“History had taken such a large piece out of my life” — Neuroscientist refugees from Hamburg during National Socialism

ABSTRACT

Approximately 9,000 physicians were uprooted for so-called “racial” or “political” reasons by the Nazi regime and 6,000 fled Germany. These refugees are often seen as survivors who contributed to a “brain drain” from Germany. About 432 doctors (all specialties, private and academic) were dismissed from the major German city of Hamburg. Of these, 16 were Hamburg University faculty members dismissed from their government-supported positions for “racial” reasons, and, of these, five were neuroscientists. In a critical analysis, not comprehensively done previously, we will demonstrate that the brain drain did not equal a “brain gain.” The annihilation of these five neuroscientists’ careers under different but similar auspices, their shameful harassment and incarceration, financial expropriation by Nazi ransom techniques, forced migration, and roadblocks once reaching destination countries stalled and set back any hopes of research and quickly continuing once-promising careers. A major continuing challenge is finding ways to repair an open wound and obvious vacuum in the German neuroscience community created by the largely collective persecution of colleagues 80 years ago.     

Books Received

This article is an analysis of Argentine writer Jorge Luis Borges's short text “Kafka and His Precursors.” Although appearing to be an example of literary criticism, Borges's essay is in fact the exploration of a certain logical paradox. It is a paradox that is to be found throughout Borges's work, with the result that “Kafka and His Precursors” can be read as a disguised literary manifesto on the part of Borges. I also explore the consequences of Borges's essay for thinking about questions of cultural transmission. I argue that Borges’ work lives on—like those literary, religious and philosophical traditions he admires—because its most profound subject is the relationship it has with the person who reads it.     

Reading Kafka Visually: Gothic Ornament and the Motion of Writing in Kafka’s Der Process

Through close examination of the chapter ‘Im Dom’ in Kafka’s novel Der Process, this articles explores how a particular visual mode can shape the writing of a text. The mode analysed here inheres in the setting of Kafka’s chapter: the architecture of the Gothic cathedral, which the art historian Wilhelm Worringer, a contemporary of Kafka’s, saw embodied in the figure of ornament. This encounter between literary language and Gothic space as two phenomena mutually engendering each other opens a perspective onto the ‘motion of writing’ within the text, and onto its visuality and resonance with space. A dynamic and complex current; a chaotic tangle of lines; expression prevailing over meaning; an absent centre; vertigo and pathos — these are the principles shared by Worringer’s Gothic and Kafka’s writing.     

Leopards and Invisible Calculators: Violent Incorporation,Political Theology,and Kafka’s “Leopards in the Temple”

ABSTRACT

This essay reads Kafka’s aphorism “The Leopards in the Temple” together with some of the concerns of political theology to think about visibility and agency, the sacred and the profane, the violence of incorporation, and the field of political theology itself. Methodologically, it brings literary studies and political theology into richer engagement without consuming one into the other, either as mere illustration or as gloss. The condensed power of Kafka’s aphorism draws us right into the midst of questions about the dangers of consumption and incorporation, as well as the possibilities for meaningful interaction between these fields of study.