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This essay will consider the representation of the maternal in some contemporary Northern Irish fiction written by men. It will examine, using feminist theories of embodiment and subjectivity, the power of the maternal image in Irish literary and critical discourse. The work of Julia Kristeva, Elizabeth Grosz and Mikhail Bakhtin will be employed in this argument. The pregnant body has the power to radically unsettle order, and this essay will explore the way in which men write their fears of this all-consuming imago. Northern Irish men write out their fears of all-consuming national ideology through infanticide and grotesque mother figures and this essay will trace how this figure is complicated through political ideology in Northern Ireland. The texts under consideration will be Ripley Bogle and Eureka Street by Robert McLiam Wilson and Resurrection Man and The Last of Deeds by Eoin McNamee, as well as a glance towards the work of Glenn Patterson as a possible alternative to the hegemonic view of the grotesque or abjected maternal.  相似文献   
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In contemporary Australian politics, challenges to the Prime Ministerial role have become more common. Australia saw five Prime Ministers from 2010 to 2015 including Australia’s first ever woman Prime Minister, Julia Gillard. A stark contrast is evident in media portrayals of Gillard and her male counterparts, apparent most recently in the response to Malcolm Turnbull’s ascension to the Prime Ministership. A range of evidence has been produced, in disciplines including political science and media studies, suggesting the existence of systemic gender bias in the mainstream media in English-speaking democracies. This article is the first to compare the media portrayals of Gillard and Turnbull’s respective ascensions to leadership, which it does drawing on Judith Butler’s concept of gender performativity and using a content and discourse analysis. It contributes further evidence of gender bias in the coverage of political leaders.  相似文献   
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