Medbh McGuckian's source texts and the challenge to authorial identity in “The Good Wife Taught her Daughter”

This article contends that Medbh McGuckian's “The Good Wife Taught her Daughter”, from her 2006 volume The Currach Requires No Harbours, offers an example of the poet's direct engagement with and rejection of negative commentary regarding her opaque style and incorporation of material from source texts. This article first presents a contextualising overview of the main strands of criticism of McGuckian's work. Following this, two detailed readings of this poem are offered. The first of these readings foregrounds McGuckian's challenge to the possibility of stable meaning in any linguistic act. The second reading identifies McGuckian's source texts and examines how their content and nature underline her deliberate destabilisation of identity and meaning.     

Conceptual Debts: Modern Architecture and Neo-Thomism in Postwar America

This article analyzes the formative role of medieval theology and aesthetics in the development of postwar American architecture by focusing on the architectural theory and practice of Mies van der Rohe and Jean Labatut, both of whom became actively interested in Neo-Thomism from the late 1940s. More specifically, a closer look at their reliance on the work of Jacques Maritain, the preeminent promotor of Neo-Thomism, sheds light on the transmission and circulation of old and new concepts within twentieth-century architectural theory. By revealing how Maritain’s ideas helped to codify the latter and thus exposed the premodern ideas at the heart of modern architecture, I argue that modernist aesthetics should be re-evaluated with regards to its definition of “the new” and its emphasis on the breakdown or mutation of premodern frames of reference.     

Orthodox violence: “Critique of Violence” and Walter Benjamin's Jewish political theology

This paper deals with the role of Judaism in Walter Benjamin's famous 1921 essay on violence and law, Zur Kritik der Gewalt. Despite the intense attention devoted to this essay, the role of Jewish myth in it has not yet been thoroughly explained. This study contends that the association between what Benjamin termed revolutionary violence and the Jewish messianic tradition, which plays a central role in the evaluation of Benjamin's text, is far more problematic than has hitherto been assumed, and poses a serious challenge, which has not been fully examined in its historical context. Second, this essay claims that the subversive elements that many have supposedly found in Benjamin's text and the attempts to link these elements to messianic traditions are also unconvincing. Third, the paper contextualizes Benjamin's thought within the framework of the Jewish political–theological debate of the period. It contends that Benjamin's theory of law and justice should be understood not as a revolutionary, anti-republican text, as has been generally accepted, but as a secularized conservative orthodox one. In doing so, it seeks to shed light not only on Benjamin's early thinking and its influences, but also on the neglected element of Jewish orthodoxy within the broader topic of political theology.     

Preaching in thirteenth-century hospitals

This article uses thirteenth-century hospital sermons as a window into the moral and religious environment of these charitable institutions, large numbers of which were founded during the twelfth and thirteenth centuries. What emerges from the reportationes of sermons preached in the hôtel-dieu of Paris and ad status sermons directed at hospitals' personnel and inmates by Jacques de Vitry, Humbert of Romans and Guibert de Tournai is a spirituality that stressed the penitential (and potentially salvific) power of doing works of mercy (in the case of hospital workers) and bodily suffering (in the case of hospital inmates). The particular social context of hospital preaching is also evident in preachers' anxieties about the quality of hospital administration. The sermons that were preached in thirteenth-century hospitals reflect the heightened value placed on caring for the sick and poor, a historical development more often associated with the later middle ages.     

A Theo-Politics of the (Im)proper: Jacques Derrida vis-à-vis Graham Ward

Abstract

The contemporary situation of the "war on terrorism" provides a particularly challenging environment in which to seek to interpret and apply Jesus' commandment to love our enemies. This commandment received major emphasis during the first few centuries of the church, but subsequent interpretation of it has become increasingly complex. Nevertheless, I argue for the broad applicability of the commandment and show that it provides a check against the polarizing and dehumanizing tendencies which accompany modern warfare, because an understanding of the love of enemies reveals that the real enemy is enmity itself. Finally, the article examines a group of sermons preached in the immediate aftermath of September 11 and concludes that while the majority neglect to speak of love for enemies, those preachers that do are able to bring it to bear in relevant and powerful ways.     

