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1.
In this article I examine the relations between Jacob’s putative oral story and the pre-Priestly narrative. I argue that Hosea’s prophecy presents the version of Jacob's oral story related in his time and antedated by many years the composition of the story-cycle in its written form. Comparison of Hosea’s prophecy and Jacob’s narrative indicates the thorough way in which the exilic author worked the oral story he received in order to fit it to his ideological messages and religious concepts. To further examine the relations between the oral and written modes, I discuss the episode of the treaty between Laban and Jacob (Gen 31,45–54) in light of a Mari letter (A.3592). Comparison of the two episodes indicates that part of the biblical narrative rests on the oral story and other part was written by the late author. Evidently, the long process of oral transmission, the growth of the narratives in its course, and the creative reworking of the author make it impossible to either isolate the early oral layer within the present story-cycle or to date the stages of its growth in the oral process of transmission.  相似文献   
2.
汉代郡治之县,在同郡属县中秩级最高。由张家山汉简《二年律令·秩律》载录的各郡辖县秩级,可探知西汉初年某些郡的治所: 陇西郡治所为上邽县;上郡治所为高奴县;北地郡治所为彭阳县。此外,西汉初年汉中、河东、河内三郡治所也可以凭借《秩律》得到进一步限定。《秩律》在西汉初年郡治研究上的价值需要得到重视。  相似文献   
3.
明人《十同年图》卷是描绘明中期大臣李东阳、闵珪等十位甲申进士同年的一次雅集的群像画,创作于弘治十六年癸亥(1503年)。它是历代雅集图的继承和发展。画面生动地再现了孝宗朝精英朝臣的群像。明孝宗以仁政和善用贤臣享有盛名.其统治时期是明代政治较为清明的时期,“甲申十同年”是当时官僚体系中的中流砥柱.此图因而具有重要的历史价值。此外.此卷为闵珪家藏本,后人提到此图为宫廷画家吕纪所作.本文针对这一问题试作分析。  相似文献   
4.
周施廷 《史学集刊》2020,(2):93-104
自布克哈特在《意大利文艺复兴时期的文化》中首次提出彼特拉克是"第一个现代人"后,引发学术界关于彼特拉克是"现代人"抑或中世纪人的激烈争论。身处中世纪与文艺复兴新旧交替以及"现代人"与旧有传统矛盾的历史时期,作为文艺复兴之父的彼特拉克首当其冲地经历了这场巨变。在经历青年、中年和老年的三场觉醒后,彼特拉克意识到自己需要摆脱过去与未来之纠缠,在新旧的断裂带中寻找突破时间限制的夹缝,让自己的作品在时间的洪流中保持永恒的鲜活。  相似文献   
5.
A robust debate among coastal geomorphologists as to the processes by which beach‐ridge plains around Australia have formed was initiated by a former President of the Institute of Australian Geographers. This review gives special consideration to the work of Jack L. Davies, whose academic contributions to coastal geomorphology in Australia have not always been appropriately acknowledged when explaining how similar plains have evolved elsewhere in the world. Davies recognised that relatively steep storm waves caused erosion (cut) on beaches, whereas less steep long‐period swell waves returned sand (fill). He considered the beach berm to be the nucleus on which a beach ridge formed, which could subsequently develop into a foredune, in contrast to cobble ridges that were deposited during storms. Offshore conditions regulate supply of sand to the shoreline, partly through effects on wave refraction, with higher rates of supply where the nearshore is shallow. It was apparent to Davies that the elevation of successive ridges might, but not necessarily, provide evidence of past changes of sea level, despite adornment by variable amounts of windblown dune sand. Morphodynamic understanding of long‐term coastal evolution, based on radiocarbon dating chronologies, has demonstrated that Australian coastal plains formed over the past ~6,000 years when sea level has been close to its present level, in contrast to several documented locations in the northern hemisphere where the sea has been rising for the past few millennia. Particularly insightful were observations by Davies that ridge formation could be influenced by a range of factors including changes in sea level, storminess, or sediment supply. These factors acting singly or in combination seem likely to change in the future. Understanding such responses remains a high priority and can be addressed by new technologies, such as light detection and ranging, optically stimulated luminescence dating, ground‐penetrating radar, and computer simulation.  相似文献   
6.
