝器于王之礼,由本铭可以得到验证。“ ”字应释为“盘”字,此铭文为盔亦可以称为“尊般（盘）盉”提供新证。     

An airline at the crossroads of the world: Ariana Afghan Airlines,modernization, and the global Cold War

In 1957, the United States government provided funding for Pan American World Airways to purchase a 49% share in Afghanistan’s national airline, Ariana Afghan Airlines. While unusual in its scope, the arrangement was part of a broader program of US technical assistance, administered jointly by government agencies and private corporations, to newly formed airlines in Asia, the Middle East, and Africa. Between 1955 and 1965, technical assistance for commercial aviation was critical to the USA’s Cold War strategy to win ‘hearts and minds,’ and to contain Soviet influence, in the developing world. Using Ariana as a case study, this article examines what was at stake for the USA – politically, economically, and culturally – in aviation technical assistance projects. However, the article also argues that such projects should be seen as instances of ‘co‐production,’ in which recipients of technical assistance exploited superpower rivalries and actively shaped the airplane’s uses and meanings.     

Virgil's Fourth Eclogue and the Eleusinian Mysteries 1

This article argues that Virgil's Fourth Eclogue can in part be understood in light of the influence of the Eleusinian Mysteries on Roman religion. In particular, it argues that the child can be compared with Ploutos and that the return of the Virgo reflects the myth of Persephone. The myths of Demeter at Eleusis are assimilated to the Roman myth of a golden age under the rule of Saturnus. The return of Persephone from the Underworld and the birth of the child signify an end to war. The possible significance of the poem to Augustan propaganda is also discussed.