Illuminating the Victorians

ABSTRACT

From the beginning of the twentieth century, Japanese roboticists have observed specific features in the physical designs of humanoid robots that cause users to react with either fear or affection. Analyzing the sources of these reactions, robotics egineers eliminated from robots those features that might trigger negative associations, and instead embedded their designs with cues to norms, theories, and cultural references valued by their society. By analyzing Nishimura Makoto’s building of an affable artificial human named Gakutensoku, Mori Masahiro’s discovery of the phenomenon of the ‘uncanny valley’, and Ishiguro Hiroshi’s current employment of cognitive, social, and psychological sciences to overcome the ‘uncanny’ impression of his robots, this essay claims that the development of the field of humanoid robotics in Japan was driven by concern with human emotion and cognition, and shaped by Japanese roboticists’ own associations with the social and intellectual environments of their time.     

Illusions of a Future: Ishiguro,Liberalism, Political Theology

ABSTRACT

This article explores the fate of political theology in Kazuo Ishiguro's speculative fiction Never Let Me Go (2005) and, by implication, in contemporary fiction more broadly. To pursue a reading of Christianity that extends from Hegel through Lacan to ?i?ek, the article argues that political theology’s future may perversely lie in a materialism emptied of all transcendental guarantees: political theology is the historically privileged master fantasy or illusion which reveals the fantastic or illusory status of our entire relation to the real in (neo-)liberal modernity. In conclusion, the article argues that Ishiguro’s fiction may thus be read less as a melancholic dystopian study in total ideological capture or surrender than as the representation of a state of immanent freedom beyond the power relations of (neo-)liberal subjectivity.