The political subjectivization of Korean creative workers: working and living as urban precariat in creative city Seoul

This study aims to reconsider and re-evaluate the rapid circulation of global creative city policy from the viewpoint of its creative workforce by focusing on the case of Seoul, South Korea. By locating creative workers’ experiences in Korea within the growing scholarship on the precariat, this research not only attempts to fully understand the complexity of labor subjectivities of creative workers but further explores how creative workers can actually become political subjects who can resist their given precarious working and living conditions. By using Jacques Rancière’s concept of ‘political subjectivation’, it attempts to show how creative workers can empower themselves as ‘political subjects’ who strategically disavow their given self-identities as ‘individualized creators’, and through this language they are able to recall the often neglected subjectivity of ‘solidified labor’. In doing so, this research contributes to theoretical insights so that we can better understand what leads to political formation of creative workers.     

Le rire et le théâtre dans la Lettre à M. d’Alembert

Often interpreted as a field of contradictions and fragmentation, the work of Jean-Jacques Rousseau presents an inner unity. This inner unity, though, is structured around regulated contradictions. I will examine here the distribution of those regulated contradictions by focusing on the preface to the Lettre à M. d’Alembert sur les spectacles and the relations between the Lettre and the Essai sur l’origine des langues. What Rousseau rejects as agents of corruption—theater and laughter—constitute at the same time the principles of his argument. The values of representation and technique implied by theater and laughter come to compose with those of presence and nature. Taking as a point of departure the work of Jacques Derrida on Rousseau, but also engaging it polemically, I will show in the analysis of the preface to the Lettre the distribution of regulated contradictions as well as the essential difference between language and theater in Rousseau throughout his reflection on the origin of theater and language.     

Preaching in thirteenth-century hospitals

This article uses thirteenth-century hospital sermons as a window into the moral and religious environment of these charitable institutions, large numbers of which were founded during the twelfth and thirteenth centuries. What emerges from the reportationes of sermons preached in the hôtel-dieu of Paris and ad status sermons directed at hospitals' personnel and inmates by Jacques de Vitry, Humbert of Romans and Guibert de Tournai is a spirituality that stressed the penitential (and potentially salvific) power of doing works of mercy (in the case of hospital workers) and bodily suffering (in the case of hospital inmates). The particular social context of hospital preaching is also evident in preachers' anxieties about the quality of hospital administration. The sermons that were preached in thirteenth-century hospitals reflect the heightened value placed on caring for the sick and poor, a historical development more often associated with the later middle ages.     

DECONSTRUCTING HISTORICIST TIME,OR TIME'S SCRIBE

This article investigates the enduring chronopolitics of Historicism. To do so, I work through two dominant understandings of Historicism: the view that “historicism” is a means to account for the historian's own standpoint or historical situation as the place from which they take up and interpret the past, which I call Historicism A, and the separate (though now more popular) understanding of “historicism” that is derived from Karl Popper's The Poverty of Historicism, which I call Historicism B. I am less interested in what draws these varying definitions of Historicism apart and instead investigate a point of intersection in their understanding of time and temporality. Both strains serve politics via a concept of time as a neutral, uniform, and apolitical scale upon which any political or ideological agenda is enacted. Time here serves as the basis for historical explanation, but its neutrality, homogeneity, and extra-historicality are a trick. I employ Gérard Genette's analytic of the palimpsest, with the help of Nancy Partner, to expose the ways that Historicism allows the past to be rewritten and overwritten to political and ideological ends that the temporal construct conceals. This then enables me to work through the politics of Historicism and ultimately deconstruct Historicist time, demonstrating how the universal or eternal claims of Enlightenment or pre-Historicist thought are actually maintained in Historicism as the mechanism to advance political and ideological positions under the cloak of neutrality. In what follows, I make the temporal mechanism of Historicism explicit in order to expose the ethical failings that this mechanism conceals.     

Heidegger's Pragmatism: Understanding,being, and the critique of metaphysics

In many ways, the 1707 Act of Union encouraged various practices of literary nation-building and the search for authentic ’British’ voices. In their desire to assert the politeness of this newly constituted British identity, writers such as Joseph Addison, Thomas Blackwell and James Macpherson shared a preoccupation with a quality which Addison termed ‘majestick Simplicity’. The implicit codification of polite manners and taste in the Spectator might at first appear to contradict this literary fascination with the search for exemplars of native British simplicity. This article explores the continuity of these concerns in the writings of Addison, Blackwell and Macpherson, suggesting some of the ways that authenticity and politeness exerted conflicting demands on the eighteenth-century literary culture of Britishness.