ABSTRACT

My focus in this article is on a small group of German theorists, designers and patrons who thought extensively about the relationship between national identity and garden design: Christian Hirschfeld, Prince Franz von Anhalt-Dessau and his wife Luise, Johann Wolfgang von Goethe, and Prince Pückler. These garden enthusiasts knew one another through personal contact or their writings, and they responded to and developed their ideas in relation to the newly framed creative enterprise in German lands of “garden-landscape-art”. What they shared was a conviction that garden forms affect feelings, with the role of the garden artist to determine paths that would alter and diversify the visitor’s experience of place. This essay explores how spontaneous emotions, elicited by movement through the garden, were linked with a growing sense of patriotism that contrasted with cosmopolitan judgments in the writings of Hirschfeld, Pückler, and Goethe.  相似文献   
7.
Grasslands pose a particular problem for archaeological survey involving artifact assessment, as no material is plowed up to the surface. Although finds in molehills are often the only source of information available on sites with such low visibility, an archaeology of molehills has thus far been largely disregarded. Yet, by applying a low-cost and time-efficient methodology, both the potential and the pitfalls of molehill archaeology come to the forefront. At the medieval harbor site of Monnikerede, it was possible to assess material culture and to locate certain structural elements. However, when artifact densities were compared with the underlying geophysical anomalies, a more complex relationship appeared at the level of individual features.  相似文献   
8.
王宏斌 《史学月刊》2006,1(9):35-41
林则徐最初认为“银贵钱贱”是鸦片透漏白银出境造成的,但是到了1846年,当他看到西安市场上银价“忽低忽昂”,在不了解“杰科布定律”的情况下,最后他还是陷入一片迷茫之中,留下了“其理亦不可解”的感叹。  相似文献   
9.
This paper deals with the role of Judaism in Walter Benjamin's famous 1921 essay on violence and law, Zur Kritik der Gewalt. Despite the intense attention devoted to this essay, the role of Jewish myth in it has not yet been thoroughly explained. This study contends that the association between what Benjamin termed revolutionary violence and the Jewish messianic tradition, which plays a central role in the evaluation of Benjamin's text, is far more problematic than has hitherto been assumed, and poses a serious challenge, which has not been fully examined in its historical context. Second, this essay claims that the subversive elements that many have supposedly found in Benjamin's text and the attempts to link these elements to messianic traditions are also unconvincing. Third, the paper contextualizes Benjamin's thought within the framework of the Jewish political–theological debate of the period. It contends that Benjamin's theory of law and justice should be understood not as a revolutionary, anti-republican text, as has been generally accepted, but as a secularized conservative orthodox one. In doing so, it seeks to shed light not only on Benjamin's early thinking and its influences, but also on the neglected element of Jewish orthodoxy within the broader topic of political theology.  相似文献   
10.
This article offers a new perspective on the relationship between cocaine and medical practitioners in late nineteenth- and early twentieth-century Britain. Cocaine is often understood as one of a number of potentially addictive substances to which Victorian physicians and surgeons were regularly exposed, and tempted to indulge in. However, while cocaine has frequently been associated with discourses of addiction, this article proposes that it was also widely represented as a technological triumph, and that the drug was frequently used as a symbol for the scientific and moral virtues of the medical man. The argument draws on popular journalism, medical publications, and fiction to establish the cultural context of cocaine at the fin de siècle. In 1884, cocaine was revealed to be the first effective local anaesthetic, and this article traces the processes by which cocaine came to be regarded as the iconic achievement of nineteenth-century therapeutic science. This aura of innovative brilliance in turn communicated itself to the medical professionals who employed cocaine in their work, so that many patients and practitioners alike depicted cocaine as a most fitting emblem for the idealized selfhood of the modern medical man. This idea also informs portrayals of the drug in fiction, and I conclude with a detailed analysis of L. T. Meade’s 1895 short story, ‘The Red Bracelet’ (published in the Strand Magazine as part of Meade’s series, ‘Stories from the Diary of a Doctor’), as an example of the way in which cocaine functions as metaphor for the physician’s unassailable moral primacy and technical excellence.  相似文献   
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